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First issued by Methuen in 1959, this play was the first title in the "Modern plays" series aimed at the burgeoning readership of young theatregoer This title and five others are reissued, representing the range and vitality of the list of titles in print .

A play which looks at the political costs of women rising to the top. This volume is published in the Student Edition series and as well as the text of the play there is a chronology of the playwright's life and work, an introduction giving the theatrical and social content of the play and questions for study.

The Yardies are burning up Hackney and Digger's offers of protection for the diner smacks more of threat than promise. How can Deli save his truanting, thieving son when temptation looms so large on Murder Mile?

A play set in London in the 60s reflecting a time of social change. Its subject is the cultural poverty and frustration of a generation of young people on the dole and living on council estate

I want, one more time, to be absolutely in the moment . . .I am going to try as hard as I can to not be a human being. A series of suggestions on desire, death and time. Nuclear War is the searing result of a groundbreaking and form-defying collaboration between Simon Stephens and the choreographer and movement director Imogen Knight, developed by Actors Touring Company.Introduced by the author, this edition also features a suite of lyrics written by Simon Stephens for a musical collaboration with Dutch singer-songwriter Wende Snijders, performed at Schouwburg Het Park in Westerdijk, The Netherlands, in March 2017. Nuclear War was published to coincide with the world premiere of the play at the Royal Court Theatre, Upstairs, London, in April 2017.

Love ain't something you just say. Just this word. It's something you do. A twenty-first-century love story. Caneze meets Sully in the college canteen. The heat rises over triple chilli sauce in Nando's. She makes her move in the sweet smoke of a shisha bar. A touchpaper is lit . . . but neither of them bargained on the lengths to which her brother would go to keep them apart. Blood is a heartfelt play by Emteaz Hussain, the writer of Tamasha's Sweet Cider. It received its world premiere in a production by Tamasha Theatre company in March 2015.

Joint winner of the 2011 Alfred Fagon award, The Westbridge depicts tension, violence, friendship and love across racial and cultural distinctions. Picking apart an intricate tangle of cultures, religions and generations, The Westbridge showcases an array of voices with humour, style and bite.

if I was gold almighty himself,and destroyed this first attempt at life.what would my second version be?. . . a dead end of endless possibility.A pedlar boy wakes up in a field somewhere in London, surrounded by the remnants of the night before. With no memory of how he has come to be there, he knows he must go back to the start in order to understand it all. His attempts to retrace events from the previous days lead him on a haunting journey where everything comes into question: his life, his world, his future.peddling is Harry Melling's remarkable debut play following a day in the life of a door-to-door salesman as he battles difficult questions and attempts to come to terms with the resulting truths.peddling received its world premiere at Hightide Festival on 10 April 2014, performed by Harry Melling, before transferring to 59E59 Theatre, NY, for a four-week run. It was revived in 2015 by HighTide at the Arcola Theatre, London.

The Arab world's greatest folk stories re-imagined by the acclaimed Lebanese novelist Hanan al-Shaykh, published to coincide with the world tour of a magnificent musical and theatrical production directed by Tim Supple

Play version of this novel that was a hit with adults and teenagers alike

That's why we shout and scream at each other. Clears the air. A kind of truth begins to emerge. We see clearer.Pip and Meredith have had a bust-up. It was only about their opinion of a film, but it's led to more significant differences coming to light. Pip has been having an affair for the past three months with a young colleague at work. Meredith's slate doesn't seem to be entirely clean either.As their families and friends become embroiled in Pip and Meredith's separation, past prejudices, harsh judgements and painful truths come to light. The arguments that ensue go beyond just being about Pip and Meredith, and what they should do about their marriage. In nine taut scenes, William Boyd explores what it is to argue with those we love - and those we should love. He looks at our propensity to judge others and our power to hurt. Alongside this, he shows how it can sometimes be the superficial problems in a relationship that keep it going.Both bleak and funny in its tone, The Argument offers a Strindberg-like take on human dynamics and received its world premiere at Hampstead Theatre Downstairs in March 2016.

This is where the world began. This was Caesar's highway. Hannibal's road to glory. These were the trading routes of the Phoenicians and the Carthaginians, the Ottomans and the Byzantines . . . We all come from the sea and back to the sea we will go. The Mediterranean gave birth to the world.Step into the shoes of those whose job it is to enforce our harsh new rules: an Italian coastguard and a payday lender from Leeds. How do they do it? And what happens to them? Lampedusa is a powerful play about immigration and welfare. This edition was published to coincide with the premiere at the Soho Theatre, London, on 8 April 2015, as part of the Soho Theatre's season of Politics.

Christopher, stands beside Mrs Shears's dead dog. It has been speared with a garden fork, it is seven minutes after midnight, and Christopher is under suspicion. He records each fact in the book he is writing to solve the mystery of who murdered Wellington.

Good evening. I'm Inspector Carter. Take my case. This must be Charles Haversham! I'm sorry, this must've given you all a damn shock. After benefitting from a large and sudden inheritance, the inept and accident-prone Cornley Polytechnic Drama Society embark on producing an ambitious 1920s murder mystery. They are delighted that neither casting issues nor technical hitches currently stand in their way. However, hilarious disaster ensues and the cast start to crack under the pressure, but can they get the production back on track before the final curtain falls? The Play That Goes Wrong is a farcical murder mystery, a play within a play, conceived and performed by award-winning company Mischief. It was first published as a one-act play and is published in this new edition as a two-act play.

