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Discover the joy of growing and using plants indoors and outdoors, no matter how limited your space.

A must-have cookbook and guide for food lovers who want to be greener

More than 100 poems about Britain's nature in a beautifully illustrated book

Information, inspiration, tips and trivia to help you make the most of your gardening year

Discover the history, legends and folklore of Britain's most intriguing landmarks

Versatile, nutritious and easy to cook - soup is the original one-pot wonder

The perfect gift for National Trust members this Christmas. Staggering statistics, strange facts and all kinds of surprising stuff from the National Trust. Haunted houses, baffling objects, bizarre buildings and distinctly curious characters.

Delicious recipes to enjoy this Christmas. 80 recipes for home-cooked meals that will make your day. From the National Trust's cafes.

Britain's nature year, from the first flower to the last leaf.

Forty amazing places where you can escape reality and reconnect with nature

A beautifully illustrated exploration of the impact of Chinese and Japanese material culture on the historic houses and gardens of Britain and Ireland. The art and ornament of China and Japan have had a deep impact in the British Isles. From the seventeenth century onwards, the design and decoration of interiors and gardens in Britain and Ireland was profoundly influenced by the importation of Chinese and Japanese luxury goods, while domestic designers and artisans created their own fanciful interpretations of 'oriental' art. Those hybrid styles and tastes have traditionally been known as chinoiserie and japonisme, but they can also be seen as elements of the wider and still very relevant phenomenon of orientalism, or the way the West sees the East.Illustrated with a wealth of new photography and published in association with the National Trust, Borrowed Landscapes is an engaging survey of orientalism in the Trust's historic houses and gardens across England, Wales and Northern Ireland. Drawing on new research, Emile de Bruijn demonstrates how elements of Chinese and Japanese culture were simultaneously desired and misunderstood, dismembered and treasured, idealised and caricatured.