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From Hannah Arendt, the author of The Origins of Totalitarianism, her influential essay examining the relationship between violence, power, war and politics'Violence can destroy power; it is utterly incapable of creating it'Why has violence played such a significant role in human history? Written in 1970, with the Holocaust and Hiroshima still fresh in recent memory, war in Vietnam raging and the streets of Europe and America exploding into student protest, Hannah Arendt's seminal work dissects violence in the twentieth century: its nature and causes, its relationship with politics and war, its role in the modern age. Arendt warns against the glamorization of violence by revolutionary causes, and argues that true, lasting power can never grow 'out of the barrel of a gun'.'Incisive, deeply probing, written with clarity and grace, it provides an ideal framework for understanding the turbulence of our times' The NationWith an introduction by Arendt expert, Lyndsey Stonebridge, Professor of Humanities and Human Rights at the University of Birmingham.

In 1789 the West Indian colony of San Domingo supplied two-thirds of the overseas trade of France. The entire structure of what was arguably the most profitable colony in the world rested on the labour of half a million slaves. In 1791 the waves of unrest inspired by the French Revolution reached across the Atlantic dividing the loyalties of the white population of the island. The brutally treated slaves of Saint Domingo seized at this confusion and rose up in rebellion against masters. In thisclassic work, CLR James chronicles the only successful slave revolt in history and provides a critical portrait of their leader, Toussaint L'Ouverture, 'one of the most remarkable men of a period rich in remarkable men'.

A new selection of foundational works from the influential philosopher who developed the theory of mimetic desireRené Girard eludes easy categories, bridging the fields of literary criticism, anthropology, sociology, history, religion and theology. Influencing such writers as J. M. Coetzee and Milan Kundera, his insight into contagious violence looks ever more prophetic and relevant seven years after his death. In many ways he is the thinker for our modern world of social media and herd behaviour.In this newly selected collection of writings, Cynthia L. Haven has created an approachable anthology of his work, addressing Girard's thoughts on the nature of desire, human imitation and rivalry, the causes of conflict and violence, the deep structure of religion and cultural subjects like opera and theatre.Girard spoke to his times in language that was engaging, accessible and often controversial. A long-time friend and colleague, Haven shines a spotlight on his role as a public intellectual and profound theorist, inviting a new generation to his corpus.

'Sad, sonorous, occasionally hilarious, an extraordinary first novel' Washington Post'Striking . . . brings sexism and classism into equal focus' The Paris ReviewAdah is a single mother of five, living in a dank, crumbling housing estate for 'problem families', avoiding the rats and rubbish. It's not quite the new start in London she had planned. As she navigates the complicated welfare system that keeps her trapped in poverty, can she cling to her dream of a better life, and find somewhere that feels like home?Buchi Emecheta's scorching debut novel drew on her own experiences to paint a moving picture of hope, unexpected friendship, and survival.In the Ditch joins The Joys of Motherhood and Second-Class Citizen in Penguin Modern Classics, with a bespoke cover design from Turner Prize-winning artist Chris Ofili.'Buchi Emecheta was the foremother of black British women's writing' Bernardine Evaristo

'A scorching portrayal of a woman's life . . . the female, feminist counterpart to Things Fall Apart' Bernardine Evaristo'God, when will you create a woman who will be fulfilled in herself, a full human being, not anybody's appendage? ... when will I be free?'There is no greater honour for a woman in an Ibo village than to have children - especially sons. Unable to conceive in her first marriage, Nnu Ego is sent away to a new husband in the city of Lagos, where she finally succeeds in becoming a mother. But things are changing, and a war that unfolds thousands of miles away threatens her family's fortunes and her entire way of life. In a world where motherhood is everything, what will be left for her at the end of it all?'Sparkling intelligence and a certain kind of honest, lived, intimate insight into working-class colonial Nigeria' Chimamanda Ngozi Adichie