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Contains the complete novels of George Orwell: Animal Farm, Burmese Days, A Clergyman's Daughter, Coming up for Air, Keep the Aspidistra Flying and Nineteen Eighty-Four.Includes explanatory notes on the etymology of the language 'Newspeak'.
This collection of essays contains some of the most important pieces of criticism of the twentieth century, including the classics 'The Aesthetics of Silence', a brilliant account of language, thought and consciousness, and 'Trip to Hanoi', written during the Vietnam War. Here too is an excoriating account of America's identity and future, a robust and surprising discussion of pornography and other richly rewarding writings on art, film, literature and politics.
Beginning as surprisingly formal notes from the road to his friends Allen Ginsberg and Jack Kerouac, the letters gradually deepen in substance and style. Burroughs's letters show the development of both the man and the writer, vividly documenting his (often turbulent) personal and cultural history. The collection provides a key to opening up and contextualizing Burroughs's fiction, but more than that it shows how letter-writing was itself integral to his life and creative process.
Walter Benjamin - philosopher, essayist, literary and cultural theorist - was one of the most original writers and thinkers of the twentieth century. This new selection brings together Benjamin's major works, including 'One-Way Street', his dreamlike, aphoristic observations of urban life in Weimar Germany; 'Unpacking My Library', a delightful meditation on book-collecting; the confessional 'Hashish in Marseille'; and 'The Work of Art in the Age of Mechanical Reproduction', his seminal essay on how technology changes the way we appreciate art. Also including writings on subjects ranging from Proust to Kafka, violence to surrealism, this is the essential volume on one of the most prescient critical voices of the modern age. Contains: 'Unpacking My Library'; 'One-Way Street'; 'The Work of Art in the Age of Mechanical Reproduction'; 'Brief History of Photography'; 'Hashish in Marseille'; 'On the Critique of Violence'; 'The Job of the Translator'; 'Surrealism'; 'Franz Kafka' and 'Picturing Proust'.
When a society becomes more affluent, does it lose other values? Are the skills that education and literacy gave millions wasted on consuming pop culture? Do the media coerce us into a world of the superficial and the material - or can they be a force for good? When Richard Hoggart asked these questions in his 1957 book The Uses of Literacy Britain was undergoing huge social change, yet his landmark work has lost none of its pertinence and power today. Hoggart gives a fascinating insight into the close-knit values of Northern England's vanishing working-class communities, and weaves this together with his views on the arrival of a new, homogenous 'mass' US-influenced culture. His headline-grabbing bestseller opened up a whole new area of cultural study and remains essential reading, both as a historical document, and as a commentary on class, poverty and the media.
In the essays collected here William Langewiesche considers how flying has altered not only how we move about the earth, but also how we view our world and our place in it. With vivid descriptions of the aesthetics and excitement of flight, Langewiesche also writes of the risks that go with this beauty: the perils of air traffic control, and the dangers of nervous passengers and bad weather. Full of spare and elegant prose, Aloft is a fascinating journey into the new, profound dimension that flight has added to the human experience.
Using details of the ancient Scandinavian legends that were the inspiration for Hamlet, John Updike brings to life Gertrude's girlhood as the daughter of King Rorik, her arranged marriage to the man who becomes King Hamlet, and her middle-aged affair with her husband's younger brother. As only he could, Updike recasts a tale of medieval violence and presents the case for its central couple that Shakespeare only hinted at. Gertrude's warmth and lucidity, Claudius's soldierly yet peaceable powers of command are seen afresh against a background of fond intentions and familial dysfunction, on a stage darkened by the ominous shadow of a sullen, disaffected prince.
'Few, it seems to me, have driven their words with such passion' GuardianHow our earliest experiences can shape our destiny is the theme that runs like a thread of revelation through these extraordinary stories. They explore the roots of love, of murder and of racial conflict, from the child in 'The Rockpile' who can never be forgiven by his God-fearing father for his illegitimacy to the loneliness of a young black girl in love with a white man who, she knows, will leave her in 'Come Out of the Wilderness' and the horrifying story of the initiation of a racist as a man remembers his parents taking him to see the mutilation and murder of a black man in 'Going to Meet the Man'. In them Baldwin unlocks the concepts of history and prejudice and probes beneath the skin to the soul.
