Utvidet returrett til 31. januar 2024

Bøker i Philosophical Filmmakers-serien

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  • - Filmmaker and Philosopher
    av Todd May
    340 - 1 136,-

  • - Filmmaker and Philosopher
    av Australia) Sinnerbrink & Robert (Macquarie University
    340 - 1 136,-

  • - Filmmaker and Philosopher
    av Vittorio Hosle
    340 - 1 797,-

  • - Filmmaker and Philosopher
    av Professor Richard (Swarthmore College Eldridge
    1 136,-

  • - Filmmaker and Philosopher
    av City University of New York, Department Of Philosophy, USA) Chopra & m.fl.
    329,99 - 1 057,-

  • - Filmmaker and Philosopher
    av USA) Pippin & Robert B. (University of Chicago
    326 - 1 019,-

  • - Filmmaking, Philosophy, and the Star Wars Universe
    av USA) Patell & Cyrus R.K. (NYU Abu Dhabi and NYU
    340 - 1 057,-

  • - Filmmaker and Philosopher
    av Singapore) Goh & Robbie B. H. (National University of Singapore
    309 - 988,-

  • - Filmmaker and Philosopher
    av Professor Joan Ramon (Stanford University Resina
    326,-

    Luchino Visconti (1906-1976) was one of Europe's most prestigious filmmakers, who rose to prominence as part of the Italian neo-realist movement, alongside contemporaries Vittorio De Sica and Roberto Rossellini. Famous for his elegant lifestyle, as friend of Jean Renoir and Coco Chanel amongst others, his vibrant technicolour dramas are also known for their decadence and stunning display of aesthetic mastery and sensory pleasure.Looking beyond this colourful façade, however, Resina explores the philosophical implications of decadence with a particular focus on three films from the late phase in Visconti's production, Damned (1969), Death in Venice (1971), and Ludwig (1972). From the incestuous relationship between decadence and power to decadence as an outcome of straining toward formal perfection, Resina uncovers the unity and philosophical cohesiveness of these films that deal with different subjects and historical periods.Reading these films and their decadence in light of the time of filming and Visconti's own sense of cultural doom, Resina further demonstrates the relevance of Visconti's philosophy today and how much they still have to say to our contemporary situation.

  • av Vrasidas (University of Sydney Karalis
    313 - 910,-

  • av William Egginton & Costica Bradatan
    837,-

  • av Costica Bradatan & Bernadette Wegenstein
    275 - 854,-

  • av Costica Bradatan & Susan Rubin Suleiman
    258 - 1 002,-

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