Bøker i North Carolina Studies in the Romance Languages and Literatures-serien

An encompassing study of oralitures - multilayered cultural knowledge shared through the power of orality - and written literatures by authors from Colombia and other regions in the hemisphere who self-identify as Indigenous.

Bridget Aldaraca breaks new ground in the study of women, ideology, and the realist novel. Her book explores the ideology of domestic life in Spain as it relates to changing concepts of the family, women's roles in society, the division of social space into private and public spheres, and attitudes toward conspicuous consumption, sexuality, mental illness, and other social themes.

Saint John Perse's (1887-1975) poems are antiphonal, and even polyphonic, works where interlocutors are almost always reduced to anonymity. This book analyzes the poet's multiple strategies of dialogue, capturing his conversations with biblical figures, classical authors and other artists.

This work focuses on the literary and artistic works of such avant-garde figures as Ramon Gomez de la Serna and Benjamin Jarnes. It identifies the attempt to integrate conflicting epistemological, ethical and sociopolitical categories as the principle driving the avant-garde art and novel.

This text traces the beginnings of a bourgeois literature in Golden Age Spain. The author analyses works by Baltasar Gracian, major picaresque works such as ""Lazarillo de Tormes"", and contemporary writings in which political economists and jurists look at new economic and political circumstances.

Contains the transcription of the Neo-Latin text, as well as the English translation of Barth's prologue and notes. This edition of Barth's translation is a useful tool not only for Celestina scholars, but also for Neo-Latin scholars and for those interested in the history of translation and in early modern Europe.

Offers a comprehensive introduction to the poetry and novels of Jacques Roubaud, a prominent member of the French experimental group. This study focuses on the specific sites of interest in some of Roubaud's favorite source texts, including troubadour poetry, the tradition of the sonnet and the Canzoniere, Japanese short forms (waka), and others.

The monster is a key figure in Spanish early-modern art and literature. Employing both close readings and monster theory, this book focuses on three of Miguel de Cervantes' works: the short novel ""El coloquio de los perros,"" the play ""El rufian dichoso"", and the novel ""Don Quijote de la Mancha"".

John Campbell explores the identity and meaning of the modern ""Racine.

The importance of the troubadour Raimon Vidal as poet and grammarian has been recognised since the thirteenth century. This volume presents Vidal's long poem on the decline of the jongleur's art, along with a prose translation, notes, and an index of names mentioned in the poem.

The legend of the Siete infantes de Lara has rarely been a part of the Spanish curriculum in American universities, mainly because of the lack of reliable and informative texts on the subject. This volume comprises a study of the legend's aspects, a comparison of the epic's various versions, and an edition of the lost epic from the Refundici toledana de la cronica de 1344.

A concordance of Delie by the Renaissance writer Maurice Sceve that will be crucial in examining the structure and meaning of the work.

An English language translation of the letters and documents written and exchanged during the literary quarrel about Roman de la Rose. The quarrel itself should be of interest to readers of Roman de la Rose, of Medieval French Scholars, and to scholars interested in feminism and conditions of women in Medieval France.

Reveals the complex irony in France's last volume of short stories, Les sept femme de la Barbe-Bleue. Diane Wolfe Levy shows how France imbues his narration with paradoxical elements, contrasts full of irony, and complex oppositions. She also reveals the way irony is directed to both the narrator and the fictional characters.

Alice Fiola Berry's study on the fundamental importance of language itself in the four books of Rabelais leads the reader down the path trod by Panurge and Pantagruel. Berry demonstrates how language and logos are the source of comedy, the focus of attention, and indeed the closest elements to the main character of the texts. Nowhere is this import more clear than in the dominant theme of Rabelais's volumes: the quest for truth. There, in the core of these texts, Berry teases out the ways that the legitimacy of language is most seriously questioned, and the limits of its power drawn.

The first work of genuine literary merit in Old French is the Vie de saint Alexis, and later reworkings of it attest to its popularity. This volume offers two editions: a twelfth-century edition that was published inaccurately by Gaston Paris, and a thirteenth-century version that has not been published.

An introduction to the Caribbean and Latin American writer, Luis Rafael Sanchez. It examines his work in the context of cultural politics in Puerto Rico and addresses the international and regional dimensions of his writing in relation to the status of Puerto Rico as a commonwealth and colony.

Underscores the tendency of Spanish American farce for self-parody, its capacity to uncover and also carry out a critique of their nations' artistic, social, and political rituals. This study of the role of farce in Spanish American theatre explores the intersection of politics and drama.

Through a political and cultural reading of Ruben Dario's canonical works, this title articulates a view of Spanish American modernismo as a cultural reply to Europe. It looks for the covert, less evident political statements in his artistic literary and journalistic prose. It also demonstrates the cultural transformations of the time.

Presents ""La Galeria de la Omnipotencia"" and ""Pasion y Triunfo de Christo"", 18th-century Peruvian texts. This title shows how the author textualized the contradictions of viceregal loyalty and a commitment to a distinct American identity.

The annotated text, followed by a listing of principal sources and a selective bibliography, has the dual purpose of tracing a biography of G. D'Orleans and depicting his patronage of the arts.

While the plays of classical France achieve an unprecedented scenic profession, what ultimately distinguishes classical drama is its unique awareness of its literary properties. This volume presents a critical analysis of French dramatic text.

Pierre Bayle (1647-1706) was a French philosopher and writer best known for his seminal work, the Historical and Critical Dictionary. This brief book examines Bayle's writings about Spanish authors and their work, which Scholberg argues was influential on other French critics and philosophers.

La Chancun de Willame is an Old French epic poem written before 1150 concerning Vivien's resistance to an invading Moslem army and the efforts of his uncle William to rescue him. The poem has a second part dedicated to the activities of a kitchen boy named Reneward in the same battlefield. This volume, edited by Nancy V. Iseley, includes an etymological glossary by Guerard Piffard.

This collection in prose and verse of twenty-seven historical or legendary tales adapted from the Gesta Romanorum by Pierre Gringore (1475-1538), the French poet and playwright, is based on the two earliest printed versions in the Bibliotheque Nationale and includes the original engravings.

Rutebeuf was a thirteenth-century French troubadour. This work examines his portrayals of Louis IX, who he considered to be a fanatic. The prose of Rutebeuf, Edward Billings Ham argues, calls attention to the king's avarice and political ineptitude, and to the self-interest of his counselors and their preposterous incapacity for war.

In this definitive work, Donald Fowler Brown corrects many previous misconceptions about the works of Emilia Pardo Bazan (1851-1921), and offers a detailed study of six of her novels, showing how the French Naturalism contributed to them, and how Zola's chief Spanish follower could at once be a materialist and a staunch Catholic.

Jehan de Lanson is a thirteenth-century French epic poem in alexandrine verse. This edition is based on the manuscripts of Paris and Bern, and includes an introduction, a table of proper names, and a glossary.

Bernard le Bovier de Fontenelle's (1657-1757) Dialogues were written when he was only twenty-five and published in full in 1683. Donald Schier provides an introduction and notes to what was de Fontenelle's first major work, but the text is based on a 1758 edition of Dialogues.

Offers a close reading of a play by Felix Lope de Vega (1562-1635) - a Spanish playwright, poet, and major figure of Spanish Baroque literature - titled El caballero de Olmedo. The study analyses the comedia in terms of the literary and social conventions that it reflects: cortesia, brujeria, and alcahueteria.