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The book examines a visitor book located in a national commemoration and heritage site in Jerusalem. It brings together communicative, discursive and performative approaches to understand how visitors co-construct national identity through their public inscriptions on the surfaces the visitor book offers.
Linguistic Rivalries weaves together anthropological accounts of diaspora, nation, and empire to explore and analyze the multi-faceted processes of globalization.
Looking like a Language, Sounding like a Race examines the emergence of linguistic and ethnoracial categories in contemporary U.S. constructions of Latinidad. The book draws from long-term ethnographic research in a Chicago high school and its surrounding communities to analyze the creation and contestation of political, ethnoracial, and linguistic borders.
Talking Like Children is a series of captivating stories that show how age comes to be. Elise Berman analyzes adoption negotiations, efforts to keep food, and debates about supposed child abuse. In these situations, age differences emerge through the decisions people make, the emotions they feel, and the power they gain.
Singular and Plural develops a framework for analyzing ideologies of linguistic authority and illuminates the institutional and interpersonal politics of language in Catalonia. Drawing on ethnographic research across thirty years of political autonomy, Kathryn Woolard shows new relationships of Catalan language, identity, and politics.
The pioneering work of Bakhtin has led scholars to see all discourse as "dialogical." Contributors to this volume argue that something is overlooked with this focus. Many speakers, especially in political and religious contexts, craft monologues-single-voiced statements to which the only expected response is agreement or faithful replication.
The pioneering work of Bakhtin has led scholars to see all discourse as "dialogical." Contributors to this volume argue that something is overlooked with this focus. Many speakers, especially in political and religious contexts, craft monologues-single-voiced statements to which the only expected response is agreement or faithful replication.
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