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Previously published in the Oxford Authors series, this unique one-volume selection of Milton's poetry and prose includes all the English and Italian verse and a generous selection of his major prose works. Modernized spelling, extensive notes, and a helpful introduction make the text immediately accessible to the modern reader.

Under Western Eyes traces the experiences of Razumov, a young Russian student caught up in the aftermath of a terrorist bombing. It deals with topical moral issues such r s1he defensibility of terrorist resistance to tyranny and the loss of individual privacy in a surveillance society. This new edition uses the English first edition text and has a new bibliography and chronology.

The plans of Edgar, Master of Ravenswood to regain his ancient family estate from the corrupt Lord Keeper of the Great Seal of Scotland are frustrated by the complexities of the legal and political situations following the 1707 Act of Union, and by his passion for his enemy's beautiful daughter Lucy. First published in 1819, this intricate and searching romantic tragedy offers challenging insights into emotional and sexual politics, and demonstrates the shrewd way in which Scott presented his work as historical document, entertainment, and work of art.

The Daodejing encapsulates the main tenets of Daoism, a philosophy and religion whose dominant image is the Way, a life-giving stream that enables individuals to achieve harmony and a more profound level of understanding. This new translation draws on the latest archaeological finds and brings out the word play and poetry of the original.

Since its publication in 1905 The House of Mirth has commanded attention for the sharpness of Wharton's observations and the power of her style. Its heroine, Lily Bart, is beautiful, poor, and unmarried at 29. In her search for a husband with money and position she betrays her own heart and sows the seeds of the tragedy that finally overwhelms her. The House of Mirth is a lucid, disturbing analysis of the stifling limitations imposed upon women of Wharton's generation. Herself born into Old New York Society, Wharton watched as an entirely new set of people living by new codes of conduct entered the metropolitan scene. In telling the story of Lily Bart, who must marry to survive, Wharton recasts the age-old themes of family, marriage, and money in ways that transform the traditional novel of manners into an arresting moderndocument of cultural anthropology.

A powerful and engrossing tale of extremes and extremists, Women in Love (1920), follows the passionate relationships of Gudrun and Ursula Brangwen with their respective lovers, the ominous Gerald Crich and the charismatic but fragile Rupert Birkin. The abortive alliance between the two men and the couples' affairs are played out against the derangements of industrialism and the need to find new ways of living and better ways of dying. The introductionexplores the impact on Lawrence of the violence of the First World War.

With her satire on Anglo-Irish landlords in Castle Rackrent (1800), Maria Edgeworth pioneered the regional novel and inspired Sir Walter Scott's Waverley (1814).

Alexander Pope is regarded as the most important poet of the early eighteenth century. This collection, chosen from the Oxford Authors critical edition of Pope's major works, includes such important poems as The Rape of the Lock, Windsor Forest and The Duncaid. Pat Rogers's introduction urges us to see Pope as an accomplished practitioner of the poetry of ideas and of satirical reflection on human society.

Wilde's short fiction includes such masterpieces as 'The Happy Prince', 'The Selfish Giant', 'Lord Arthur Savile's Crime' and 'The Canterville Ghost', as well as the daring narrative experiments of 'The Portrait of Mr. W. H.' and 'Poems in Prose'. This edition shows how they continue to the enthral and challenge the reader.

Eugenia, Baroness M"nster, wife of a German princeling who wishes to be rid of her, crosses the ocean with her brother Felix to seek out their American relatives. Their voyage is prompted, apparently, by natural affection; but the Baroness has also come to seek her fortune. The advent of these visitors is viewed by the Wentworths, in the suburbs of Boston, with wonder and some apprehension. The brilliant Eugenia fascinates her impressionable cousins and their more worldly neighbour, but she is baffled by these people, 'to whom fibbing was not pleasing'. Meanwhile Felix, painter of trifling sketches, eases them all in and out of various amorous complications, with 'no fear of not being, in the end, agreeable'. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Catherine Sloper is heiress to a fortune and is easily overwhelmed by the attentions of a handsome but penniless suitor. Her clever father is implacably opposed to the match, and the scene for a classic confrontation is set. This new edition of James's most enduringly popular work offers more information than any previous edition.

Voltaire's Pocket Philosophical Dictionary is a major work of the European Enlightenment. It consists of a series of short essays, arranged alphabetically, whose unifying thread is an attack on religious and political intolerance. Highly entertaining, its concern with intolerance and its consequences is still relevant today.

When Phineas Finn returns from Ireland to the parliamentary fray, his political advancement is complicated by his romantic relations with three powerful women; his very life is at stake when he is accused of murder. The fourth of Trollope's Palliser novels, Phineas Redux is a spellbinding achievement, and the first modern 'media' novel.

