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The pursuit of women's pleasures, often expected to be constrained under patriarchy, is potentially transgressive and linked to women's emancipation in other realms. This book explores a wide range of examples of women and pleasure in French and francophone culture, from novels to stand-up comedy.
The notion of «exposure» underlies much modern thinking about identity, representation, ethics, desire and sexuality. This provocative notion is explored in a collection of essays selected from, and inspired by, the proceedings of a conference held in the Department of French at the University of Cambridge in 2002. The authors engage with exposure as both object and mode of representation in a range of cultural media: literature, critical theory, visual art and film. They analyse a variety of works from the medieval, early-modern, and modern periods, examining not only canonical texts such as Montaigne¿s Essais but also lesser-studied works such as the psychoanalytic theory of Didier Anzieu, the photomontage self-portraits of Claude Cahun, and the novel La Nouvelle Pornographie by Marie Nimier. This volume thus both illustrates and, more importantly, interrogates the richness of the term «exposure», in a way that is stimulating for students and researchers alike.
Cet ouvrage propose une etude de la question du genre dans l'oeuvre d'Agota Kristof, ecrivaine suisse francophone d'origine hongroise. La preponderance des narrateurs masculins dans sa prose suggere la superiorite du masculin.
Picturing the end of the world is an enduring cultural practice. This groundbreaking collection of essays offers an overview of the Apocalyptic imagination in French literature and culture from the thirteenth century to the present day, scrutinizing material as diverse as medieval French biblical commentaries and science fiction.
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