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  • av Anton Chekhov
    195,-

    Treads a fine line between broad comedy and tragic melodrama.

  • - In a New Translation by Nicholas Rudall
    av Sophocles & Nicholas Rudall
    142,-

    One of the greatest, most moving of all tragedies, Antigone continues to have meaning for us because of its depiction of the struggle between individual conscience and state policy, and its delicate probing of the nature of human suffering. Plays for Performance Series.

  • - In a New Adaptation
    av Christopher Marlowe & Nicholas Rudall
    127,-

    Marlowe's classic treatment of the myth of man's greed and ambition has contemporary reverberations that make it compelling drama. Plays for Performance Series.

  • - In a New Translation by Nicholas Rudal
    av Euripides
    142 - 195,-

    Euripides' powerful investigation of religious ecstasy and the resistance to it is an argument for moderation, rejecting the lures of pure reason as well as pure sensuality. Plays for Performance Series.

  • av Henrik Ibsen
    126,-

    Ibsen's seminal play, which changed modern drama, is a searing view of a male-dominated and authoritarian society, presented with a realism that elevates theatre to a level above mere entertainment. The reverberations of Nora's slamming the door as she leaves Torvald continue to the present day. Plays for Performance Series.

  • av August Strindberg & Truda Stockenstrom
    139,-

    The mortal conflict of the sexes, traced here by Strindberg in the clash between an aristocratic young woman and her valet. Plays for Performance Series.

  • av Pierre Augustin Caron De Beaumarchais & Bernard Sahlins
    164,-

    Sensual gaiety is at the heart of this comic masterpiece which continues the merry tale of the little barber of Seville, a clever common man whose wits overcome his superiors who would suppress him. Plays for Performance Series.

  • av Henrik Ibsen
    127,-

    Ibsen's great social drama of a caged woman in the late 19th century explores her tormented desire for escape and her yearning for individual and spiritual freedom. Plays for Performance Series.

  • av Henrik Ibsen
    127,-

    Ibsen's last work concludes the series of autobiographical dramas begun with The Master Builder which deal with the aging rebel, despairing of life and racked with guilt, who experiences an ambiguous victory at the moment of death. Plays for Performance Series.

  • av Luigi Pirandello
    127,-

    Robert Brustein's highly acclaimed adaptation of Pirandello's masterpiece, a study in illusion and reality which follows a group of characters who try to fashion their life stories into acceptable drama. Plays for Performance Series.

  • av Georges Feydeau
    130,-

    A consummate farce in which a middle-aged man arranges a rendezvous in a seedy little hotel with the beautiful young wife of his best friend. Plays for Performance Series.

  • av Heinrich von Kleist
    117,-

    Von Kleist's last work and his masterpiece-a story of guilt, innocence, and moral righteousness involving a prince who violates his orders of battle when distracted by a beautiful princess. Plays for Performance Series.

  • av Euripides
    127,-

    Medea, whose magical powers helped Jason and the Argonauts take the Golden Fleece, remains one of the strongest female characters ever to appear on stage. In the play she kills her own children. Plays for Performance Series.

  • av Sophocles
    127,-

    The tragedy of Oedipus, who unknowingly slays his father and marries his mother, is one of the mythical cornerstones of Western civilization. Plays for Performance Series.

  • av Euripides
    151,-

    Agamemnon's sacrifice of his daughter in order to ensure the good fortune of his forces in the Trojan War is, despite its heroic background, in many respects a domestic tragedy. Plays for Performance Series.

  • av August Strindberg & Robert Brustein
    114,-

    By far Strindberg's most aggressive work. The Father is a feverish nightmare of the struggle he saw between defiant masculinity and the treacherous weakness of women. Plays for Performance Series.

  • av Henrik Ibsen
    183,-

    The only play in which Ibsen denies the validity of revolt, The Wild Duck suggests that under certain conditions, domestic falsehoods are entirely necessary to survival. Plays for Performance Series.

  • av E.A. Sophocles
    151 - 183,-

    The classic drama of a daughter's revenge of her father's murder, in a brilliant new translation for modern audiences. Plays for Performance Series.

  • av Molière
    139 - 195,-

    Moliere's beloved comedy features a rising member of the middle class who lusts for social status and higher learning.

  • av Anton Chekhov
    127,-

    Chekhov's treatment of theatre and love against the background of a magical lake attempts to define the role of the artist in the modern world. Plays for Performance Series.

  • av Aristophanes
    127,-

    Aristophanes' great anti-war drama, with comedic overtones, glorifies the power of fertility in the face of destruction. Plays for Performance Series.

  • av Henrik Ibsen
    127,-

    A play of stinging contemporaneity-about religious and societal hypocrisy, guilt that feeds on innocence, the terror of the inevitable, and the battle between truth and darkness, freedom and constraint. Plays for Performance Series.

  • av Arthur Schnitzler
    127,-

  • av Henrik Ibsen
    139,-

    A fresh and contemporary translation of Ibsen's An Enemy of the People by Nicholas Rudall.

  • av Marivau
    127,-

    Who is more unfaithful in love, men or women? This is the crux of Marivaux's lean story of love, desire, betrayal, and passion: a cautionary tale about the danger and intrigue of seduction.

  • av Louise Dorothy & Carloe Goldoni
    127,-

    Dorothy Louise's adaptation uses contemporary language to involve actors and audiences in Carlo Goldoni's great classic commedia dell'arte play. Plays for Perfomance Series.

  • - Georg Buchner
    av Nicholas Rudall
    139,-

    Sacrificed to powers larger than himself, Woyzeck is one of drama's first anti-heroes. He serves a German captain and makes money by allowing a doctor to experiment on him, but his deeper morality leads him to a tragic end.

  •  
    183,-

    As bleak and agonizing a portrait of war as ever to appear on the stage, The Trojan Women is a masterpiece of pathos as well as a timeless and chilling indictment of war's brutality.

  • av Euripides
    139,-

    As bleak and agonizing a portrait of war as ever to appear on the stage,The Trojan Women is a masterpiece of pathos as well as a timeless and chilling indictment of war's brutality. Plays for Performance Series.

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