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Written during his days as a ranchman in the Dakota Bad Lands, these two wilderness tales by Theodore Roosevelt endure today as part of the classic folklore of the West. The narratives provide vivid portraits of the land as well as the people and animals that inhabited it, underscoring Roosevelt's abiding concerns as a naturalist.Originally published in 1885, Hunting Trips of a Ranchman chronicles Roosevelt's adventures tracking a twelve-hundred-pound grizzly bear in the pine forests of the Bighorn Mountains. Yet some of the best sections are those in which Roosevelt muses on the beauty of the Bad Lands and the simple pleasures of ranch life. The British Spectator said the book "could claim an honorable place on the same shelf as Walton's Compleat Angler." The Wilderness Hunter, which came out in 1893, remains perhaps the most detailed account of the grizzly bear ever recorded. Introduction by Stephen E. Ambrose.

Set in 1885, The Ox-Bow Incident is a searing and realistic portrait of frontier life and mob violence in the American West. First published in 1940, it focuses on the lynching of three innocent men and the tragedy that ensues when law and order are abandoned. The result is an emotionally powerful, vivid, and unforgettable re-creation of the Western novel, which Clark transmuted into a universal story about good and evil, individual and community, justice and human nature. As Wallace Stegner writes, [Clark's] theme was civilization, and he recorded, indelibly, its first steps in a new country.

When John Muir traveled to California in 1868, he found the pristine mountain ranges that would inspire his life's work. The Mountains of California is the culmination of the ten years Muir spent in the Sierra Nevadas, studying every crag, crook, and valley with great care and contemplation.Bill McKibben writes in his Introduction that Muir "invents, by sheer force of his love, an entirely new vocabulary and grammar of the wild . . . a language of ecstasy and exuberance." The Mountains of California is as vibrant and vital today as when it was written over a century ago. This Modern Library Paperback Classic includes the photographs and line drawings from the original 1898 edition.

After reading an 1836 newspaper account of a shipwreck and its two survivors, Edgar Allan Poe penned his only novel, The Narrative of Arthur Gordon Pym of Nantucket, the story of a stowaway on a Nantucket whaleship who finds himself enmeshed in the dark side of life at sea: mutiny, cannibalism, savagery—even death. As Jeffrey Meyers writes in his Introduction: "[Poe] remains contemporary because he appeals to basic human feelings and expresses universal themes common to all men in all languages: dreams, love, loss; grief, mourning, alienation; terror, revenge, murder; insanity, disease, and death.” Within the pages of this novel, we encounter nearly all of them.This Modern Library Paperback Classic reprints the text of the original 1838 American edition.

George Eliot's Romola, writes Robert Kiely in his Introduction, embodies the author's "wrestling with her own best theories of history and human nature as a creative experiment of the highest order.” Set in Florence in 1492, a time of great political and religious turmoil, Eliot's novel blends vivid fictional characters with historical figures such as Savonarola, Machiavelli, and the Medicis. When Romola, the virtuous daughter of a blind scholar, marries Tito Melema, a charismatic young Greek, she is bound to a man whose escalating betrayals threaten to destroy all that she holds dear. Profoundly inspired by Savonarola's teachings, then crushed by the religious leader's ultimate failure, Romola finds her salvation in noble self-sacrifice. This Modern Library Paperback Classic is set from the 1878 Cabinet Edition.

Introduction by Laurie R. King The most famous of the Sherlock Holmes stories, The Hound of the Baskervilles features the phantom dog of Dartmoor, which, according to an ancient legend, has haunted the Baskervilles for generations. When Sir Charles Baskerville dies suddenly of a heart attack on the grounds of the family's estate, the locals are convinced that the spectral hound is responsible, and Holmes is called in. "Conan Doyle triumphed and triumphed deservedly," G. K. Chesterton wrote, "because he took his art seriously, because he lavished a hundred little touches of real knowledge and genuine picturesqueness on the police novelette."

The House Behind the Cedars, which many consider Charles Chesnutt's finest novel, tells of John and Lena Walden, mulatto siblings who pass for white in the postbellum American South. The drama that unfolds as they travel between black and white worlds constitutes a riveting portrait of the shifting and intractable nature of race in American life. This edition revitalizes a much-neglected masterpiece by one of our most important African-American writers. As Werner Sollors writes, "William Dean Howells did not overstate his case when he compared Chesnutt's works with those by Turgenev, Maupassant, and James . . . and [Chesnutt] has become one of the most important 'crossover' authors from the African-American tradition.”

