Bøker i Page-Barbour Lectures-serien

The sociolinguist William Labov has worked for decades on change in progress in American dialects and on African American Vernacular English (AAVE). In Dialect Diversity in America, Labov examines the diversity among American dialects and presents the counterintuitive finding that geographically localized dialects of North American English are increasingly diverging from one another over time. Contrary to the general expectation that mass culture would diminish regional differences, the dialects of Los Angeles, Dallas, Chicago, Birmingham, Buffalo, Philadelphia, and New York are now more different from each other than they were a hundred years ago. Equally significant is Labov's finding that AAVE does not map with the geography and timing of changes in other dialects. The home dialect of most African American speakers has developed a grammar that is more and more different from that of the white mainstream dialects in the major cities studied and yet highly homogeneous throughout the United States.Labov describes the political forces that drive these ongoing changes, as well as the political consequences in public debate. The author also considers the recent geographical reversal of political parties in the Blue States and the Red States and the parallels between dialect differences and the results of recent presidential elections. Finally, in attempting to account for the history and geography of linguistic change among whites, Labov highlights fascinating correlations between patterns of linguistic divergence and the politics of race and slavery, going back to the antebellum United States. Complemented by an online collection of audio files that illustrate key dialectical nuances, Dialect Diversity in America offers an unparalleled sociolinguistic study from a preeminent scholar in the field.

In his latest book, Terry Eagleton, one of the most celebrated intellects of our time, considers the least regarded of the virtues. His compelling meditation on hope begins with a firm rejection of the role of optimism in life's course. Like its close relative, pessimism, it is more a system of rationalization than a reliable lens on reality, reflecting the cast of one's temperament in place of true discernment. Eagleton turns then to hope, probing the meaning of this familiar but elusive word: Is it an emotion? How does it differ from desire? Does it fetishize the future? Finally, Eagleton broaches a new concept of tragic hope, in which this old virtue represents a strength that remains even after devastating loss has been confronted.In a wide-ranging discussion that encompasses Shakespeare's Lear, Kierkegaard on despair, Aquinas, Wittgenstein, St. Augustine, Kant, Walter Benjamin's theory of history, and a long consideration of the prominent philosopher of hope, Ernst Bloch, Eagleton displays his masterful and highly creative fluency in literature, philosophy, theology, and political theory. Hope without Optimism is full of the customary wit and lucidity of this writer whose reputation rests not only on his pathbreaking ideas but on his ability to engage the reader in the urgent issues of life. Page-Barbour Lectures

Explores the development of corporate law from the 1780s, a time when the special charter was the only form of incorporation, to the 1960s, a time when corporations were established exclusively through general incorporation statutes. More than a chronicle, this emphasises how legal institutions actively shaped the central traits of American capitalism.

Freeman Dyson's latest book does not attempt to bring together all of the celebrated physicist's thoughts on science and technology into a unified theory. The emphasis is, instead, on the myriad ways in which the universe presents itself to us--and how, as observers and participants in its processes, we respond to it. "e;Life, like a dome of many-colored glass,"e; wrote Percy Bysshe Shelley, "e;stains the white radiance of eternity."e; The author seeks here to explore the variety that gives life its beauty. Taken from Dyson's recent public lectures--delivered to audiences with no specialized knowledge in hard sciences--the book begins with a consideration of the practical and political questions surrounding biotechnology. As he seeks how best to explain the place of life in the universe, Dyson then moves from the ethical to the purely scientific. The book concludes with an attempt to understand the implications of biology for philosophy and religion. The pieces in this collection touch on numerous disciplines, from astronomy and ecology to neurology and theology, speaking to the lay reader as well as to the scientist. As always, Dyson's view of human nature and behavior is balanced, and his predictions of a world to come serve primarily as a means for thinking about the world as it is today.

San Francisco is a city designed for artists and wanderers. From North Beach, to Chinatown, to the cold, rough surf of Ocean Beach, to Marin, both visitors and lifelong residents have endless opportunities to explore new neighborhoods, buildings, environments, and cultures just by getting in the car, hopping on a cable car, or by simply walking around the block. In San Francisco: A Map of Perceptions, the architect Andrea Ponsi unravels the multifaceted beauty of one of America's favorite cities, introducing even those who have lived there for years to nuances often left unseen. Ponsi, a native of Florence who lived in San Francisco for many years, lyrically describes everyday life in the city, from a caf in North Beach where he sits next to Lawrence Ferlinghetti, to the de Young Museum ("e;a solid mass, a rough but elegant body, faceted but compact"e;) and the Academy of Sciences ("e;an ethereal, transparent building, lace made of glass and slender columns"e;), to Alcatraz ("e;an abandoned ship, a Flying Dutchman set adrift that bears the signs of a life of torment"e;), and even to the buffalo who reside in Golden Gate Park. As with his book on Florence, Ponsi here reveals a deeply personal look at what it's like to live in and love a city. Having the unique perspective of having been both an insider and an outsider to San Francisco, he speaks to us in the way we dream an architect would, capturing the city's diverse yet emblematic structures through delicate watercolor and line drawings, while also offering poetic descriptions of the underlying smells, sounds, and light of its many neighborhoods.A perfect balance of text and illustrations, San Francisco: A Map of Perceptions offers not only a guide for those visiting or returning to the city but also a compelling invitation for residents to revisit the utterly unique place in which they live.