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This catalog is divided into four major sections: singles, extended-play albums, long-play albums, and compact discs.

This wide selection of poetry offers a unique guide to the poetry inspired by jazz musicians and their music. Of interest to scholars and jazz enthusiasts alike, this substantial bibliography, annotated by author and cross-referenced by musician, presents a wealth of information previously unavailable in a single source.

This reference lists operas released as motion pictures. It covers theatrical feature films on 35mm film, educational films on 16mm film and videorecordings, including the VHS videotape format and optical video laser disc. Citations to reviews are included from over 22 sources.

Following the pattern established with his pioneering work, Woodwind Music of Black Composers, Aaron Horne now presents a comparable work for the string music of Black composers.

The goal of this bibliography is to advance the playing and listening enjoyment of works written for two or more players at the clavichord, harpsichord and organ - individually or combined.

Reference and Research Book NewsThis bibliography enhances the repertoire of the violinist by providing convenient access to a new solo recital, concerto, and chamber music literature: the music of women composers.

The first in a projected series of idiom-specific bibliographies in black music, this work treats classical music. ChoiceThis comprehensive guide is the first to cover the full range of black activity in classical music, with more than 4,000 references to over 300 performers and ensembles.

This is the first book to examine comprehensively the major systems of musical notation proposed during the past three centuries.

As a companion to The Wind Ensemble Sourcebook and Biographical Guide, this catalog provides a comprehensive listing of wind ensemble works from 1650 to the present.

An important new reference source for students of western musical culture, this volume directs the user to all pertinent, substantive, and accessible information concerning the life and works of Sir Michael Tippett, widely recognized as one of this century's most significant composers.

In addition to the unique listing of liner notes, the books, book chapters, articles, and Internet websites span the 60 years that trace the beginning of Sinatra's career in 1939 through his death in 1998. This comprehensive bibliography will attract scholars and Sinatra fans alike as a useful tool for further research.

The series of biographical sketches published by Brainard's Musical World between 1877 and 1889 is notable for the diversity of the musicians profiled and for the entertaining personal information provided. This period witnessed the establishment of musical institutions and attitudes toward music that have shaped American music to the present day. The biographies present a cross-section of American musicians in the late 19th century, including singers, instrumentalists, writers, teachers, and composers. Among the musicians included are some of America's most prominent conductors, such as Theodore Thomas and Leopold Damrosch; composers, such as John Knowles Paine and George F. Root; writers, such as John S. Dwight and Amy Fay; teachers, such as William Mason and Erminia Rudersdorff; and performers, such as Emma Abbott and Maud Powell. Scores of less familiar musicians who were also instrumental in shaping America's music are included as well. Originally intended for general readers, the biographical sketches not only shed light on musical topics but also include personal information that is seldom found in a traditional dictionary and which speaks to the attitudes and concerns of the late 19th century society.This work will be of value to scholars and researchers of 19th-century American music and to those interested in the development of popular song. Entries are alphabetically arranged and include select bibliographies. A general bibliography and index are also included.

Spirituals were an intrinsic part of the African-American plantation life and were sung at all important occasions and events. This volume is the first index of African-American spirituals to be published in more than half a century and will be an important research tool for scholars and students of African-American history and music. The first collection of slave songs appeared in 1843, without musical notation, in a series of three articles by a Methodist Church missionary identified simply as c. Collections that included musical notation began appearing in the 1850s. The earliest book-length collection of spirituals containing both lyrics and music was published in 1867 and entitled Slave Songs of the United States. Not since the 1930s, with the publication of the Index to Negro Spirituals by the Cleveland Public Library, has an index of spirituals been compiled.The spirituals are neatly organized in four indexes: a title index, first line index, alternate title index and a topical index that includes twenty major categories. A bibliography of indexed sources serves as a guide for further research.

Mercier examines the 107 songs Hans Pfitzner wrote for voice and piano. Although not as famous as his contemporaries Hugo Wolf, Gustav Mahler, and Richard Strauss, Pfitzner created a number of fine songs and here receives the critical attention he deserves.

This companion volume to Opera Mediagraphy: Video Recordings and Motion Pictures (Greenwood, 1993) indexes opera singers on video and film in concert, recital, and non-operatic feature film and includes VHS videotape, optical video laser disc, CD-ROM, and DVD recordings.

It provides links among the various areas of rock music scholarship, thus imposing bibliographic control across a wide body of research that treats rock music in a serious manner.

This communications protocol allows computers to send, receive, and store digital information generated by various electronic musical instruments. The appendix contains information on associations involved with the musical applications of personal computers and brief descriptions of several popular online services.

He was not alone in writing works for wind sextet, octet, or larger ensembles-Over 12,000 works for wind harmony by over 2,200 composers are extant. He was not alone in writing works for wind sextet, octet, or larger ensembles-over 12,000 works for wind harmony by over 2,200 composers are extant.