Bøker i Oxford Textual Perspectives-serien

This volume studies an important manuscript form of nineteenth-century England: the commonplace book and its descendent, the scrapbook. It explores the tradition of managing information in nineteenth-century England and excavates notes and drafts of the most important works in Romantic and Victorian literature.

Studies the work of the Anglo-Welsh poet and artist David Jones (1895-1974) to explore how modern British poetry has engaged with the early medieval past in its renegotiation of local, religious, and national identities.

Explores the ways in which a range of modern textual cultures have continued to engage creatively with the medieval past in order to come to terms with the global present.

Dante's New Life of the Book examines Dante's Vita nuova through its transformations in manuscripts, printed books, translations, and adaptations. Eisner investigates how these different material manifestations participate in the work, drawing attention to its distinctive elements.

Studying works by Doris Lessing, Ian McEwan, A.S. Byatt, Kazuo Ishiguro, and Jackie Kay, this book explores the impact on literature of the gene-centric model of human nature that entered mainstream culture in the wake of the discovery of the structure of DNA.

This volume studies the spatial poetics of islands as depicted in literature, the journals of explorers and scientists, and in film. It shows how voyages of discovery posed challenges to the experience of space and how such challenges were negotiated via poetic engagement with islands.

Reassess medieval literature and the relationship between writers and power in England by arguing that major works commissioned by or written for a succession of Lancastrians-Henry IV, Henry V, Henry VI, and Prince Edward-reveal that John Gower, Thomas Hoccleve, John Lydgate, and John Fortescue were not propagandists.

Focusing on when Shakespeare's characters speak, rather than what they say, this book investigates what it means for them to speak in or out of turn, to interrupt or overlap, or to fail to speak at all, and how it informs debates about editing, rhetoric, prosody, and early modern performance practices.

Imagining Spectatorship is a highly innovative study in the emerging area of early spectatorship, focusing on the spectators' experience to offer new perspectives on early drama.

A volume that examines the relationship between manual writing and print and how script evolved between 1590 and 1840.

The Reader in the Book examines the history, archaeology, and sociology of the use of margins and other blank spaces in early modern books to shed light on reading practices, how books were read, and what early modern readerse wanted texts to tell them.

The Visible Text offers an innovative new vision of literary history and the history of the book from Beowulf to present day graphic novels.

Literature and the Great War offers a fresh, challenging interpretation of the literature of the period, reappraising the settled assumptions through which war writing has come to be read in recent years.

Living through Conquest is the first ever investigation of the political clout of English from the reign of Cnut to the earliest decades of the thirteenth century. It focuses on why and how the English language was used by kings and their courts and by leading churchmen and monastic institutions at key moments from 1020 to 1220.

Guilty But Insane offers a timely and challenging discussion of the relationship between popular literature, science, and what it means to be human by examining how writers of detective fiction during the 1920s to 1940s understood guilt, responsibility, and the workings of the mind in relation to crime.