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Ride Around Shining is the story of an aimless white guy who lies his way into the world of black basketball players, bathing in their reflected glory until his adoration turns to envy and destruction. Despite a history of accidents, Jess lands a job as a chauffeur for an up-and-coming Trail Blazer named Calyph West and his young wife, Antonia. Calyph is black and Antonia is white and Jess becomes fascinated, innocuously at first, by all they are that he is not. But in striving to make himself indispensable to them, he causes Calyph to have a season-ending knee injury, then brings about the couple's estrangement, before positioning himself at last as their perverse savior.In the tradition of The Talented Mr. Ripley, The Great Gatsby, and Harold Pinter's The Servant?not to mention a certain Shakespeare play about a creepy white dude obsessed with a black dude?Ride Around Shining tries to say the unsayable about white fixation on black culture, particularly black athletic culture, something so common in everyday life it has gone all but unaddressed.

For ten years, Estrin Lancaster has fled Philadelphia. From the Philippines to Berlin, she's been a traveler without a destination, an expatriate without a motherland. In each of the cities Estrin favors, she manages an apartment, a job, a lover, and never tarries past the first signs of ennui.Her latest destination is Belfast, in Northern Ireland. After twenty years of ritualized violence, this city, too, is exhausted?a town in which if one more bomb explodes in the city center, old ladies blow the dust off their treacle cakes and count their change. Here the lanky and spiteful Farrell O'Phelan, former purveyor of his own bomb-disposal service, technically Catholic but everyone's aggravation, wrangles through the maze of factions in the North by despising every side. Farrell's affair with the curious Estrin is nonetheless a meeting of two loners; like hers, Farrell's marathoning around the planet has become like running in place. In deadlocked Northern Ireland, it has become harder and harder to believe that anything is happening at all.A grand tragicomedy?one of the earliest displays of the ambition and intelligence that has since earned Lionel Shriver worldwide acclaim?Ordinary Decent Criminals is about conflict groupies, people terrified of domesticity who stir up anguish in their lives and their countries to avoid the greater horror of what lies closest to home.

Discovering George Michael's Faith confirmed for David Crabb what every bully already knew: he was gay. What saved him from high school was finding a group of outlandish friends who reveled in being outsiders. David found himself enmeshed with misfits: wearing black, cutting class, staying out all night, drinking, tripping, chain-smoking, idolizing the Pet Shop Boys?and learning lessons about life and love along the way.Richly detailed with nineties pop-culture, and including black-and-white photos throughout, Bad Kid is as laugh-out-loud funny as it is poignant. David Crabb's journey through adolescence captures the essence of every person's struggle to understand his or her true self.

What do you do in your teenage years when you realize what your parents taught you wasn't enough? You must go out and find books and poetry and pop songs and bad heroes?and build yourself. It's 1990. Johanna Morrigan, fourteen, has shamed herself so badly on local TV that she decides that there's no point in being Johanna anymore and reinvents herself as Dolly Wilde?fast-talking, hard-drinking gothic hero and full-time Lady Sex Adventurer. She will save her poverty-stricken Bohemian family by becoming a writer. By sixteen, she's smoking cigarettes, getting drunk, and working for a music paper. She's writing pornographic letters to rock stars, having all the kinds of sex with all the kinds of men, and eviscerating bands in reviews of 600 words or less. But what happens when Johanna realizes she's built Dolly with a fatal flaw? Is a box full of records, a wall full of posters, and a head full of paperbacks enough to build a girl after all?

In the winter of 1897, midwife Elspeth Howell arrives at her isolated farmstead in upstate New York to discover an unthinkable crime. The only survivor is her twelve-year-old son, Caleb, who joins her in mourning the tragedy and planning its reprisal.Their long journey leads them to a roughhewn lake town, defined by the violence of both its landscape and its inhabitants. There Caleb is forced into a brutal adulthood as he slowly discovers truths about his family he never suspected, and Elspeth must confront the terrible urges and unceasing temptations that have haunted her for years.Throughout it all, the love between mother and son serves as the only shield against a merciless world.