When shy young heir Patrick is orphaned at the age of ten, the only family he has is his wealthy and eccentric aunt, a New York socialite named Mame. Prone to dramatic costumes, flights of fancy and expensive whims, Mame will raise Patrick the only way she knows how - with humour, mishaps, unforgettable friends and lots of love. From progressive schooling and Mame's search for a husband to her short-lived literary career and the puncturing of some of Patrick's romances, Auntie Mame is the most magnificent and hilarious work of love, style, wit and the life of a modern American.
Baldwin's early essays have been described as 'an unequalled meditation on what it means to be black in America' . This rich and stimulating collection contains 'Fifth Avenue, Uptown: a Letter from Harlem', polemical pieces on the tragedies inflicted by racial segregation and a poignant account of his first journey to 'the Old Country' , the southern states. Yet equally compelling are his 'Notes for a Hypothetical Novel' and personal reflections on being American, on oother major artists - Ingmar Bergman and Andre Gide, Norman Mailer and Richard Wright - and on the first great conferance of Negro - American writers and artists in Paris. In his introduction Baldwin descrides the writer as requiring 'every ounce of stamina he can summon to attempt to look on himself and the world as they are' ; his uncanny ability to do just that is proclaimed on every page of this famous book.
Ros is dead. A bad actress but a tremendous lover, when she was alive her thighs pillowed cast members, crew, friends and acquaintances. Now Gerald's party continues around her murdered corpse (it is, after all, just the first of the night), as the guests indulge in drinking, flirting and jealousies, and the police make their brutal investigations.An evening of cocktails, sex and violence, Robert Coover's novel is a murder mystery as rousing and disorienting as the best drunken party, a vaudevillian masterpiece.
These two novellas by the groundbreaking, fearless, and immeasurably influential Robert Coover are dirty, funny and brilliant. In Briar Rose a sleeping beauty is trapped in an enchantment for a hundred years, dreaming of stories in which someone like her wakes up disappointed, or becomes a mother, or is stripped and defiled. And, as she dreams, outside, failed princes die and hang their remains on the thorns of a briar hedge. In Spanking the Maid a maid and her master are each committed to their own hard service: she, attempting to perform her simple duties without error; he, supplying punishment by rod, belt, hairbrush, whip, cane and slipper when she inevitably fails. These tales of desire are Coover at his most darkly playful.
Stella Rode has twice disturbed the ancient cloisters of Carne School: firstly by being the wrong sort, with her doilies and china ducks, and secondly by being murdered. George Smiley, who has his own connection with the school, is asked by an old Service friend to investigate.
Collected with a dozen wonderful stories, all set in classic Updike territory, the short novel 'RABBIT REMEMBERED' is a major work in its own right - a riveting return to Updike's most celebrated fictional world. Janice and Nelson Angstrom, plus several other survivors of the irreducible Rabbit, fitfully entertain his memory while pursuing their own happiness over the edge of the millennium, as a number of old strands come together in entirely unexpected ways.
A novel that tells the stories of New Yorkers who at every turn confront the worst excesses in human nature. It includes such creations as: Georgette, the transvestite who falls in love with a callous hoodlum; and Tralala, the conniving prostitute who plumbs the depths of sexual degradation.
Marie Powell is sixteen when her father marries her to the poet John Milton in payment of a debt. They move to a pretty garden-house in London, but she struggles to adjust to her new life. Her husband is high-minded and unyielding, and only makes Marie long for the man she really loves. As Civil War sweeps across England and the King is killed, a battle starts to rage between husband and wife - one that only the powerful can win. Told through the fictional journals of Milton's wife, Robert Graves's sympathetic and sensitive reconstruction of her tragic life is also a convincing, linguistically rich portrait of seventeenth-century England as it is ravaged by war.
In order to reclaim his father's kingdom, Jason has been sent on an impossible mission - to take the golden ram's fleece that lies far away, guarded by a dragon. Jason, who is so attractive that women fall instantly in love with him, sets sail in the Argo, along with the greatest heroes of ancient Greece, including the surly (and often drunk) Hercules, the enchanting musician Orpheus and the battling twins Castor and Pollux. As they battle clashing rocks, monsters and seductresses, watched over by pitiless gods, they will learn that victory comes at a price. In The Golden Fleece Robert Graves transforms Greek myth into a thrilling and richly imagined story, bringing the ancient world vividly alive.
