Bøker i Plateaus - New Directions in Deleuze Studies-serien

Marco Altamirano critiques the modern concept of nature to chart a new trajectory for the philosophy of nature. He goes on to deploy conceptual resources excavated from Deleuze, Guattari, Foucault and Leroi-Gourhan to show how technology, which bypasses the nature-artifice distinction, is an essential dimension of the philosophy of nature.

The Invention of a People explores the residual relation between Heidegger's thought and Deleuze's novelty. Contextualising the problematic of a people-to-come within a larger political and philosophical context, Janae Sholtz casts Deleuze's project is cast as both an extension and radicalization of the Heideggerian themes of immanence, ontological difference and the transformative potential of art. Sholtz invents creative encounters which act as provocations from the outside, opening new lines of flight and previously unthought terrain. Ultimately she develops a diagrammatic image of a people-to-come that is constantly in flux and can answer the demands of the untimely future.

We are witnessing the return of political revolution. However, this is not a return to the classical forms of revolution: the capture of the state, the political representation of the party, the centrality of the proletariat or the leadership of the vanguard. After the failure of such tactics over the last century, revolutionary strategy is now headed in an entirely new direction. Thomas Nail argues that Deleuze, Guattari and the Zapatistas are at the theoretical and practical heart of this new direction. 'Returning to Revolution' is the first full-length book devoted to Deleuze and Guattari's concept of revolution and to their connection with Zapatismo.

Considers the 'strong readings' that Alain Badiou and Gilles Deleuze imposed on the texts they read. Why do philosophers read literature? How do they read it? Does their philosophy derive from their reading of literature? If so, to what extent? Anyone who reads contemporary European philosophers has to ask such questions. Lecercle demonstrates that philosophers need literature, as much as literary critics need philosophy: it is an exercise not in the philosophy of literature, where literature is a mere object of analysis, but in philosophy and literature, a heady and unusual mix.

This book identifies the original impetus and the driving force behind Deleuze's philosophy as a whole and the many concepts it creates.