When Marshal of the Nobility Pozdnyshev suspects his wife of having an affair with her music partner, his jealousy consumes him and drives him to murder. Controversial upon publication in 1890, The Kreutzer Sonata illuminates Tolstoy's then-feverish Christian ideals, his conflicts with lust and the hypocrisies of nineteenth-century marriage, and his thinking on the role of art and music in society.In her Introduction, Doris Lessing shows how relevant The Kreutzer Sonata is to our understanding of Tolstoy the artist, as well as to feminism and literature. This Modern Library Paperback Classic also contains Tolstoy's Sequel to the Kruetzer Sonata.

A major work of German romanticism in a translation that is acknowledged as the definitive English language version. The Vintage Classics edition also includes NOVELLA, Goethe's poetic vision of an idyllic pastoral society.

One of the most written-about literary figures in the past decade, Arthur Rimbaud left few traces when he abandoned poetry at age twenty-one and disappeared into the African desert. Although the dozen biographies devoted to Rimbaud's life depend on one main source for information—his own correspondence—a complete edition of these remarkable letters has never been published in English. Until now.A moving document of decline, Rimbaud's letters begin with the enthusiastic artistic pronouncements of a fifteen-year-old genius, and end with the bitter what-ifs of a man whose life has slipped disastrously away. But whether soapboxing on the essence of art, or struggling under the yoke of self-imposed exile in the desert of his later years, Rimbaud was incapable of writing an uninteresting sentence. As translator and editor Wyatt Mason makes clear in his engaging Introduction, the letters reveal a Rimbaud very different from our expectations. Rimbaud—presented by many biographers as a bohemian wild man—is unveiled as "diligent in his pursuit of his goals . . . wildly, soberly ambitious, in poetry, in everything.”I Promise to Be Good: The Letters of Arthur Rimbaud is the second and final volume in Mason's authoritative presentation of Rimbaud's writings. Called by Edward Hirsch "the definitive translation for our time,” Mason's first volume, Rimbaud Complete (Modern Library, 2002), brought Rimbaud's poetry and prose into vivid focus. In I Promise to Be Good, Mason adds the missing epistolary pieces to our picture of Rimbaud. "These letters,” he writes, "are proofs in all their variety—of impudence and precocity, of tenderness and rage—for the existence of Arthur Rimbaud.” I Promise to Be Good allows English-language readers to see with new eyes one of the most extraordinary poets in history.

Trembling and quivering is the mind, Difficult to guard and hard to restrain. The person of wisdom sets it straight, As a fletcher does an arrow. The Dhammapada introduced the actual utterances of the Buddha nearly twenty-five hundred years ago, when the master teacher emerged from his long silence to illuminate for his followers the substance of humankind's deepest and most abiding concerns. The nature of the self, the value of relationships, the importance of moment-to-moment awareness, the destructiveness of anger, the suffering that attends attachment, the ambiguity of the earth's beauty, the inevitability of aging, the certainty of death-these dilemmas preoccupy us today as they did centuries ago. No other spiritual texts speak about them more clearly and profoundly than does the Dhammapada. In this elegant new translation, Sanskrit scholar Glenn Wallis has exclusively referred to and quoted from the canonical suttas-the presumed earliest discourses of the Buddha-to bring us the heartwood of Buddhism, words as compelling today as when the Buddha first spoke them. On violence: All tremble before violence./ All fear death./ Having done the same yourself,/ you should neither harm nor kill. On ignorance: An uninstructed person/ ages like an ox,/ his bulk increases,/ his insight does not. On skillfulness: A person is not skilled/ just because he talks a lot./ Peaceful, friendly, secure-/ that one is called "skilled." In 423 verses gathered by subject into chapters, the editor offers us a distillation of core Buddhist teachings that constitutes a prescription for enlightened living, even in the twenty-first century. He also includes a brilliantly informative guide to the verses-a chapter-by-chapter explication that greatly enhances our understanding of them. The text, at every turn, points to practical applications that lead to freedom from fear and suffering, toward the human state of spiritual virtuosity known as awakening. Glenn Wallis's translation is an inspired successor to earlier versions of the suttas. Even those readers who are well acquainted with the Dhammapada will be enriched by this fresh encounter with a classic text.