This is the only complete modern translation of Epictetus's Discourses, together with the Handbook and fragments. A major work of Stoic practical ethics, the Discourses teach that the basis of happiness is up to us. This accessible new translation is accompanied by a full introduction and thorough notes.

The Water-Babies is an extraordinary children's book that combines fantasy, satire, social comment, and evolutionary theory to create a fairy tale like no other. This attractive new edition reprints the original complete text and illustrations with a lively introduction and notes that reveal the full richness of Kingsley's exuberant story.

Frank Gresham needs to marry for money if he is to save his impoverished family estate. But he loves the doctor's penniless niece, and faces a terrible dilemma. Dr Thorne knows a secret that would resolve the difficulty, but pride and moral scruples prevent its telling. Trollope develops his story with customary subtlety and comic skill.

Three extraordinary characters caught in a web of fatal obsession are at the centre of Hugo's novel. The grotesque hunchback Quasimodo, bell-ringer of Notre-Dame, owes his life to the austere archdeacon, Claude Frollo, who in turn is bound by a hopeless passion to the gypsy dancer Esmeralda. She, meanwhile, is bewitched by a handsome, empty-headed officer, but by an unthinking act of kindness wins Quasimodo's selfless devotion. Behind the central figures moves a pageant of picturesque characters, ranging from the cruel, superstitious king, Louis XI, to the underworld of beggars and petty criminals. These disreputable truands' night-time assault on the cathedral is one of the most spectacular set-pieces of Romantic literature. Hugo vividly depicts medieval Paris, where all life is dominated by the massive cathedral. His passionate enthusiasm for Gothic architecture is set within the context of an epic view of mankind's history, to which he attaches even more importance than to the novel's compelling story. Alban Krailsheimer's new translation is a fresh approach to this monumental classic by France's most celebrated Romantic.

This edition offers a new translation of a selection of the Buddha's most important sayings reflecting the full variety of material: biography of the Buddha, narrative, myth, short sayings, philosophical discourse, instruction on morality, meditation, and the spiritual life. It provides an excellent introduction to Buddhist scripture.

This unique anthology includes generous selections from the six nineteenth-century French poets most often read in the English-speaking world today: Lamartine, Hugo, Baudelaire, Verlaine, Rimbaud, and Mallarme. Modern translations are printed opposite the original French verse, and the edition also contains over a thousand lines of poetry never previously translated into English.

The Woman in White (1859-60) is the first and greatest "Sensation Novel." Walter Hartright's mysterious midnight encounter with the woman in white draws him into a vortex of crime, poison, kidnapping, and international intrigue. This new critical edition is the first to use the original manuscript of the novel. John Sutherland examines Collins's contribution to Victorian fiction, traces his practices as a creator of plot, and provides a chronology of the novel's complicated events.

When the aristocratic Lady Isabel abandons her husband and children for her wicked seducer, more is at stake than moral retribution. This edition returns for the first time to the racy, slang-ridden narrative of the first edition, rather than the subsequent stylistically 'improved' versions hitherto reproduced by modern editors.

As well as being the author of the greatest of all children's plays, Peter Pan, J.M. Barrie also wrote sophisticated social comedy and political satire. The Admirable Crichton and What Every Woman Knows are shrewd and entertaining contributions to the politics of class and gender, while Mary Rose is one of the best ghost stories written for the stage.

For much of his life Pascal (1623-62) worked on a magnum opus which was never published in its intended form. Instead, he left a mass of fragments, some of them meant as notes for the Apologie. These were to become known as the Pens¿, and they occupy a crucial place in Western philosophy and religious writing. This translation is the only one based on the Pens¿ as Pascal left them. It includes the principal dossiersclassified by Pascal, as well as the essential portion of the important Writings on Grace.

In his Essay, John Locke sets out his theory of knowledge and how we acquire it. He shows how all our ideas are grounded in human experience and analyses the extent of our knowledge of ourselves and the world. This new abridgement uses P. H. Nidditch's authoritative text to make an accessible edition of Locke's masterpiece.

Love's Labour's Lost, now recognized as one of the most delightful and stageworthy of Shakespeare's comedies, came into its own both on the stage and in critical esteem only during the 1930s and 1940s--after nearly three hundred years of neglect by the theater and misuse by critics. In this new critical edition, Hibbard pays particular attention to this process of rehabilitation. Based on the quarto of 1598, and drawing on recent scholarly analysis, he proposes that the quarto goes back, probably by way of a "lost" quarto, to an authorial manuscript that represents the play in a state prior to "fair copy." He offers numerous original readings of difficult and disputed passages, and a helpful commentary to the play's scintillating language.

This selection, chosen from the Oxford Authors critical edition, includes Wordsworth's finest verse, and a large sample of The Prelude, his extraordinary autobiographical poem in blank verse and the first truly great achievement of a new era in English poetry.