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  • - Philip II, Alexander the Great, and the Successors
    av Diodorus Siculus
    195,-

    Diodorus of Sicily's The Library, Books 16-20, constitute a unique and vital resource for the careers of Philip II of Macedon and Alexander the Great, and for the Early Hellenistic Period, the time of the Successors.

  • av Emile Zola
    144,-

    Doctor Pascal is the twentieth and final novel in Zola's great Rougon-Macquart series. Pascal Rougon has spent his life chronicling the hereditary patterns and illnesses of his family, using medicine to attempt cures, whilst his niece Clotilde places her faith in God.

  • av Samuel Johnson
    184,-

    Johnson's Journey to the Western Islands and Boswell's Journal of a Tour to the Hebrides form a natural pair for an OWC because both books, often read and taught alongside each other, focus on the Scottish highlands.

  • - Extended edition
    av Anthony Trollope
    195,-

    The Duke's Children is a novel about sorrow and loss, and about a parent s pained discovery that our children inevitably grow to love us less than we love them.

  • av Guy de Maupassant
    144,-

    This selection of twenty-seven stories in a lively new translation shows Maupassant as his comic, cruel, and brilliant best. In addition to the poignant title story, it includes one of the most famous tales ever written, The Necklace , and Le Horla, an account of a disintegrating personality that chillingly parallels the author's own decline into madness.

  • av William Paley
    156,-

    In Natural Theology William Paley set out to prove the existence of God from the evidence of the beauty and order of the natural world. This edition reprints the original text of 1802, and sets the book in the context of the theological, philosophical, and scientific debates of the nineteenth century.

  • av Oscar Wilde
    99,-

    Dorian Gray gives his soul for eternal youth. While his portrait changes hideously, reflecting his crimes and corruption, he remains outwardly flawless. This new edition uses the 1891 expanded text and shows how Wilde transformed his many sources.

  • av William Shakespeare
    137,-

    The most famous of Shakespeare's Roman tragedies, Julius Caesar was written and first performed in 1599, and was apparently one the plays his contemporaries enjoyed most. Recounting the death of Caesar on the steps of the Senate house, the play offers some of Shakespeare's finest scenes: Antony's skillful speech at Caesar's funeral, and the quarrel and reconciliation between Brutus and Cassius with the news of Portia's death. This edition includes a fresh consideration of the play's date and its place in the Shakespeare canon and examines how Shakespeare reshaped his sources (primarily North's translation of Plutarch's Lives).

  • av Charlotte Brontë
    125 - 3 962,-

    A new edition of this classic from one of the greatest writers of the nineteenth century. Features the definitive Clarendon edition of Villette which is sourced from the earliest printings of Bronte's great work. The text is supplemented with a newly commissioned introduction, which gives a thorough and in depth analysis of the context of this fine example of the nineteenth century novel.

  • - Seven Commentaries on The Gallic War with an Eighth Commentary by Aulus Hirtius
    av Julius Caesar
    127,-

  • av Charlotte Bronte
    127 - 869,-

  • av Emile Zola
    144,-

    'Therese Raquin' is a clinically observed, sinister tale of adultery and murder among the lower orders in nineteenth-century Paris. Zola's dispassionate dissection of the motivations of his characters, mere 'human beasts' who kill in order to satisfy their lust, is much more than an atmospheric Second Empire period-piece. 'Therese Raquin' stands as a key early manifesto of the French Naturalist movement, of which Zola was the founding father. Even today, this novel has lost none of its power to shock.

  • av John Clare
    186,-

    Originally published in the acclaimed Oxford Authors series, this fine selection of Clare's writings, both verse and prose, illustrates all aspects of the poet's genius, from his bird and nature poems to his intense attempts at defining his own identity. This edition includes a new introduction by poet and scholar Tom Paulin.

  • av Harriet Beecher Stowe
    144,-

    `So you''re the little woman who wrote the book that started this great war!'' These words, said to have been uttered by Abraham Lincoln, signal the celebrity of Uncle Tom''s Cabin. The first American novel to become an international best-seller, Stowe''s novel charts the progress from slavery to freedom of fugitives who escape the chains of American chattel slavery, and of a martyr who transcends all earthly ties. At the middle of the nineteenth-century, the names of its characters - Little Eva, Topsy, Uncle Tom - were renowned. A hundred years later, `Uncle Tom''still had meaning, but, to Blacks everywhere it had become a curse. This edition firmly locates Uncle Tom''s Cabin within the context of African-American writing, the issues of race and the role of women. Its appendices include the most important contemporary African-American literary responses to the glorification of Uncle Tom''s Christian resignation as well as excerpts from popular slave narratives, quoted by Stowe in her justification of the dramatization of slavery, Key to Uncles Tom''s Cabin. ABOUT THE SERIES: For over 100 years Oxford World''s Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford''s commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

