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Hendrik Hofgen is a man obsessed with becoming a famous actor. When the Nazis come to power in Germany, he renounces his Communist past and deserts his wife and mistress in order to keep on performing. His diabolical performance as Mephistopheles in Faust proves to be the stepping-stone he yearned for: attracting the attention of Hermann Goring.

One of the first things ninety-two-year-old Marian Leatherby overhears when she is given an ornate hearing trumpet is her family plotting to commit her to an institution. Soon, she finds herself trapped in a sinister retirement home, where the elderly must inhabit buildings shaped like igloos and birthday cakes.

The state has been recently taken over and is being run by the tyrannical and philistine 'Average Man' party. Under the slogans of equality and happiness for all, it has done away with individualism and freedom of thought. Only John Krug, a brilliant philosopher, stands up to the regime. His antagonist, the leader of the new party, is his old school enemy, Paduk - known as the 'Toad'. Grieving over his wife's recent death, Krug is at first dismissive of Paduk's activities and sees no threat in them. But the sinister machine which Paduk has set in motion may prove stronger than the individual, stronger even than the grotesque 'Toad' himself.

Fading charmer, Tommy Wilhelm has reached his day of reckoning and is scared. In his forties, he still retains a boyish impetuousness that has brought him to the brink of chaos: he is separated from his wife and children, at odds with his vain, successful father, failed in his acting career, and in a financial mess.

Sir James George Frazer (1854-1941) caught the popular imagination with his vast and enterprising comparative study of the beliefs and institutions of mankind, which in its third edition numbered 12 volumes. Reissued here is Frazer's own single-volume abridgement of 1922.

Guy Crouchback, determined to get into the war, takes a commission in the Royal Corps of Halberdiers. His spirits high, he sees all the trimmings but none of the action. And his first campaign, an abortive affair on the West African coastline, ends with an escapade which seriously blots his Halberdier copybook. Men at Arms is the first book in Waugh s brilliant trilogy, Sword of Honour, which chronicles the fortunes of Guy Crouchback. The second and third volumes, Officers and Gentlemen and Unconditional Surrender, are also published in Penguin. Sword of Honour has recently been made into a television drama series, with screenplay by William Boyd.

Port and Kit Moresbury, a sophisticated American couple, are finding it more than a little difficult to live with each other. Endeavoring to escape this predicament, they set off for North Africa intending to travel through Algeria - uncertain of exactly where they are heading, but determined to leave the modern world behind.

The US government and big business teamed up to build dams and bridges across the American West. A band of individuals teamed up to prevent it happening. In this chaotic comedy their aim is to dismantle the machinery of progress through peaceful means, or otherwise.

Just after the iron curtain fell on Eastern Europe John Steinbeck and acclaimed war photographer, Robert Capa ventured into the Soviet Union to report for the New York Herald Tribune. This rare opportunity took the famous travellers not only to Moscow and Stalingrad - now Volgograd - but through the countryside of the Ukraine and the Caucasus. A RUSSIAN JOURNAL is the distillation of their journey and remains a remarkable memoir and unique historical document. Steinbeck and Capa recorded the grim realities of factory workers, government clerks, and peasants, as they emerged from the rubble of World War II. This is an intimate glimpses of two artists at the height of their powers, answering their need to document human struggle

The Wayward Bus travelled the backroads through the lush California countryside. Its driver was a man of the land - lusty, hot-blooded and uninhibited. On the bus was a girl who danced at stag parties, a travelling salesman strictly out for fun, a boy coming into manhood and a college girl pursuing her secret, passionate quest. This is a story of crisis and passion, of love and longing. In many ways it is one of Steinbeck's most powerful novels, not least because it shows just how profound his knowledge of human beings and their emotions is.