This play opened at the Hampstead Theatre in the summer of 1996 and became an instant hit. Three sisters and their partners gather at the home of their recently dead mother and revisit the past in poignant and often hilarous way Also included is "Five Kinds of Silence".

The beautiful estate of a once proud Russian aristocratic family is auctioned off to the son of a peasant who has succeeded in industry.

A study of young people and their attitudes towards sex, sexuality and trans-sexuality, by the author of "Blasted". Set in an unnamed city from which voices and images spring, "Crave" charts the disintegration of a human mind under the pressures of love, loss and desire.

Now I''m dead there''ll be changes. I won''t keep rolling over. I won''t wag my tail at every insult and injury!Kathleen Duggan has rushed home to Ireland upon hearing the news that her mother, Maisie, has died.Only when she gets back to the house, she finds that her mother is alive and well. Almost. However, after a routine car accident, Maisie believes that she is now dead and wandering around the homestead, awaiting her funeral. Still able to talk to her childish adult son and her violent, temperamental husband, she will no longer be silenced by the male-dominated, pugnacious atmosphere that has kept her quiet all these years. So when Kathleen comes back for the ''funeral'', Maisie expects to find her final resting place, safe from the threat of domestic violence once and for all. The Remains of Maisie Duggan received its world premiere on the Peacock stage of the Abbey Theatre, Dublin, in autumn 2016.

In Methuen Drama's Modern Classics series, this edition of Brecht's anti-war masterpiece translated by John Willett features an extensive introduction and Brecht's notes and textual variants.

How is it delivered? That's the best bit! Royal Mail. Postman Pat brings your smack to your door with a smile and his black and white cat is none the wiser.Bruce is nineteen, unemployed and living with his Nan. A struggling young Geordie tech-head, he's the unlikeliest international criminal mastermind you can imagine. But sucked into an underworld dark web of new-age pirates, local gangsters and tea-cosies, it isn't long before Bruce discovers how easy it is to buy narcotics online.Prompted by the arrest in October 2013 of the alleged owner of Silk Road, and the first play ever to be funded by bitcoin, Alex Oates's play is a biting black comedy about how simple it is not only to buy, but also sell drugs online. Published alongside Rules For Being a Man, a stirring new play that uses silent disco technology to create a vivid soundscape and take the audience into the head of three generations of men as they struggle with mental health issues and contemplate suicide.Rules For Being a Man depicts the everyday battle of masculinity, whilst these men go about their lives and struggle to hold on.Three different generations of men come to terms with love, life and other peoples expectations. Living in a society where the scars of toxic masculinity are becoming more and more visible on the cultural landscape, Rules For Being A Man looks at the marks men create in themselves, and others. Following three generations of a family centred around one pivotal action, this honest new play attempts to try to come to terms with the different pressures men face going through life trying to be a man and the damaging toll they take on their mental health. Inspired by interviews with survivors of suicide and The Samaritans.

A programme text edition published in conjunction with The Synergy Theatre Project in association with The Forgiveness Project and Soho Theatre, The Long Road runs from 10 - 29 November 2008.

An expertly annotated edition of Joe Penhall's compelling drama: a dark, exhilarating tale of race, madness and power in the midst of a struggling National Health Service.

Ben is married to Denise but on the pull; Kenny's looking for someone who's "right"; Ade's with Sandra but playing the field; and Nate's a proud new father. This play is an urban drama of sexual politics and race in west London.

At head of title: A Paines Plough and Theatre Royal Plymouth Production.

I'm a hard worker. I don't push him to the . . . You know I don't go out for breaks when I'm not supposed to. I don't stay in the loo when I'm not supposed to. If I was that kind of person I could have him done for discrimination . . . I just get on with things you know.Four people arrive to work the night shift in a meat factory. They meet for the first time. They are employed as cleaners by a temp agency. They are all on zero-hours contracts.Every shift, they clean. Every four hours, they take a break. They drink tea or coffee together. They read magazines. They chat. As it gets light, they go home or to another job. The cycle goes on. And on. Strangers. Until something stirs, until isolated people get too close to one another, too fast.Alexander Zeldin's brutally honest and darkly humorous play, written through devising with the ensemble of the premiere production, exposes stories of an invisible class. It received its world premiere at The Yard on 1 July 2014 and transferred to the National Theatre's Temporary Theatre on 28 April 2015.

Tommy McMillan believes himself to be a popular man with acumen and ambition. King of Scotland is his hilarious and poignant account of his supposed professional progress after being taken on by the Department of Upward Mobility.The Tobacco Merchant's Lawyer, also by Heggie, focuses on the dilemmas of Enoch Dalmellington.

There's a hole running through the centre of my stomach. You must have all felt a bit awkward because you can probably see it. Sea Wall is a delicate monologue, completely devastating and beautifully powerful.Alex's story, spoken directly to the audience, begins full of clear light and smiles, as he speaks about his wife, visiting her father in the South of France, having a daughter, photography, and the bottom of the sea. His tone is natural, happy and engaging, with flickers of questions about belief and religion glimpsed under the surface. But his contentment falls away into deep and heart-breaking grief, crumbling to pieces with a vividness that is incredibly moving.

Beats and Cold, two ambitious DJs, are gaining reputation in the music industry. They have found a new sound - jungle - and it's going to be massive! At first the chemistry between them produces gold. But as Beats turns into a producer, and Cold, the 'bedroom genius', fights for the space to be a true artist, the tension builds beat by beat.