  • av Luis Vaz de Camoes
    161,-

    First published in 1572, The Lusiads is one of the greatest epic poems of the Renaissance, immortalizing Portugal''s voyages of discovery with an unrivalled freshness of observation. At the centre of The Lusiads is Vasco da Gama''s pioneer voyage via southern Africa to India in 1497-98. The first European artist to cross the equator, Camoes''s narrative reflects the novelty and fascination of that original encounter with Africa, India and the Far East. The poem''s twin symbols are the Cross and the Astrolabe, and its celebration of a turning point in mankind''s knowledge of the world unites the old map of the heavens with the newly discovered terrain on earth. Yet itspeaks powerfully, too, of the precariousness of power, and of the rise and decline of nationhood, threatened not only from without by enemies, but from within by loss of integrity and vision. The first translation of The Lusiads for almost half a century, this new edition is complemented by an illuminating introduction and extensive notes. ABOUT THE SERIES: For over 100 years Oxford World''s Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford''s commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

  • av Euripides
    135,-

  • av Thomas Hardy
    116 - 2 622,-

  • av William Shakespeare
    144,-

    Usually classifed as a ''problem comedy'', All''s Well that Ends Well invites a fresh assessment. Its psychologically disturbing presentation of an agressive, designing woman and a reluctant husband wooed by trickery won it little favour in earlier centuries, and both directors and critics have frequently tried to avoid or simplify its uncomfortable elements. More recently, several distinguished productions have revealed it as an exceptionally penetratingstudy of both personal and social issues. In her introduction Susan Snyder makes the play''s clashing ideologies of class and gender newly accessible. She explains how the very discords of style can be seen as a source of theatrical power and complexity, and offers a fully reconsidered, helpfully annotated text for both readers and actors. ABOUT THE SERIES: For over 100 years Oxford World''s Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford''s commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

  • av John Buchan
    115,-

    John Buchan wrote The Thirty-Nine Steps while he was seriously ill at the beginning of the First World War. In it he introduces his most famous hero, Richard Hannay, who, despite claiming to be an `ordinary fellow'', is caught up in the dramatic race against a plot to devastate the British war effort. Hannay is hunted across the Scottish moors by police and spy-ring alike, and must outwit his intelligent and pitiless enemy in the corridors of Whitehall and,finally, at the site of the mysterious thirty-nine steps.The best-known of Buchan''s thrillers, The Thirty-Nine Steps has been continuously in print since first publication and has been filmed three times, most notably by Alfred Hitchcock in 1935. In this, the only critical edition, Christopher Harvie''s introduction interweaves the writing of the tale with the equally fascinating story of how John Buchan, publisher and lawyer, came in from the cold and, via The Thirty-Nine Steps, ended the war as spy-master and propaganda chief. ABOUT THE SERIES: For over 100 years Oxford World''s Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford''s commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

  • - A Romance of Many Dimensions
    av Edwin A. Abbott
    116,-

    How would a creature limited to two dimensions be able to grasp the possibility of a third? In Flatland, A Square's linear world is invaded by a Sphere bringing the gospel of the third dimension. Part geometry lesson, part social satire, the novel enlarges readers' imaginations beyond the limits of our 'respective dimensional prejudices'.

  • av Henry David Thoreau
    143,-

  • av Elizabeth Gaskell
    158,-

    According to many critics, Wives and Daughters is Elizabeth Gaskell's masterpiece. Set in a provincial English town, the novel is a subtle representation of historical change explored in human terms.

  • av Thomas Hardy
    135,-

  • av Apollonius of Rhodes
    144,-

  • - A Study in Magic and Religion
    av Sir James George Frazer
    225,-

  •  
    156,-

    This anthology collects together some of the most famous examples of the Gothic tale in the 1890s, with stories by Arthur Conan Doyle, Vernon Lee, Henry James and Arthur Machen, as well as some lesser known yet superbly chilling tales from the era. The introduction explores the many reasons for the Gothic revival, and how it spoke to the anxieties of the moment.

  • av Arthur Rimbaud
    172,-

    This bilingual edition provides all of Rimbaud's poems, with the exception of his Latin verses and some small fragments. It also includes some of his prose pieces, chosen because they offer a commentary on his poetic concerns.

  • av Henry James
    142,-

    A wealthy American man of business descends on Europe in search of a wife to make his fortune complete. His bid for Claire de Cintr'e hand receives an icy welcome from the heads of her aristocratic family. Can they stomach his manners for the sake of his dollars? Out of this classic collision between the old world and the new, James weaves a fable of thwarted desire that shifts between comedy, tragedy, romance and melodrama a fable which in the later version printed here takes on some of the subtleties associated with this greatest novels.

  • av Edmund Burke
    145,-

    Edmund Burke was the dominant political thinker of the last quarter of the eighteenth century in England. His reputation depends less on his role as a practising politician than on his ability to set contemporary problems within a wider context of political theory. Above all, he commented on change. He tried to teach lessons about how change should be managed, what limits should not be transgressed, and what should be reverently preserved. Burke's generation was muchin need of advice on these matters. The Industrial Revolution, the American Revolution, and catastrophically, the French Revolution presented challenges of terrible proportions. They could promise paradise or threaten anarchy. Burke was acutely aware of how high the stakes were. The Reflections onthe Revolution in France was a dire warning of the consequences that would follow the mismanagement of change.

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