Bøker i Plays for Young People-serien

Why is everything we learneverything we doAbout menJust a big bunch of men killing each otherJust ...swords and dicksWhere are all the girls?School is a nightmare, boys are infuriating and maccies is the only place open after 6pm. Growing up isn't easy, but it's even harder when you are from a place where no one expects anything of you - and especially if you're queer or the new girl at school. Beth, Rachel, Zahidah, Ellie and Chloe are stuck, stuck in their drama group, stuck in school and stuck in their small town which doesn't even have a Nando's.Written by Samantha O'Rourke, alumni of the Young Everyman Playhouse programme, Our Town Needs a Nando's is published in Methuen Drama's Plays for Young People series which offers suitable plays for young performers and audiences at schools, youth groups and youth theatres. This edition was published in June 2023.

Hope is a superpower.Running is Alice's happy place - you might even say it's in her DNA. She's the best runner at her school but is struggling to prove her worth. Jade is slowly coming to realise that prejudices can be found everywhere, even in the most surprising places. Realising that her education is ill-equipped to encompass her own history and heritage, and taunted by bullies at school, she knows it's time to tell her own story. Meanwhile, litter is piling up in the local forest, and all over the world an environmental crisis is looming. Chloe is determined to make a change, starting with the town.Three girls prepare to stand up for what they believe in despite the injustices stacked against them in this new play exploring what it takes to make a difference, the power of friendship, and the importance of believing in your own voice.Co-commissioned by Fuel, Imaginate and Northern Stage. Developed and supported by the Scottish Government's Festivals Expo Fund and Imaginate's Accelerator programme. Protest is published in Methuen Drama's Plays for Young People series which offers suitable plays for young performers and audiences at schools, youth groups, and youth theatres.

If you could have one wish what would it be?Sent away to live in the countryside with their reclusive uncle, five children discover a secret that's been hidden away for centuries: a magical, mischievous but somewhat grouchy Sand Fairy called It with the power to grant spectacular wishes. There's just one catch.As the children set off on a series of fantastic adventures, they soon learn that wishes can get you into a whole heap of trouble. Perhaps a wish granted isn't always the dream come true you might expect!Marietta Kirkbride's sparkling take on Five Children and It, the classic story by E. Nesbit, is published in Methuen Drama's Plays For Young People series which offers suitable plays for young performers and audiences at schools, youth groups and youth theatres.

I was there you know. when we shut your places down. gender studies. social studies. the strongholds of your politically correct bullshit worldview. we shut them down. and I was there. and the news cameras were there. and the whole world was watching. What happens when a male lecturer calls a female student a slut?A provocative, dynamic and original , Bubble is a new play by award-winning writer Kieran Hurley. Set entirely on Facebook and written in both text and emojis, it explores the disconnect between online persona and true personality, the fractured nature of online debate and how events can snowball in expected ways.Bubble was originally commissioned and developed as a stage play as part of The Royal Conservatoire of Scotland's MA Classical and Contemporary Text Programme with support from the Playwrights' Studio, Scotland. It was later developed as a digital theatre production by Theatre Uncut and streamed by 195,000 people online and watched in 32 countries.

Finalist for the Susan Smith Blackburn Prize 2023I can imagine myself in the future looking back on this all.And looking back I can feel when the fire was lit.Fifteen-year-old Roxy is burning. Lost somewhere between the bonfire of girlhood and the sharp edge of womanhood, she gathers her friends and begins meddling in witchcraft to search for answers. Shadows are lurking, ready to swallow those she loves most in the world. As friendships fray, fire crackles and blood bubbles, the group unravel the bonds that unite and the secrets that surround them. Maryam Hamidi's Moonset is a blazing, coming-of-age tale filled with love, rage and self-discovery, as four young women search for the power they were promised. Moonset is published in Methuen Drama's Plays For Young People series which offers suitable plays for young performers and audiences at schools, youth groups and youth theatres. This edition was published to coincide with the Citizens Theatre production at Tron Theatre and Traverse Theatre, Scotland, in February 2023.

