Bøker i Media, Culture and Social Change in Asia-serien

Argues that the internet in China is a separate 'space' in which a separate society of individuals and institutions interact, and that, while the 'real' and the 'online' spaces interact and influence each other, the Chinese internet is more than merely a technological or media extension of offline Chinese society.

Home to approximately one-fifth of the world's Muslim population, Indonesia and Malaysia are often overlooked or misrepresented in media discourses about Islam. This book dispels the notion that Islam is monolithic, militaristic, and primarily Middle Eastern and emphasizes upon its performative nature in contemporary Indonesia and Malaysia.

This book examines the media in the post-authoritarian politics of twenty-first century Indonesia. It considers how the media is being transformed, its role in politics, and its potential impact in enabling or hampering the development of democracy in Indonesia.

HIV/AIDS is a serious problem in China. This book explores HIV/AIDS, its portrayal in China's media, and the implications for public health policy. It discusses how many Chinese wrongly believe themselves to be immune, with infection only a possibility for other ethnic groups with perceived lower moral standards.

Director Zhang Yimou's film "Hero", released in 2002, is widely regarded as the first globally successful indigenous Chinese blockbuster, touching on key questions of Chinese culture, nation and politics. This book explores the reasons for the film's popularity with its audiences.

Examines the role played by the media in China's cultural transformation. This book demonstrates that the media is integral to China's changing culture in the age of globalization, whilst also being part and parcel of the State and its project of re-imagining national identity.

Written by a recognized international scholar in the China media field, this book analyzes China's creative economy and how television, animation, advertising, design, publishing and digital games are reshaping traditional understandings of culture.

Traces the emergence of the modern Chinese press from its origins in the western Christian missionary press in the late nineteenth century. This book demonstrates how missionary publications reshaped print journalism from a centuries-long monopoly by the state into a pluralized, modernizing and frequently radical public journalism.

Examines Japanese popular music, exploring its historical development, technology, business and production aspects, audiences, and language and culture. This book aims to find differences as well as similarities between the Japanese and Western pop music scenes. It shows how Japanese music has responded to Japan's relationship to the West.

Analyzes the relationship between political power and the media in a range of nation states in East and Southeast Asia. This book discusses the centrality of media in sustaining repressive regimes, and the role of the media in the transformation and collapse of such regimes.

Examines Tamil cinema, which has overtaken Bollywood in terms of annual output, outlining its history and distinctive characteristics, and proceeds to consider a number of important themes such as gender, religion, class, caste, fandom, cinematic genre, the politics of identity and diaspora.

Explores the inherent contradiction present in most facets of Singaporean media, cultural and political discourses, identifying the key regulatory strategies and technologies that the ruling People Action Party employs to regulate Singapore media and culture.

Aiming to offer insights into the vibrant area of Hong Kong, this book links Hong Kong with world film culture both within and beyond the commercial Hollywood paradigm.

K-pop, described by Time Magazine in 2012 as "South Korea's greatest export", has rapidly achieved a large worldwide audience of devoted fans largely through distribution over the Internet. This book examines the phenomenon, and discusses the reasons for its success. It analyses pop fandom and cultural agency through analyses of fan practices, discourses, and underlying psychologies within their local habitus as well as in expanding topographies of online networks. Overall, the book addresses the question of how far "Asian culture" can be global in a truly meaningful way, and how popular culture from a "marginal" nation has become a global phenomenon.

This book explores the trade in television program formats, which is a crucially important ingredient in the globalization of culture, in Asia.

Challenges that Hollywood/the US creates, produces and exports, with other countries importing, and sometimes pirating 'original' American work. This book focuses on the cinema of China, Taiwan and Hong Kong, and argues that cultural ownership and copyright are not clear-cut, and that copyright is a means for cultural control.

This book explores in detail how the extraordinary global success of Korean pop music - K-Pop - has been received in Europe. Focusing on the United Kingdom, Germany and Austria, it discusses the motivations and characteristics of K-Pop fans, examines the role of new media, cultural polices and global creative industries, and relates K-Pop fandom to the multicultural and cosmopolitan milieu of much of Europe. The book concludes by assessing how far K-Pop fandom is part of a new global popular youth culture.

This book explores these issues with reference to Malaysia and Singapore. It analyses how journalists monitor governments and cover elections, discussing what difference journalism makes; it examines citizen journalism, and the constraints on it, often self-imposed constraints; and it assesses how governments control the media, including outlining the development and current application of legal restrictions.

Tamil Cinema in the Twenty-First Century explores the current state of Tamil cinema, one of India's largest film industries

This book explores the full range of ways in which modern Chinese values are put across in film. It examines official policies, discusses how far they have succeeded or failed, and explores alternative approaches. Overall the book enriches understanding of the ways in which soft power works in all situations including beyond China.

This book explores the full range of ways in which modern Chinese values are put across in film. It examines official policies, discusses how far they have succeeded or failed, and explores alternative approaches. Overall the book enriches understanding of the ways in which soft power works in all situations including beyond China.

Addressing the questions of social identity, well-being, participation and exclusion, this book examines the influence of the mobile media technology in the lives of young people in East and North Asia, South East Asia and Australia.

Examines the development of television in India since the early 1990s, and its implications for Indian society more widely. This book elucidates the transformative impact of television on a range of important social practices, including politics and democracy, sport and identity formation, cinema and popular culture.

This book examines the transformations in form, genre, and content of contemporary Chinese print media. It describes and analyses the role of post-reform social stratification in the media, focusing particularly on how the changing practices and institutions of the industry correspond to and accelerate the emergence of a relatively affluent urban leisure-reading market. It argues that this reinvention of Chinese print media vis- -vis the creation of a post-socialist taste (class) culture is an essential part of the cultural and affective transformations in contemporary Chinese society, and demonstrates how the reinvention of such taste culture effectively creates, through new kinds of reading materials and carefully demarcated target audiences, a middle-class civility that serves as the locus of the new niche media market.

This book examines two seemingly contradictory and yet parallel processes in the circulation of Asian popular culture: the interconnectedness between Asian popular culture and western culture in an era of cultural globalization, and the local derivatives and versions of global culture that are necessarily disconnected from their origins in order to cater for the local market.