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This book maps out the novel's complex network of intertexts, sources and echoes, interprets its highly experimental writing and explains the work's great significance for twentieth-century literature.
Jean Francois Lyotard was one of the leading French philosophers of his generation. This book presents a series of studies which explain Lyotard's specific interventions in areas such as information theory, new media arts, and the changing nature of the human, and assesses their relevance and impact in relation to other positions.
Jonathan Boulter offers the reader a way of understanding Beckett's presentation of the human, more precisely, posthuman, subject in his short prose.
Samuel Beckett and the Terror of Literature addresses the relevance of terror to understanding the violence, the suffering, and the pain experienced by the narrative voices of Beckett s major post-1945 works.
The book focuses on a philosophical trajectory that not only had a profound impact on critical thought of the 20th and now 21th centuries, but on cosmopolitan, contemporary culture more broadly and on artistic experiment and expression in particular.
Modernism and the Theatre of the Baroque fashions an independent aesthetic for modernist writers and texts that challenges many high modernist qualities promoted by James Joyce and T. S. Eliot.
Beckett was deeply engaged with the visual arts and individual painters, including Jack B. Yeats, Bram van Velde, and Avigdor Arikha. In this monograph, David Lloyd explores what Beckett saw in their paintings.
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