Each year, the National Theatre commissions ten new plays for young people to perform, bringing together some of the UK's most exciting writers with the theatre-makers of tomorrow. This 2021 pack captures the two new plays written for the 2021 festival that are perfect for schools and youth groups to perform and study. Written with flexibility in mind, these are perfect for exploration both virtually and in-person, responding to the restrictions in place due to Covid-19. It also includes National Theatre Connections 2020 anthology which features 9 plays, 8 of which are included in the 2021 festival performances. The plays included in this pack are: Find a Partner by Miriam BattyeLike There's No Tomorrow, created by the Belgrade Young Company with Justine Themen, Claire Procter and Liz MyttonWind / Rush Generation(s) by Mojisola AdebayoTuesday by Alison CarrA series of public apologies (in response to an unfortunate incident in the school lavatories) by John DonnellyTHE IT by Vivienne FranzmannThe Marxist in Heaven by Hattie NaylorLook Up by Andrew MuirCrusaders by Frances PoetWitches Can't Be Burned by Silva SemerciyanDungeness by Chris Thompson .

Sometimes a lie is a wish.Once upon a time there was a lonely carpenter, a curious cat, and a little wooden puppet who one day came to life. In this spectacular new version of the much-loved classic tale, Pinocchio discovers why it's best to always tell the truth. With a touch of magic from the blue fairy, enter a world of gingerbread villages and snow-capped mountains in this adventure of friendship and family, written by award-winning and internationally recognised writer Eve Leigh.This edition was published to coincide with the world premiere at Unicorn Theatre, London, in November 2022.

An anthology bringing together a selection of Claire Dowie''s plays for young people, which are ideal for performance with a large cast of young people.The anthology includes the following plays and an introduction by the author.Why Is John Lennon Wearing A Skirt? (Stage2 version, large cast) portrays a 14-year-old girl who dresses like a boy and would rather play football than anything else. This version can be performed by a cast of up to 100.Arsehammers (Stage2 version, large cast) is about a boy''s relationship with his grandfather, who is suffering from Alzheimer''s (or "Arsehammers", as the boy hears it). He believes his grandad to have superpowers on account of his routine disappearances. A brilliant tale of living with, and understanding, mental illness. It has been reimagined for a cast of around 20.The Year of the Monkey (Stage2 version, large cast) shows a mother dreaming of injecting some excitement into her humdrum life. The play has been revised the play for around 25 young people.Hard Working Families (original version, large cast), which hasn''t previously been published, is a satirical play with music that exposes the true impact that earning a living has on young people in modern-day society. It is a response to politicians'' visions of ''ordinary people'', set against the reality of earning a living and the way this impacts on young people''s lives. It can be performed by a cast of up to 50.

A clique of Caribbean maroon warrior women, a general of Haiti and his right-hand man, an ex-enslaved couple reclaiming their land, a group of Black French Caribbean soldiers held captive in Portchester and their wives travelling across the Atlantic to be reunited with them. These are The Ancestors: manifesting in our world, in the hopes we can stop history repeating itself. But do we really hold the key? What dark forces are still currently at play?In October 1796 a fleet of ships from the Caribbean carrying over 2,500 prisoners-of-war, who were mostly Black or mixed-race, began to arrive in Portsmouth Harbour. By the end of that month, almost all of them were held at Portchester Castle, accompanied by their families. About 100 women and children were sent to live nearby.The Ancestors is a site-specific play by Lakesha Arie-Angelo that explores the grounds of Portchester Castle and the voices of Black revolutionaries imprisoned therein that history forgot. It was commissioned by the National Youth Theatre as part of Freedom and Revolution, a collaboration with English Heritage's Shout Out Loud Programme and University of Warwick aimed at shining a new light on the lives of these prisoners with the participation of local young people.The Ancestors is published in Methuen Drama's Plays For Young People Age series which offers suitable plays for young performers at schools, youth groups and youth theatres that have each had premiere productions by young performers in the UK.

"Plays for young people age 16+"--Cover.

