Bøker i Phoenix Poets (CHUP)-serien

A meditation on the body as a source of joy, anxiety, and regeneration, this collection extends the capacity of the lyric to articulate human feeling while considering the complications of love, both human and divine, and the distinctions between them. It is more deeply an attempt to focus on the process of human creativity in general.

A book about belief - not belief in the unknowable but belief in what seems bewilderingly plain. Pondering the bodies we inhabit, the words we speak, these poems aims to discover infinitude in the most familiar places.

Features poems that are haunted by the afterlife of Thom Gunn (1929-2004), one of the most beloved gay literary icons of the twentieth century.

Now, from the sweet fragrance of roses, bitterness stings our nostrils. The bay's withdrawn from us, the beach is littered with broken things - splintered oars, bits of old clay pipe from a long ago shipwreck, fragments of china plates. Enchanting, those days my townspeople scavenged rare cargo, furnishing their long winters with random wares.

Explores what it feels like to live in America, at the beginning of the twenty-first century. Splicing cell-phone chatter with translations of ancient poems, and turning his high-res lens on everything from box stores to trout streams to airport lounges, the author renders both personal and collective experience with capacious and subtle skill.

From the Baltimore Catechism to the great noir films of the last century to today's Elvis impersonators and Paris Hilton, this book tracks the snares, abrasions, and hijinks of personal identities in our society of the spectacle, a place where who we say we are, and who we think we are, fade in and out of consciousness.

A sequence of poems voiced by an invented (and inventive) boy-speaker called Romey, set alongside a river in the South Carolina lowcountry.

From Tuscaloosa west to Mississippi then north to Memphis through country as unmusical as I was unloved by the decorous ardor of the South and the voice of one whose griefs were Cherokee, absentee, left in the Chevy and secret. She didn't love my love like Shiva's everywhere and blue and many-handed, some with knives and some with billet-doux.

Ranging among traditional, open, and newly invented forms, and including a series of free translations of medieval dream visions and love poems, this title begins as a historical meditation on our fall and grows into a song of praise for the green and turning world.

The notion of the disposable camera permeates the entire book, where the author considers the instabilities in even our deepest attachments. Here gulfs expand, for instance, between twins, between the musician and his instrument, between the recluse and his inconsolable solitude.

Includes poems that sift layers of natural and human history across several continents, observing paintings, archaeological digs, cityscapes, seascapes, landscapes. Employing an impressive array of traditional meters and various kinds of free verse, this title celebrates communities both invented and real.