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For 60 years Sherry Olson has been sharing her passion for understanding how people live in space and time. She has made major contributions to environmental, social, urban, and women's histories, as well as public health, demography, and geographic information systems.

Tu sais, mon vieux Jean-Pierre offers a series of essays on the archaeology and history of New France, and sets out to dispense with old-fashioned and facile generalizations and get down to the business of understanding real people and their possessions in context.

The Far Northeast: 3000 BP to Contact synthesizes archaeological research covering the period from 3000 BP to European contact in the Far Northeast of North America. Focusing on intra- and inter-regional cultural connections, this collective work offers an in-depth case study of hunter-gatherer lifeways.

This book examines Marius Barbeau's career at Canada's National Museum (now the Canadian Museum of History), in light of his education at Oxford and in Paris (1907-1911).Based on archival research in England, France and Canada, Marius Barbeau's Vitalist Ethnology presents Barbeau's anthropological training at Oxford through his meticulous course notes, as well as archival photographs at the Pitt Rivers Museum and the Bibliothèque et Archives nationales du Québec. It also draws upon Barbeau's professional correspondence at Library and Archives Canada, the BC Archives, and, above all, the National Museum, where he worked for over four decades.The author, Frances M. Slaney, sheds light on the professional life of this founder of Canadian anthropology, exploring his difficult working relationships with Edward Sapir, his collaborations with Franz Boas, and his outstanding fieldwork in rural Quebec and with Indigenous communities on British Columbia's Northwest Coast.Barbeau penned over 1,000 books and articles, in addition to curating innovative museum exhibitions and art shows. He invited Group of Seven artists into his field sites, convinced that their works could better capture the "vitality" of Quebec's rural culture than his own abundant photographs. For these-and many other-contributions, the Historic Sites and Monuments Board of Canada recognized him as a "person of national historic importance" in 1985.

In the mid-to late 1660s and early 1670s, the Haudenosaunee established a series of settlements at strategic locations along the trade routes inland at short distances from the north shore of Lake Ontario. From east to west, these communities consisted of Ganneious, on Napanee or Hay Bay, on the Bay of Quinte; Kenté, near the isthmus of the Quinte Peninsula; Ganaraské, at the mouth of the Ganaraska River; Quintio, on Rice Lake; Ganatsekwyagon, near the mouth of the Rouge River; Teiaiagon, near the mouth of the Humber River; and Qutinaouatoua, inland from the western end of Lake Ontario. All of these settlements likely contained people from several Haudenosaunee nations as well as former Ontario Iroquoians who had been adopted by the Haudenosaunee. These self-sufficient places acted as bases for their own inhabitants but also served as stopovers for south shore Haudenosaunee on their way to and from the beaver hunt beyond the lower Great Lakes. The Cayuga village of Kenté was where, in 1668, the Sulpicians established a mission by the same name, which became the basis for the region's later name of Quinte. In 1676, a short-lived subsidiary mission was established at Teiaiagon. It appears that most of the north shore villages were abandoned by 1688. This volume brings together traditional Indigenous knowledge as well as documentary and recent archaeological evidence of this period and focuses on describing the historical context and efforts to find the settlements and presents examinations of the unique material culture found at them and at similar communities in the Haudenosaunee homeland.Available formats: trade paperback and accessible PDF

This study weaves together the stories of members of the Mackay Presbyterian Church who served in the First World War, their families at home, and their church as they responded to a terrible war. It focusses particularly on the nineteen men who fell in the war--some as heroes in desperate battles; others with tragic randomness or from illness.