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With accessibility, wit, and humour, poet Ronald Wallace evokes a wide variety of subjects that range from the traditional themes of lyric poetry - love, death, sex, the natural world, marriage, birth, childhood, music, religion, art - to the most unexpected and quirky narratives - an ode to excrement, a catalogue of comic one-liners, a celebratory testimonial to his teeth.
The speaker in Cape Verdean Blues is an oracle walking down the street. It uniquely captures the essence of "Sodade," as it refers to the Cape Verdean American experience, and also the nostalgia and self-reflection one navigates through relationships lived, lost, and imagined.
Offers a poetic exploration - across time, space, and language, real as well as metaphorical - of the US-Mexican wall dividing the two civilizations, of similar walls (Jerusalem, China, Berlin, Warsaw) in history, and of the act of separating people by ideology, class, race, and other subterfuges.
Waters explores the confluences of the sensual and the spiritual, and renders their mysteries with precision and clarity. The title evokes the rigorous consciousness that prods the artist to deepen into his craft. Line by line, Waters delivers the passionate eloquence and intensity that distinguish his poems.
Love and friendship empower in wry narratives, though time "mows" down our days, though we may never escape "original cruelties." Tragedies permeating our enmeshed, global identities haunt the book: the massacre of gay youth in Orlando;
An International Poetry Forum Selection, translated from the Swedish by May Swenson with Leif Sjoeberg. Tomas Transtroemer 2011 Nobel Laureate in Literature"Tomas Transtroemer, who is today one of Sweden's most distinguished poets .
In Darwin's Mother, curious beasts are excavated in archeological digs, Charles Darwin's daughter describes the challenges of breeding pigeons, and a forest of trees shift and sigh in their sleep.
Talking Pillow celebrates love as amazement, sustenance, and the progenitor of scarce-believable loss. Imagining themselves into multiple times, places, and lives, the poems comically explore the possibilities of attachment between people and the absurdity of death's sudden intrusion.
The poems in Lauren Clark's debut book, Music for a Wedding, move fluidly and unforgettably between the rituals of monogamy, death, loneliness, and the body in search of what might last forever.
Salt Pier is a hypothesis about the capacity of language to gain traction on experience in such a way that memory blossoms and judgment is made whole.
"One marvels at the force of seeing in Schwartz's No Way Out But Through and cannot help but feel a particular gratitude for her abundant humor. Go all in with these poems; you'll reap unknown rewards. She possesses a quick-witted imagination that sanctifies memories and makes room for the wondrous nature of our cosmopolitan lights." -Major Jackson
Winner of the 2016 Lenore Marshall Poetry Prize from the Academy of American Poets Emanuel's version of a "new and selected poems" turns convention on its head.
A powerful new voice on the poetry scene, Van Clief-Stefanon writes of pain, loss, hope, and the promise of salvation.
In Lucky Bones, Peter Meinke moves fluidly through free and formal shapes, taking the reader on a tour through America in the 21st century: family, politics, love, war and peace, old age and death are looked at in ways that are surprising, clear, and warm-hearted.
The poems in Tiger Heron examine intimate lesbian friendships over a lifespan, while also reaching into core human experiences, such as the deaths of parents. Becker similarly explores relationships between humans and other creatures. Her villanelles and other shaped stanzas showcase contemporary formalism.
Bloom in Reverse moves from death to life as it chronicles the aftermath of a friend's suicide and the end of a turbulent relationship, working through devastation and loss while on a search for solace that spans from local bars to online dating and beyond to ultimately find true connection and sustaining love.
Sound of the Ax is a collection of over 400 wise and witty sayings and 26 aphoristic poems by one of the essential poets of the twentieth century, William Stafford.
In this book Young presents poems of varying tones and styles, emphasizing the nature of simultaneity and the power of wordplay.
The fourth collection from this much-praised poet combines lyricism with experimentation, creating a unique synthesis of passion and linguistic exploration.
Dangerous, edgy, and dark, Gudding offers a defense not only against the pretense and vanity of war, violence, and religion, but also against the vanity of poetry itself.
"As always with a Bob Hicok book, fascinating and a book you sort of can't help but pick up and suddenly, two hours later, find yourself having read straight through. I can think of just about no contemporary poets who publish such consistently great work."-Corduroy Books
Rosser's poems explore some of the darker corners of the human panorama-failure, loss, disillusionment-but always brightening them with humor and her playful attention to the compensatory alchemy of language, which can transform the sometimes base metals of our lives to noble ones.
The Switching/Yard deals with the horizontal worlds of the birth table, the continuum of gender roles, and the head-on landscape of power and home as seen through the train yards of the West.
In Translations from the Flesh, Elton Glaser's poems are driven by the powerful engines of love and desire, giving voice to those deep pressures that most move us, body and soul: "I put my native tongue / To work, open to / The dark instincts of ecstasy."
This is the second volume of a trilogy (the first was The Plum Flower Dance) in which Weaver analyzes his life, striving to become the ideal poet. In The Government of Nature, Afaa Michael Weaver explores the trauma of his childhood-including sexual abuse-using a "cartography and thematic structure drawn from Chinese spiritualism."
Whirlwind is one woman's heartfelt, yet mordantly witty, sexy exploration of the breakup of a marriage in poems that keep their linguistic edge while seething with a story they must tell.
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