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Bøker i Philosophical Filmmakers-serien

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  • - Filmmaker and Philosopher
    av Todd May
    488 - 1 140,-

  • - Filmmaker and Philosopher
    av Robert (Macquarie University & Australia) Sinnerbrink
    310 - 1 140,-

  • - Filmmaker and Philosopher
    av Vittorio Hosle
    416 - 1 826

  • - Filmmaker and Philosopher
    av Professor Richard (Swarthmore College Eldridge
    1 239,-

  • - Filmmaker and Philosopher
    av Samir (Professor, USA) Chopra, Department Of Philosophy & m.fl.
    334 - 1 091,-

  • Spar 12%
    - Filmmaker and Philosopher
    av Robert B. (University of Chicago & USA) Pippin
    286 - 906,-

  • - Filmmaking, Philosophy, and the Star Wars Universe
    av USA) Patell & Cyrus R.K. (NYU Abu Dhabi and NYU
    346 - 1 091,-

  • - Filmmaker and Philosopher
    av Robbie B. H. (National University of Singapore & Singapore) Goh
    310 - 1 092,-

  • - Filmmaker and Philosopher
    av Professor Joan Ramon (Stanford University Resina
    338

    Luchino Visconti (1906-1976) was one of Europe's most prestigious filmmakers, who rose to prominence as part of the Italian neo-realist movement, alongside contemporaries Vittorio De Sica and Roberto Rossellini. Famous for his elegant lifestyle, as friend of Jean Renoir and Coco Chanel amongst others, his vibrant technicolour dramas are also known for their decadence and stunning display of aesthetic mastery and sensory pleasure.Looking beyond this colourful façade, however, Resina explores the philosophical implications of decadence with a particular focus on three films from the late phase in Visconti's production, Damned (1969), Death in Venice (1971), and Ludwig (1972). From the incestuous relationship between decadence and power to decadence as an outcome of straining toward formal perfection, Resina uncovers the unity and philosophical cohesiveness of these films that deal with different subjects and historical periods.Reading these films and their decadence in light of the time of filming and Visconti's own sense of cultural doom, Resina further demonstrates the relevance of Visconti's philosophy today and how much they still have to say to our contemporary situation.

  • av Vrasidas (University of Sydney Karalis
    316 - 1 176,-

  • av Richard Eldridge
    354,-

    Werner Herzog has produced some of the most powerful, haunting, and memorable images ever captured on film. Both his fiction films and his documentaries address fundamental issues about nature, selfhood, and history in ways that engage with but also criticize and qualify the best philosophical thinking about these topics. In focusing on figures from Aguirre, Kasper Hauser, and Stroszek to Timothy Treadwell, Graham Dorrington, Dieter Dengler, and Walter Steiner, among many others, Herzog investigates the nature of human life in time and the possibilities of meaning that might be available within it. His films demonstrate the importance of the image in coming to terms with the plights of contemporary industrial and commercial culture. Eldridge unpacks and develops Herzog's achievement by bringing his work into engagement with the thinking of Freud, Merleau-Ponty, Nietzsche, Hegel, Cavell, and Benjamin, but more importantly also by attending closely to the logic and development of the films themselves and to Herzog's own extensive writings about filmmaking.

  • av William Egginton & Costica Bradatan
    280 - 850

  • av Costica Bradatan & Bernadette Wegenstein
    262 - 850

  • av Costica Bradatan & Susan Rubin Suleiman
    262 - 1 018

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