Robert Graves first came across the name of Roger Lamb in 1914, when Graves was an English officer instructing his platoon in regimental history. Lamb was a British soldier who had served his king during the American War of Independence, and whose claim to a footnote in history is that he managed to escape twice from American prison camps. When Graves went to America in the 1930s, he remembered Sergeant Lamb, investigated his story and created this fictionalized memoir telling Lamb's story from his Irish childhood to war and revolution, weaving a mesmerizing tale of courage and adventure.
Pauline is spending the summer at World's End, a cottage somewhere in the middle of England. This year the adjoining cottage is occupied by her daughter Teresa and baby grandson Luke; and, of course, Maurice, the man Teresa married. As the hot months unfold, Maurice grows ever more involved in the book he is writing - and with his female copy editor - and Pauline can only watch in dismay and anger as her daughter repeats her own mistakes in love. The heat and tension will lead to a violent, startling climax.In Heat Wave, Penelope Lively gives us a moving portrayal of a fragile family damaged and defined by adultery, and the lengths to which a mother will go to protect the ones she loves.
A respected literary biographer, Mark is working on the life of Gilbert Strong - a writer about whom he thinks he knows everything. Happily married, and apparently dedicated to a life of letters, he nevertheless falls in love with Strong's granddaughter Carrie, a vague and unsophisticated young woman more interested in bedding plants than books or passion. As Mark's obsessions develop over a hot, complicated summer, he begins to understand that nothing is ever what it seems; not Gilbert Strong, and certainly not himself.According to Mark is a witty and moving look at love, literature and the dangers of middle-aged folly.
In the middle of a family lunch Teresa, just married, goes to the bathroom, unbuttons her blouse and shoots herself in the heart. What made her kill herself immediately after her honeymoon?
Driven to desperation by the hand the world has dealt him, a man attempts to buy a gun to end his life. But a computer malfunction causes a delay with the gun license: a life-saving event that sees the man questioning why he should die when there are so many others he believes should go before him.
Bobby - young, black and happily in love with Hispanic girlfriend Maria - lives in a cramped Bronx apartment with his mother, his younger siblings and walls full of rats. But when Bobby and Maria are brutally attacked by a Hispanic gang, leaving the couple severely injured, everything changes.
Herman Broder, a refugee and Holocaust survivor, has three women in his life: Yadwiga, the loyal Polish peasant who hid him in a hayloft from the Nazis; Masha, his beautiful and neurotic true love; and Tamara, his first wife.
Jack Kerouac called Doctor Sax, the enigmatic figure who haunted his boyhood imagination, 'my ghost, personal angel, private shadow, secret lover'. In this extraordinary autobiographical account of growing up in Lowell, Massachussetts, told through his fictional alter ego Jack Duluoz, he mingles real people and events with fantastical figures to capture the accents, scents, sights and texture of his childhood: playing among the river weeds and railroad tracks, going to church, witnessing life and death on the street corners. Written when he was staying with William Burroughs in Mexico in 1952, Doctor Sax was Kerouac's favourite of all his books: a dark, vivid and magical evocation of a boy's vibrant inner life.
Novelist, critic and biographer, Margaret Drabble is one of the major literary figures of her generation. This collection shows her to be a leading practitioner of the art of the short story, presenting her complete short fiction for the first time in a single volume, spanning four decades, from 1964 to 2000. Several of the stories, like The Dower House at Kellynch, are set in Somerset and Dorset and reflect their author's intimate knowledge of the land and flora there, but their settings also range as far as Elba and Cappadocia. Taken as a whole, the stories reflect the social changes of the past forty years, by showing the English at home and abroad. In 'The Gifts of War', peace-protesting students clash with a mother buying a toy for her son, with tragic consequences. An Englishman on honeymoon has a brief but significant epiphany, finding a shared humanity with a Moroccan crowd in 'Hassan's Tower'. Their protagonists are men and women, husbands and lovers, television presenters and housewives, all subtly and precisely captured as products of their time and place. In his introduction, Spanish scholar Jos Francisco Fern ndez celebrates the 'pure and simple pleasure to be found in reading these survivalist, questioning, belligerently intense short stories'.
