Bøker i Medieval and Early Modern Iber-serien

This book discusses the decoration types of Sephardic illuminated Bibles in their broader historical, and social context in an era of cultural transition in Iberia and culture struggle within Spanish Jewry.

This volume offers a reconstruction of the court culture of the taifa kings of al-Andalus (11th century A.D.), using both visual and textual evidence. A focus of particular attention is the court of the Ban? H?d at Zaragoza, and that dynasty's palace, the Aljaferma. Principle written sources are not histories and chronicles, but the untranslated poetic anthologies of al-?imyar? and al-Fat? ibn Kh?q?n.The first part of the book addresses taifa visual and literary languages, with especial emphasis on connections between the literary and visual aspects of taifa aesthetics. The sections on the Aljaferma's ornamental program will be of particular interest, not only to historians of Islamic art, but to students of all visual traditions with strong non-figural components.In addition, Part One also proposes that taifa court culture has been considered as a culture of "courtly love," and this argument also forms the point of departure for Part Two. The second part of the study uses luxury objects of Islamic and Limousine production as a point of departure for a detailed comparison of the thematics of taifa poetry in classical Arabic on the themes of courtly love and pleasures with those of the better-known Provengal tradition.

This study traces the history of San Isidoro in Leon from a small eleventh-century palatine chapel housed in a double monastery to a great twelfth-century pilgrimage church. Its most groundbreaking contribution to the history of art is the recovery of the lost patronage of Queen Urraca (reigned 1109-1126).

Revisiting al-Andalus brings together a range of new approaches to the material culture of Islamic Iberia, highlighting especially new directions in Anglo-American scholarship in this field since the influential exhibition in 1992, Al-Andalus: the Art of Islamic Spain.

This book charts the history of the most vitriolic and successful anti-Semitic polemic printed in the early modern Hispanic world, offering the first analysis, edition and translation of the text: the Centinela contra judíos of the Franciscan Francisco de Torrejoncillo.

In Culture and Society in Medieval Galicia, twenty-three international authors examine art, religion, literature, and politics to chart Galicia's changing place in Iberia, Europe, and the Mediterranean and Atlantic worlds from late antiquity through the thirteenth century.

In Self-Fashioning and Assumptions of Identity in Medieval and Early Modern Iberia, chapter authors assert the applicability of Stephen Greenblatt's self-fashioning theory, originally framed within Elizabethan England, to medieval and early modern Iberia in the fourteenth, fifteenth, and sixteenth centuries.

The Expulsion of the Moriscos from Spain offers a multi-perspective study of the forced migration and diaspora of the crypto-Muslim minority in the Mediterranean in the first half of the 17th century.

In The Crown, the Court and the Casa da Índia, Susannah Humble Ferreira re-evaluates the place of the overseas expansion in the policies of the Portuguese Crown in the so-called 'Age of Discoveries'.

The Imaginary Synagogue studies the social and political importance as well as the evolution of the vast anti-Jewish Portuguese Early Modern literary production.

Envisioning Others offers a multidisciplinary view of the relationship between race and visual culture in the Spanish- and Portuguese-speaking world, from the kingdoms of Spain and Portugal to colonial Peru and Colombia, post-Independence Mexico, and the pre-Emancipation United States.

In Beyond Faith Hamilton explores how a collection of fifteenth-century vernacular texts recorded in Hebrew points to a form of personal religious belief shaped in a century of political and social strife, reflecting knowledge of the Judeo-Andalusi philosophical tradition and emerging European humanism.