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An invaluable source of authoritative readings of Pedro de Cristo's music: principally Latin motets for four or five voices.

This detailed account of the Kapella (Russian Court Chapel Choir) examines the influence it exerted on the development of Russian sacred music. Dr Dunlop investigates the consequences of the Kapella's monopoly on music publications.

To accompany "The Russian Court Chapel Choir", this is a performing edition of 19th-century Russian choir pieces by a composers from Galuppi to Vorotnikov.

This is a complete edition with critical commentary of the Byzantine Communions in thirteenth-century manuscripts of the Asmatikon, all known sources being used. This is the first systematic transcription of the Asmatikon ever to be published.

To accompany "The Russian Court Chapel Choir", this is a performing edition of 19th-century Russian choir pieces by a composers from Bakhmetev to Lyapunov.