For Willi Kufult, prison life means staying out of trouble, keeping his cell clean, snagging a precious piece of tobacco - and dreaming of the day of his release.Then he gets out.As Willi tries to make a new life for himself in Hamburg, finding a job and even love, he still cannot escape his past. Gradually he becomes sucked into a world of drink, desperation and deceit, and with one terrible act, he is ensnared in a noose of his own making...Hans Fallada's dark and moving 1934 novel brilliantly describes a seedy criminal underworld of shabby lives and violent deeds, showing how our actions always catch up with us.
Shiva Naipaul was the brother of V. S. Naipaul and author of Firefles and The Chip-Chip Gatherers. The Chip-Chip Gatherers, his second novel, was winner of the Whitbread Literary Award in 1973 and is set in Naipaul's native Trinidad. It includes a new foreword by Amit Chaudhuri.The crowded, ramshackle community of the Settlement in Trinidad is at the mercy of a tyrant. Egbert Ramsaran, the proud owner of the Ramsaran Transport Company, who has become the richest man in town through sheer strength of will, is a capricious, eccentric despot who loves nobody and whom nobody can afford to ignore. There is his son Wilbert, bullied into passivity and failure; Vishnu the downtrodden grocer without grace or hope; the beautiful, unpredictable Sushila, who tries to wield her seductive powers over Ramsaran; and her daughter, Sita, intelligent enough to know that escape is possible. Their intricately woven lives are perfectly captured in all their pathos, comedy and humanity.
In The Sundial Shirley Jackson, author of We Have Always Lived in the Castle, blends family politics and apocalyptic terror to create a disturbing world of sinister relations and the macabre.'An amazing writer' Neil GaimanMrs Halloran has inherited the great Halloran house on the death of her son, much to the disgust of her daughter-in-law, the delight of her wicked granddaughter and the confusion of the rest of the household. But when the original owner - long dead - arrives to announce the world is ending and only the house and its occupants will be saved, they find themselves in a nightmare of strange marble statues, mysterious house guests and the beautiful, unsettling Halloran sundial which seems to be at the centre of it all. Shirley Jackson's chilling tales have the power to unsettle and terrify unlike any other. She was born in California in 1916. When her short story The Lottery was first published in The New Yorker in 1948, readers were so horrified they sent her hate mail; it has since become one of the greatest American stories of all time. Her first novel, The Road Through the Wall, was published in the same year and was followed by five more: Hangsaman, The Bird's Nest, The Sundial, The Haunting of Hill House and We Have Always Lived in the Castle, widely seen as her masterpiece. Shirley Jackson died in her sleep at the age of 48.'The world of Shirley Jackson is eerie and unforgettable ... It is a place where things are not what they seem; even on a morning that is sunny and clear there is always the threat of darkness looming, of things taking a turn for the worse' A. M. Homes'Shirley Jackson is unparalleled as a leader in the field of beautifully written, quiet, cumulative shudders' Dorothy Parker'Shirley Jackson's stories are among the most terrifying ever written' Donna Tartt
Shirley Jackson's Hangsaman is a story of lurking disquiet and haunting disorientation, inspired by the real-life, unsolved disappearance of a female college student.'Shirley Jackson's stories are among the most terrifying ever written' Donna Tartt, author of The GoldfinchNatalie Waite, daughter of a mediocre writer and a neurotic housewife, is increasingly unsure of her place in the world. In the midst of adolescence she senses a creeping darkness in her life, which will spread among nightmarish parties, poisonous college cliques and the manipulations of the intellectual men who surround her, as her identity gradually crumbles.This edition includes a Foreword by Francine Prose.Shirley Jackson's chilling tales have the power to unsettle and terrify unlike any other. She was born in California in 1916. When her short story The Lottery was first published in The New Yorker in 1948, readers were so horrified they sent her hate mail; it has since become one of the greatest American stories of all time. Her first novel, The Road Through the Wall, was published in the same year and was followed by five more: Hangsaman, The Bird's Nest, The Sundial, The Haunting of Hill House and We Have Always Lived in the Castle, widely seen as her masterpiece. Shirley Jackson died in her sleep at the age of 48.'An amazing writer' Neil Gaiman'The world of Shirley Jackson is eerie and unforgettable ... It is a place where things are not what they seem; even on a morning that is sunny and clear there is always the threat of darkness looming, of things taking a turn for the worse' A. M. Homes'Shirley Jackson is unparalleled as a leader in the field of beautifully written, quiet, cumulative shudders' Dorothy Parker
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