Seven exciting new plays for young people written specifically in response to a world in the midst of a pandemic, accompanied by a handbook from Wonder Fools with guidance for staging the plays, and other creative responses, either online or live in the space.Commissioned as part of Wonder Fools' national participatory project Positive Stories for Negative Times: Season 2, these plays offer a variety of stories, styles and forms for ages between 6 and 25.Spyrates 2 (Spies vs Pirates): Journey to the Forbidden Island by Robbie Gordon & Jack NuseFeaturing spies, pirates, robots, talking animals and everything in between, 'Spyrates' is an interactive, playful and imaginative adventure story. Ages 6+At First I Was Afraid. (I Was Petrified!) by Douglas Maxwell A feel-good comedy drama about a girl who keeps a diary of all her anxieties; but as she moves from Primary School to Secondary, from normal life to Lockdown, all of her worries appear to come true. Ages 11 +The Raven by Hannah Lavery A play full of adventure and an exploration of what shapes and what divides us, exploring issues of blended families, bullying, overeating, depression and isolation. Ages 11 +Thanks For Nothing by The PappyShowThis not a play, but a process. It explores what it means to be thankful in this world we live in today. It's a mix of games, challenges and exercises for you to tell your own stories, in your own way. Ages 11 +Revolting by Bryony KimmingsA series of tasks and actions that make a narrative to be performed with props. We are agents of the revolution. How do we revolt? How do we not get into trouble? Where do we get power, and then how do we use it for good? Ages 13 +The Skirt by Ellen BannermanAn absurdist feminist fable for the next generation of feminists. Ages 16+ Write To Rave: Step Pon by Debris StevensonA play about the political power of a rave. Who has the right to rave, to dance and move freely? What is it to feel truly free in your own skin? It tells the story a queer group of humans trying their best to rave whilst the world tries it's best to stop them. Ages 18 +The accompanying handbook includes an exploration of Wonder Fools' theatre-making process, step-by-step guidance in how to produce the plays either online or live in the space, and bespoke exercises and instructions in how to approach directing each play.

Five exciting new plays for young people written specifically in response to a world in the midst of a pandemic, accompanied by a handbook from Wonder Fools theatre company with guidance for staging the plays either online or live in the space.Commissioned as part of Wonder Fools' national participatory project Positive Stories for Negative Times, these five plays offer a variety of stories, styles and forms for ages 8-25. These original and innovative plays are:Is This A Fairytale? by Bea WebsaterA new play that rips apart the traditional fairy tale canon and turns it on its head in a surprising, inventive and unconventional way. Ages 8+Hold Out Your Hand by Chris ThorpeA dynamic text asking questions about place, where we are now and the moment we are living through. Ages 13+The Pack by Stef SmithA playful and poetic exploration about getting lost in the loneliness of your living room and trying to find your way home. Ages 13+Ozymandias by Robbie Gordon and Jack NurseA contemporary story inspired by Percy Shelley's 19th century poem of the same name, exploring power, oppression and racism through the eyes of young people. Ages 16+Bad Bored Women of the Rooms by Sabrina MahfouzA storytelling adventure through the centuries of women and girls who have spent a lot of time stuck in a room. Ages 18+The accompanying handbook includes step-by-step guidance on how to produce the plays either online or live in the space, and bespoke exercises and instructions on how to approach directing each play.

In a remote part of the UK, where nothing ever happens, a group of teenagers share a safe house for LGBT+ young people. While their shared home welcomes difference, it can be tricky for self-appointed group leader Birdie to keep the peace.The group must decide how they want to commemorate an attack that happened to people like them in a country far away. How do you take to the streets and protest if you're not ready to tell the world who you are? If you're invisible, does your voice still count? A play about love, commemoration and protest.Written fifty years on from the partial decriminalisation of homosexuality in England, this is a unique play for young people about the struggles and joys of being gay.Published alongside Stonewall Housing, a charity that works to ensure lesbian, gay, bisexual and trans people live in safer homes, free from fear, where they can celebrate their identity and support each other to achieve their full potential. This new edition features a new Q&A with the author alongside teaching resources and information from Stonewall Housing.

Three relevant and diverse plays specifically written for young people, by one of Britain's most exciting contemporary playwrights.