In what remains one of his most seminal papers, Freud considers the incompatibility of civilisation and individual happiness, and the tensions between the claims of society and the individual. We all know that living in civilised groups means sacrificing a degree of personal interest, but couldn't you argue that it in fact creates the conditions for our happiness? Freud explores the arguments and counter-arguments surrounding this proposition, focusing on what he perceives to be one of society's greatest dangers; 'civilised' sexual morality. After all, doesn't repression of sexuality deeply affect people and compromise their chances of happiness?

These works were written against a background of war and racism. Freud sought the sources of conflict in the deepest memories of humankind, finding clear continuities between our 'primitive' past and 'civilized' modernity. In Totem and Taboo he explores institutions of tribal life, tracing analogies between the rites of hunter-gatherers and the obsessions of urban-dwellers, while Mourning and Melancholia sees a similarly self-destructive savagery underlying individual life in the modern age, which issues at times in self-harm and suicide. And Freud's extraordinary letter to Einstein, Why War? - rejecting what he saw as the physicist's na ve pacifism - sums up his unsparing view of history in a few profoundly pessimistic, yet grimly persuasive pages.

Though little more than a settlement surrounded by mountains, Macondo has its wars and disasters, even its wonders and miracles. A microcosm of Columbian life, its secrets lie hidden, encoded in a book and only Aureliano Buendia can fathom its mysteries and reveal its shrouded destiny.

'We are Progress and the New Age. Nothing can stand in our way.' When Oxford-educated Emperor Seth succeeds to the throne of the African state of Azania, he has a tough job on his hands. His subjects are ill-informed and unruly, and corruption, double-dealing and bloodshed are rife. However, with the aid if Minister of Modernization Basil Seal, Seth plans to introduce his people to the civilized ways of the west - but will it be as simple as that?

A comprehensive selection of Kavanagh's poetry. It includes selection that range from initial offerings such as "Tinker's Wife" and "Inniskeen Road: July Evening" to his tragic masterpiece "The Great Hunger" (1942) and celebratory verse, "To Hell with Common Sense" and "Come Dance with Kitty Stobling".

It's New York in the 1940s, where the martinis flow from cocktail hour till breakfast at Tiffany's. And nice girls don't, except, of course, for Holly Golightly: glittering socialite traveller, generally upwards, sometimes sideways and once in a while - down.

A complete collection of short fiction by one of the masters of twentieth-century American literature.

June 1940 was the summer of defeat for the French soldiers, deserted by their officers, utterly demoralized, awaiting the Armistice. This book tells what men thought and felt and did as France fell.

'Vladimir Nabokov was a literary genius' David Lodge'Of all my novels this bright brute is the gayest', Nabokov wrote of King, Queen, Knave. Comic, sensual and cerebral, it dramatizes an Oedipal love triangle, a tragi-comedy of husband, wife and lover, through Dreyer the rich businessman, his ripe-lipped ad mercenary wife Martha, and their bespectacled nephew Franz. 'If a resolute Freudian manages to slip in' - Nabokov darts a glance to the reader - 'he or she should be warned that a number of cruel traps have been set here and there...

Mathieu Delarue, a philosophy teacher, has so far managed to contain sex and personal freedom in separate compartments. But now he is in trouble, trying to raise 4,000 francs to procure a safe abortion for his mistress, Marcelle. Beyond all this, filtering an uneasy light on his predicament, rises the threat of the coming of the Second World War.

This is the ficional story of the great gospel singer Arthur Montana. Arthur was found dead in the basement of a London pub at the age of thirty-nine, yet he lives on in this memoir. Written by Hall, his brother and manager, it is in part a subtle and moving study of the treacherous ebb and flow of memory. Set against a vividly drawn background of the civil rights movement of the sixties, Just Above My Head explores how Arthur discovers his love for Jimmy - 'with his smile like a lantern and a voice like Saturday nights' - and portrays how profoundly racial politics can shape the private business of love.

