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Entries are then listed for her plays, including A Raisin in the Sun(1959), The Sign in Sidney Brustein's Window (1964), To Be Young, Gifted and Black (1969), Les Blancs (1970), The Drinking Gourd (1972), What Use Are Flowers (1972), and the unfinished Toussaint (1986).

This text chronicles Kelly's evolution as a theatrical craftsman, with plot summaries, production histories, and bibligraphic information for his works.

Co-founder of the Provincetown Players and one of its leading writers, Susan Glaspell won the Pulitzer Prize for Alison's House (1930) and was also successful as an actress, producer, and novelist.

Though The Shadow of a Gunman and Juno and the Paycock helped save the Abbey Theatre from near bankruptcy, The Plough and the Stars drew open criticism in 1926, when nationalists rioted over O'Casey's treatment of the Easter Rebellion. This reference work is a comprehensive guide to O'Casey's plays.

One of the most important American playwrights of the 20th century, Maxwell Anderson won a Pulitzer Prize for Both Your Houses (1933), and New York Drama Critics Circle awards for Winterset (1935) and High Tor (1936).

This volume presents a biographical and critical overview of Crother's life and career, along with synopses of her plays, descriptions of the critics' responses to each play and substantial primary and secondary bibliographies.

Based on extensive research that includes two interviews with Wilson, this reference book is a comprehensive guide to Wilson's life and career. The volume begins with a chronology outlining the principle events in Wilson's rise from the racism he experienced as a youth in Pittsburgh to his triumphs on the New York stage.

Best remembered today for her acclaimed 1928 expressionist drama Machinal, based in part on the infamous murder trial of Ruth Snyder, Sophie Treadwell was an innovative American dramatist whose career spanned almost 60 years and nearly 40 plays.

Widely acclaimed as one of America's most distinguished female playwrights, Lillian Hellman made an entrance into a largely male-dominated field in 1934 with The Children's Hour, a drama that rocked the literary establishment with its frank treatment of lesbianism while calling attention to her writing talents.

Best known for his plays Six Degrees of Separation and The House of Blue Leaves, John Guare is a major figure in the contemporary American theater.

William Saroyan, one of the most prolific writers in America, was the first playwright to win simultaneously both the New York Drama Critics' Circle award and the Pulitzer Prize in playwriting for The Time of Your Life in 1940.

Never achieving the acclaim of Eugene O'Neill, who came before, or Tennessee Williams and Arthur Miller, who followed, Odets bridged the gap between earlier melodramatic theatre and the mature post-World War II drama on the American stage, creating rich and varied drama well into the 1950s.

Notwithstanding the hundreds of critical sources annotated in this bibliography, the Eliot industry has neglected the plays in recent years, producing few important studies on par with those on the poetry. This new sourcebook surveys the entire dramaturgical and critical discourse surrounding Eliot's plays.

Gross here provides an immensely detailed record of the primary materials, published and unpublished, including plays, filmscripts, fiction, and essays, and of the critical response, both reviews and analytical studies.

Among the most commercially successful female playwrights of all times, Clare Boothe Luce (1903-1987) is best remembered as the author of The Women (1936), a biting social comedy. Beginning in 1942, she spent less of her time writing plays and turned instead to the wider stage of politics and world affairs.