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Sounding Feminine traces the development of attitudes towards the female voice that have decisively shaped modern British society and culture, examining how the responses of late 18th- and early 19th-century audiences to the sounds of women's singing exposed the intricate links between gender, nationality, class, and religion in a pivotal era of change.

How do individuals, communities, and societies use music as a form of mourning? This book demonstrates how music became a crucial outlet for processing loss in communist East Germany, where the ruling Socialist Unity Party tightly regulated expressions of loss.

Music, Piety, and Propaganda: The Soundscapes of Counter-Reformation Bavaria explores the nature of sound as a powerful yet ambivalent force in the religious struggles that permeated Germany during the Counter-Reformation. Author Alexander J. Fisher goes beyond a musicological treatment of composers, styles, and genres to examine how music and sound shaped the aural landscape of Bavaria as the duchy emerged as a militant Catholic bulwark. Fisher focusesparticularly on the ways in which sound not only was deployed by Catholic secular and clerical elites to shape the religious identities of Bavarian subjects, but also carried the potential to challenge and undermine confessional boundaries.

Author Una McIlvenna brings the execution ballad to life in Singing the News of Death, uncovering the relationship between punishment and music throughout Europe from 1500-1900 with an unprecedented breadth of study and ambition.

In What the Ballad Knows, author Adrian Daub elucidates the complex relationship between ballads and nationalism in 19th century German culture.