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"Utilizing rich ethnographic fieldwork, Perla Issa provides an engaging analysis of Palestinian factions in the refugee camp of Nahr el-Bared. Her book illuminates the centrality of political factions to quotidian social interactions and the rhythms of everyday life."--Adam Hanieh, author of Money, Markets, and Monarchies: The Gulf Cooperation Council and the Political Economy of the Contemporary Middle East "How do political factions maintain centrality in Palestinian political life even when they are widely unpopular and even delegitimized? How are such factions reproduced in the face of widespread condemnation? The questions that animate this manuscript are vitally important."--Ilana Feldman, author of Life Lived in Relief: Humanitarian Predicaments and Palestinian Refugee Politics "The implications of Issa's theoretical frame, methodological approach, and empirical findings are significant for Palestinian studies. It is the first granular study of how political factions are produced and one of the rare few on Nahr al-Bared camp, which was viciously destroyed in 2007, then partially rebuilt." -- Bershara Doumani, author of Family LIfe in the Ottoman Mediterranean: A Social History

"This book is a godsend. More than that, it's a perfect example of precisely the kind of research that is most needed now, at a moment when human rights have never been more delegitimized on the international stage and abuses more rampant across the Middle East and North Africa."--Mark LeVine, author of Heavy Metal Islam: Rock, Resistance, and the Struggle for the Soul of Islam "Clear, concise, accessible, and detailed, this unique book sheds extensive light on how and why al-Haq developed as it did. And in doing so it offers original material on the Israeli occupation of the Palestinian territories, the development of the human rights movement in Palestine and globally, and the creation and management of civil society organizations."--Mouin Rabbani, coeditor of Jadaliyya and former Senior Analyst and Special Advisor on Palestine, International Crisis Group

"This book is a brilliant potential history of Palestine, centered on seven photographic albums collected and curated by Wasif Jawhariyyeh from the mid-1920s to the mid-1960s. With decolonial commitment and intellectual breadth, the authors turn the photographs into an inalienable entitlement (kawshun) to Palestine, and turn Palestine into an 'uninterrupted albeit traumatic' place, whose existence can neither be eradicated by Zionists actions nor erased by European narratives. This is a must-read book for scholars of Palestine and photography."--Ariella Aïsha Azoulay, author of Potential History: Unlearning Imperialism "Camera Palaestina offers readers both a rich visual chronicle of Palestinian social and political life in the late Ottoman and British Mandate period and a granular account of the history of photography in Palestine. The story of these archives--with their multiple genres, subjects, and standpoints--highlights the polyvalent terms of Palestinian modernity in the pivotal decades before 1948 while offering the grounds for a new theorization of Palestinian spectatorship as anticolonial practice."--Rebecca L. Stein, author of Screen Shots: State Violence on Camera in Israel and Palestine "Who knew that one man's photographic collection could reveal such a multifaceted picture of a society? Camera Palaestina shows how these photographs, their arrangement, and Wasif Jawhariyyeh's commentary paint an intriguing picture of Palestinian society before the Nakba, one with more ethical complexity, more religious coexistence (including with Jews), less homogeneity, and above all a society less centered on colonial powers than some may have been led to believe. The three intertwined perspectives on these albums collaborate to trouble notions of 'the' Palestinian subject. This is a profound study of the photographic practices of collecting, arranging, and annotating."--Margaret Olin, author of Touching Photographs "Camera Palaestina opens a new chapter in the history of photography in the Middle East. Traditionally dominated by analyses of Orientalist photography taken by Europeans and American, the focus shifts to photographers from the region. This unique book covers Palestine's political, social, and cultural history from an underrepresented perspective during times of critical transformation."--Zeynep Çelik, author of Displaying the Orient and Urban Forms of Colonial Confrontations "This book captures one of the most critical contributions of the growing field of the visual cultures of the Arab region and Palestine in particular: the idea that found images are in and of themselves telling of the ways in which colonial regimes of visuality, like orientalism, were unknowingly countered in everyday practices of those that lived them. Camera Palaestina demands that we look beyond the gaze and into the lived experiences of those Indigenous image makers that collected material about their political and social lives on their own terms."--Hanan Toukan, author of The Politics of Art: Dissent and Cultural Diplomacy in Palestine Lebanon and Jordan "Centering the Jawhariyyeh memoirs and photographic albums, this book is an impressive collaborative work of three scholars from different fields. Thoroughly contextualizing historical images and commentary through the temporalities in which they exist, the authors foreground the continuities of Palestinian life, including presences and absences, tensions and contradictions."--Annelies Moors, Professor Emerita, University of Amsterdam