Bøker i Medievalism-serien

The influence on Enlightenment thought of medievalism has been underestimated; it is here reappraised and its significance brought out.

The importance of the Anglo-Saxon past to England in the eighteenth century, politically and culturally, is here brought out.

First full-length critical study of humour in medievalism.

An accessibly-written survey of the origins and growth of the discipline of medievalism studies.

Definitions of key words and terms for the study of medievalism.

An examination of the ways in which the fluid concept of "chivalry" has been used and appropriated after the Middle Ages.

A survey of the rituals of the year in Victorian England, showing the influence of the Middle Ages.

Old English scholars of the mid-seventeenth century lived through some of the most turbulent times in English history, but the upheaval inspired them to produce landmark texts in early Old English studies.

Offers new insights into the political and modern uses of public monuments devoted to figures from the past and the role of historical culture in the creation of national identity.

A fresh new approach to Victorian medievalism, showing it to be far from the preserve of the elite.This book offers a challenge to the current study of nineteenth-century British medievalism, re-examining its general perception as an elite and conservative tendency, the imposition of order from above evidenced in the work of Walter Scott, in the Eglinton Tournament, and in endless Victorian depictions of armour-clad knights. Whilst some previous scholars have warned that medievalism should not be reduced to the role of an ideologically conservative discourse which always and everywhere had the role of either obscuring, ignoring, or forgetting the ugly truths of an industrialised modernity by appealing to a green and ordered Merrie England, there has been remarkably little exploration of liberal or radical medievalisms, still less of working-class medievalisms. Essays in this book question a number of orthodoxies. Can it be imagined that in the world of Ivanhoe, the Eglinton Tournament, Dante Gabriel Rossetti, Alfred Tennyson, the working class remained largely oblivious to, or at best uninterested in, medievalism? What, if any, was the working-class medievalist counter-blast to conservatism? How did feminism and socialismdeploy the medieval past? The contributions here range beyond the usual canonical cultural sources to investigate the ephemera: the occasional poetry, the forgotten novels, the newspapers, short-lived cultural journals, fugitive Chartist publications. A picture is created of a richly varied and subtle understanding of the medieval past on the part of socialists, radicals, feminists and working-class thinkers of all kinds, a set of dreams of the Middle Agesto counter what many saw as the disorder of the times. DAVID MATTHEWS is Professor of Medieval and Medievalism Studies in the English Department at the University of Manchester; MICHAEL SANDERS is Senior Lecturer in Nineteenth-Century Writing in the English Department at the University of Manchester. Contributors: Stephen Basdeo, Carolyn Collette, Ingrid Hanson, Stephen Knight, David Matthews, Stuart McWilliams, Rosemary Mitchell, Matthew Roberts, Michael Sanders, Colin Trodd.

The essays here, united by their appreciation of the centrality of translation to the interpretation of the medieval past, add to our understanding of how the old is continually made anewThe first decades of the twenty-first century have seen an unprecedented level of creative engagement with early medieval literature, ranging from the long-awaited publication of Tolkien's version of Beowulf and the reworking of medieval lyrics by Ireland's foremost poets to the adaptation of Eddic and Skaldic poetry for the screen. This collection brings together scholars and accomplished translators working with Old English, Old Norse and MedievalIrish poetry, to take stock of this extraordinary proliferation of translation activity and to suggest new ways in which to approach these three dynamic literary traditions. The essays in this collection include critical surveysof texts and traditions to the present day, assessments of the practice and impact of individual translators from Jorge Luis Borges to Seamus Heaney, and reflections on the particular challenges of translating poetic forms and vocabulary into different languages and media. Together they present a series of informed and at times provocative perspectives on what it means to "e;carry across"e; early medieval poetry in our contemporary cultural climate.Dr Tom Birkett is lecturer in Old English at University College Cork; Dr Kirsty March-Lyons is a scholar of Old English and Latin poetry and co-organiser of the Irish Research Council funded conference and translation project "e;Eald to New"e;. Contributors: Tom Birkett, Elizabeth Boyle, Hannah Burrows, Gareth Lloyd Evans, Chris Jones, Carolyne Larrington, Hugh Magennis, Kirsty March-Lyons, Lahney Preston-Matto, Inna Matyushina, Rory McTurk, Bernard O'Donoghue, Heather O'Donoghue, Tadhg O Siochain, Bertha Rogers, M.J. Toswell.

How ideas and ideals of an imagined, protean, national Middle Ages have once again become a convergence point for anxieties about politics, history and cultural identity in our time - and why.