Bøker i Menil Collection (YUP)-serien

Robert Rauschenberg began to investigate the boundaries between painting and sculpture in the 1950s, working with a variety of found objects in his Combine paintings and freestanding Combines. This book focuses on Rauschenberg's Cardboards, along with related works from his "Made in Tampa Clay", "Cardbirds", and "Venetian" series.

The definitive six-volume catalogue raisonné of the drawings of one of the most important artists working today

Published in conjunction with the exhibition Mona Hatoum: Terra infirma organized by The Menil Collection, Houston, October 13, 2017-February 28, 2018.

Features thousands of images rendered by photomechanical reproduction that served a populist, mid-century encyclopaedia are reconfigured with 21st-century hindsight and idiosyncratic connections that convey social and artistic commentaries.

The first survey of more than fifty years of drawing by a legendary sculptor and draftswoman

Walter De Maria (b 1935) is known for the expansive and perfectly ordered land art and installations he created in the 1970s. This book introduces the work, "The Bel Air Trilogy" (2000-11), in which the artist combines exacting geometry with the unexpected element of three 1955 "gypsy-red" Chevrolet Bel Airs.

Explores the works of American abstract painter and watercolourist Suzan Frecon (b 1941), critically acclaimed for her sensitive arrangement of colour, form, and texture, and for the philosophical resonance of her art. This book features ten oil paintings and thirty watercolours dating from the late 1990s to 2007.

In 1957-58, after he moved to New York's Lower East Side, Claes Oldenburg (b 1929) began making collages he has described as "mostly done in an uncontrolled and intuitive dream mode". This title features Cleas Oldenburg's eighteen collages that were first shown in their entirety at the Menil Collection in 2012.

As the focal point of numerous high-profile exhibitions, the sculpture of Richard Serra (b. 1939) has drawn international acclaim. This title brings together the Serra's drawn work, considering the artist's investigation of medium as an activity both independent from and linked to his pioneering sculptural practice.