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An analysis of the sustaining vitality behind contemporary American poetry from 1975 to the 2003, these 12 essays examine both exemplary innovators and the social context in which innovation is resisted, acclaimed, or taken for granted.

A work of American ethnography, a cultural collage of artifacts, moments, episodes, and voices - historical and private - that capture the dizzying evolution of America's social, cultural, and literary consciousness.

African American poetry exhibits an impressive range of style and substance, in all its forms. This history of the genre offers a critical reassessment of its development in the 20th century, within the contexts of modernism and the troubled racial history of the United States.

This new edition of Contemporaries and Snobs, a landmark collection of essays by Laura Riding, offers a counter-history of high modernist poetics.

Offers an expansive and incisive examination of the patterns of connectedness in contemporary art and poetry. In Imperfect Fit, Allen Fisher focuses on the role of fracturing, ruptures, and breakages in many traditional ties between art and poetry, as well as the resulting use of collage and assemblage by practitioners of those arts.

Scrutinizes a number of long-held modernist dogmas in order to articulate a more capacious model for thinking about modernism, past, present, and future. Modernism the Morning After is a superb, lively, engaging series of essays and talks, dating from 1995 to 2016, by the eminent scholar, critic, and poet Bob Perelman.

With the ascent of digital culture, new forms of literature and literary production are thriving while traditional genres and media have been transformed. Word Toysis a thought-provoking volume that speculates on a range of poetic, novelistic, and programmed works that lie beyond the language of the literary and views them instead as technical objects.

Containing 12 essays and an introduction; this work examines the work of experimental poets and the innovative forms they have fashioned to challenge commonplace assumptions about gender and cultural authority.