The townspeople of Oran are in the grip of a deadly plague, which condemns its victims to a swift and horrifying death. Fear, isolation and claustrophobia follow as they are forced into quarantine. Each person responds in their own way to the lethal disease: some resign themselves to fate, some seek blame, and a few, like Dr Rieux, resist the terror.An immediate triumph when it was published in 1947, The Plague is in part an allegory of France's suffering under the Nazi occupation, and a story of bravery and determination against the precariousness of human existence.An immediate triumph when it was published in 1947, The Plague is in part an allegory of France's suffering under the Nazi occupation, and a story of bravery and determination against the precariousness of human existence.

In these dark, dreamlike love stories with a twist, Ludmilla Petrushevskaya tells of strange encounters in claustrophobic communal apartments, ill-fated holiday romances, office trysts, schoolgirl crushes, tentative courtships, rampant infidelity, tender devotion and terrifying madness. By turns sly and sweet, earthy and sublime, these fables of flawed love blend black humour and macabre spectacle with transformative moments of grace.

An autobiography of Woody Guthrie, founder of modern American folk music. This book presents a cynical, earthy and tragic account of his life in an Oklahoma oil-boom town, of the Depression that followed, and of his subsequent travels in, on, and under trains, in stolen cars and on his feet, round an America going rotten from the top downwards.

The brilliant student of an earlier generation returns to his Sudanese village; obsession with the mysterious West and a desire to bite the hand that has half-fed him, has led him to London and the beds of women with similar obsessions about the mysterious East. He kills them at the point of ecstasy and the Occident, in its turn, destroys him.

Imagism was a brief, complex yet influential poetic movement of the early 1900s, a time of reaction against late nineteenth-century poetry which Ezra Pound, one of the key imagist poets, described as a doughy mess of third-hand Keats, Wordsworth half-melted, lumpy . In contrast, imagist poetry, although riddled with conflicting definitions, was broadly characterized by brevity, precision, purity of texture and concentration of meaning: as Pound stated, it should use no superfluous word, no adjective, which does not reveal something it does not use images as ornaments. The image itself is the speech . It was this freshness and directness of approach which means that, as Peter Jones says in his invaluable Introduction, imagistic ideas still lie at the centre of our poetic practice .

Since the original, prewar translation there has been no completely new rendering of the French original into English. This translation brings to the fore a more sharply engaged, comic and lucid Proust. IN SEARCH OF LOST TIME is one of the greatest, most entertaining reading experiences in any language. As the great story unfolds from its magical opening scenes to its devastating end, it is the Penguin Proust that makes Proust accessible to a new generation.Each book is translated by a different, superb translator working under the general editorship of Professor Christopher Prendergast, University of Cambridge.

Since the original, prewar translation there has been no completely new rendering of the French original into English. This translation brings to the fore a more sharply engaged, comic and lucid Proust. IN SEARCH OF LOST TIME is one of the greatest, most entertaining reading experiences in any language. As the great story unfolds from its magical opening scenes to its devastating end, it is the Penguin Proust that makes Proust accessible to a new generation. Each book is translated by a different, superb translator working under the general editorship of Professor Christopher Prendergast, University of Cambridge.

Since the original prewar translation there has been no completely new rendering of the French original into English. This translation brings to the fore a more sharply engaged, comic and lucid Proust. IN SEARCH OF LOST TIME is one of the greatest,most entertaining reading experiences in any language. As the great story unfolds from its magical opening scenes to its devastating end, it is the Penguin Proust that makes Proust accessible to a new generation.Each volume is translated by a different, superb translator working under the general editorship of Professor Christopher Prendergast, University of Cambridge.

Since the original, prewar translation there has been no completely new rendering of the French original into English. This translation brings to the fore a more sharply engaged, comic and lucid Proust. IN SEARCH OF LOST TIME is one of the greatest, most entertaining reading experiences in any language. As the great story unfolds from its magical opening scenes to its devastating end, it is the Penguin Proust that makes Proust accessible to a new generation.Each book is translated by a different, superb translator working under the general editorship of Professor Christopher Prendergast, University of Cambridge.