The Curious Incident... brings Mark Haddon's best-selling novel to life on stage, adapted by Simon Stephens. The play tells the story of Christopher Boone, who has an extraordinary brain and is exceptional at maths but ill-equipped to interpret everyday life. When his neighbour's dog is found dead his detective work, takes him on a frightening journey that upturns his world.This abridged edition is designed for schools and has been adapted for 10 actors playing all of the roles. With a running time of just 90 minutes it is suitable for performance in non-theatre spaces, with minimal technical requirements.

Black 16 year old Nikki is white. 18 year old Samson is black. They both live on the same council estate but Nikki's day to day life is much different to her new friend's, who has just moved in across the street. As Samson and his family experience more and more horrific abuse at the hands of the community, Nikki sees first hand how society's ingrained suspicion and distrust can destroy the lives of anyone deemed to be 'different'.She's Leaving HomeWhilst 16 year old Kelsey's friends are throwing awesome parties and getting to travel all over the world, she find herself increasingly tethered to her home. With caring for her younger brothers and balancing her school work with a job her family desperately needs her to keep, what will happen when Kelsey continues to put everyone else ahead of her own needs?With bracing insight into the worlds of two girls with very different problems, Keith Saha's Black and She's Leaving Home force the issues of modern Britain to take centre stage. This edition was published to coincide with 20 Stories High's national tour of Black in 2017.

Looking for a whizzpoppingly wonderful collection of plays for your whole class? Want some ready-made, delumptious lesson plans to accompany them? Biffsquiggled at the thought of how to stage these pieces?Well, look no further because this is a scrumdiddlyumptious selection of David Wood's plays; paired with all the information and materials you need to use them in class or on stage, edited by Paul Bateson, an experienced primary-level drama teacher. The plays create worlds that trigger children's imaginations as well as entertain them, make them think as well as make them laugh, and open their minds to new ideas and the power of storytelling through theatre. Plays included are: The Gingerbread Man The See-Saw Tree The BFG Save the Human Mother Goose's Golden ChristmasThis book also contains a new foreword by David Wood.

In their exposé of Gen Z, The New York Times qualified its members as the "most diverse generation in American history". Recent Broadway hits have found a successful formula in productions showcasing the emotional turmoil of contemporary young people, yet the majority of these works represent predominantly white voices, both in terms of authorship and representation. Non-white characters tend to exist only in a world of colorblind casting rather than speaking to their distinct racial and cultural heritage.This anthology helps correct that balance and presents a unique offering of plays written for multicultural teenagers by diverse authors who have spent a significant part of their careers working closely with young people in urban settings. The playwrights - among them award winners such as Chisa Hutchinson and Nilaja Sun - have created texts that are dramatic and comic, satirical and earnest, touchingly real, and amusingly surreal. Varying in length and format, suitable for classrooms and youth groups of all sizes, the plays address such themes as ethnic and cultural identity; ancestry and assimilation; bullying and self-empowerment; disenfranchisement and alienation; parental pressure to over-achieve, youth activism and community-building; and the very real perils of daily school life in an era of gun proliferation.

This collection brings together Philip Ridley's one-act plays for young people, known as The Storyteller Sequence, ideal for teenagers to either watch or perform.Karamazoo is a fifteen-minute monologue about one of the coolest, most popular kids in the school, whose recent increase in popularity is the direct result of a character make-over following the death of a parent. A witty and moving performance piece for the teenage actor.Fairytaleheart features two fifteen-year-olds, Kirsty and Gideon, who meet for the first time and come to terms with their broken families by sharing their hopes, fears and past experiences - as well as stories - in a derelict community centre. Sparkleshark tells of fourteen-year-old Jake - a victim of bullying and other teenager's mockery - who has to take refuge on the roof of a tower block in order to write his stories. Moonfleece sees Curtis, a young right-wing activist, arrange a meeting in a flat of a derelict tower block where he lived as a child. But his older brother's ghost keeps haunting him. Moonfleece is an intense and thrilling exploration of memory and identity. Brokenville features an unknown disaster, which has left seven characters with little knowledge of who they are or of what has happened. As an old woman and five teenagers begin to act out stories for a mute and frightened child, they begin to discover a little of who they were and what they can be.

Shortlisted for the Man Booker Prize 2011Deeply funny, moving, idiosyncratic and unforgettable, Pigeon English introduces a major new literary talent