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This red and gold Paperblanks Equinoxe Carmine journal reproduces a 1688 binding protecting L'office de la Semaine Sainte. The original binding was adorned "a la fanfare," a handtooled pattern edged in gilt. "Fanfare," which was a style popular in the seventeenth century, required tremendous skill on the part of the bookbinder and was reserved for books of great importance.

Laurel Burch was a self-taught artist with an unmistakable style that was the manifestation of her love of life. From her fertile imagination, she created brilliantly coloured, vibrant and moving themes with paint and paper. Her original image seen on Paperblanks Ocean Song journal contained a piece of poetry, which is revealed when the notebook's cover flap is opened.

This blue and gold Paperblanks Equinoxe Azure journal reproduces a 1688 binding protecting L'office de la Semaine Sainte. The original binding was adorned "a la fanfare," a handtooled pattern edged in gilt. "Fanfare," which was a style popular in the seventeenth century, required tremendous skill on the part of the bookbinder and was reserved for books of great importance.

This blue and gold Paperblanks Equinoxe Azure journal reproduces a 1688 binding protecting L'office de la Semaine Sainte. The original binding was adorned "a la fanfare," a handtooled pattern edged in gilt. "Fanfare," which was a style popular in the seventeenth century, required tremendous skill on the part of the bookbinder and was reserved for books of great importance.

This blue and gold Paperblanks Equinoxe Azure journal reproduces a 1688 binding protecting L'office de la Semaine Sainte. The original binding was adorned "a la fanfare," a handtooled pattern edged in gilt. "Fanfare," which was a style popular in the seventeenth century, required tremendous skill on the part of the bookbinder and was reserved for books of great importance.

Grolier Collection. Ultra lined Journal 100 x 140 mm 144 pages Paperblanks combine conscientious bookmaking, elegant designs and careful handiwork with enviromental integrity and social responsibility to create the finest blank journals.

This red and gold Paperblanks Equinoxe Carmine journal reproduces a 1688 binding protecting L'office de la Semaine Sainte. The original binding was adorned "a la fanfare," a handtooled pattern edged in gilt. "Fanfare," which was a style popular in the seventeenth century, required tremendous skill on the part of the bookbinder and was reserved for books of great importance.

Paperblanks Safavid journal portrays a leather filigree pattern incorporating handtooled motifs, retaining the elegance and style of the Islamic Golden Age even in our modern context. Symmetry is the hallmark of this binding, which features medallions, a pentagonal envelope flap closure and elaborately decorated "doublures" (interior covers), exquisite creations in cut-out leather and gilding.

This Paperblanks Silver Filigree Aubergine journal cover was originally designed in Germany in the early 1800s. To achieve the gilded motif, a base layer of silver sheets was first die cut, and elaborate grooves were then etched into its surface. Our silver and deep purple notebook celebrates the technique of filigree, an art form that is a testament to the human drive to ornament.

This blue and gold Paperblanks Equinoxe Azure journal reproduces a 1688 binding protecting L'office de la Semaine Sainte. The original binding was adorned "a la fanfare," a handtooled pattern edged in gilt. "Fanfare," which was a style popular in the seventeenth century, required tremendous skill on the part of the bookbinder and was reserved for books of great importance.