Drawn to the ocean, ten-year-old Tabitha wanders the marshes of her small coastal village and listens to her father's stories about his pirate voyages and the mother she never knew. Since the loss of his wife, Helen, John has remained land-bound for their daughter, but when Tab contracts yellow fever, he turns to the sea once more. Desperate to save his daughter, he takes her aboard a sloop bound for Bermuda, hoping the salt air will heal her.Years before, Helen herself was raised by a widowed father. Asa, the devout owner of a small plantation, gives his daughter a young slave named Moll for her tenth birthday. Helen and Moll go on to develop a close but uneasy companionship. As the girls grow up, Helen gradually takes over the running of the plantation, but when she meets John, the pirate turned Continental soldier, she flouts convention and her father's wishes by falling in love. Moll, meanwhile, is forced into marriage with a stranger. Her only solace is her son, Davy, whom she will protect with a passion that defies the bounds of slavery.Set during the waning years of the American Revolution, this elegant, evocative, and haunting debut captures the singular love between parent and child, the devastation of love lost, and the desperate paths we travel in the name of renewal.

Winner of the Shakti Bhatt First Book Prizeshort-listed for the DSC Prize for South Asian LiteratureA fascinating and intricate novel-in-stories, this stunning debut explores the complicated lives of ordinary people whose fates unexpectedly converge after a deadly bomb blast at a train station in Karachi, Pakistan's largest city.Comrade Sukhansaz, an old communist poet, is harassed on a bus full of college students minutes before a fatal bomb blast. His son, a wealthy, middle-aged businessman, yearns for his own estranged child. A young man, Sadeq, has a dead-end job snatching cars from people who have defaulted on their bank loans, while his girlfriend spins tales for her young brother to conceal her own heartbreak. An ambulance driver picking up the bodies after the blast has a shocking encounter with two strange-looking men whom nobody else seems to notice. And in the midst of it all, a solitary writer, tormented with grief for his dead father and his decimated city, struggles to find words.Elegantly weaving together these voices into a striking portrait of a city and its people, The Scatter Here Is Too Great is a tale as vibrant and varied in its characters, passions, and idiosyncrasies as the city itself.

Winner of the VCU Cabell First Novelist AwardWinner of the American Library Association's Sophie Brody MedalFinalist for the National Jewish Book AwardA singularly talented writer makes his literary debut with this provocative, soulful, and sometimes hilarious story of a failed journalist asked to do the unthinkable: Forge Holocaust-restitution claims for old Russian Jews in Brooklyn, New York.Yevgeny Gelman, grandfather of Slava Gelman, ?didn't suffer in the exact way? he needs to have suffered to qualify for the restitution the German government has been paying out to Holocaust survivors. But suffer he has?as a Jew in the war; as a second-class citizen in the USSR; as an immigrant to America. So? Isn't his grandson a ?writer??High-minded Slava wants to put all this immigrant scraping behind him. Only the American Dream is not panning out for him?Century, the legendary magazine where he works as a researcher, wants nothing greater from him. Slava wants to be a correct, blameless American?but he wants to be a lionized writer even more.Slava's turn as the Forger of South Brooklyn teaches him that not every fact is the truth, and not every lie a falsehood. It takes more than law-abiding to become an American; it takes the same self-reinvention in which his people excel. Intoxicated and unmoored by his inventions, Slava risks exposure. Cornered, he commits an irrevocable act that finally grants him a sense of home in America, but not before collecting a price from his family.A Replacement Life is a dark, moving, and beautifully written novel about family, honor, and justice.

Brimming with life and extraordinary range, Austin Bunn's dazzling collection explores what happens at "the end" and afterward.

"These essays gather up Rome and hold it before us, bristling and dense and dreamlike, with every scene drenched in the sound of fountains, of leaping and falling water." -- The New Yorker"Perhaps the finest book ever to be written about a city." -- New York TimesBringing to life the legendary city's beauty and magic in all its many facets, Eleanor Clark's masterful collection of vignettes, Rome and a Villa, has transported readers for generations.In 1947 a young American woman named Eleanor Clark went to Rome on a Guggenheim fellowship to write a novel. But instead of a novel, Clark created a series of sketches of Roman life written mostly between 1948 and 1951. Wandering the streets of this legendary city, Eleanor fell under Rome's spell--its pace of life, the wry outlook of its men and women, its magnificent history and breathtaking contribution to world culture. Rome is life itself--a sensuous, hectic, chaotic, and utterly fascinating blend of the comic and the tragic. Clark highlights Roman art and architecture, including Hadrian's Villa--an enormous, unfinished palace--as a prism to view the city and its history, and offers a lovely portrait of the Cimitero acattolico--long known as the Protestant cemetery--where Keats, Shelley, and other foreign notables rest.

By July 1914, the ties between Kezia Marchant and Thea Brissenden, friends since girlhood, have become strained?by Thea's passionate embrace of women's suffrage and by the imminent marriage of Kezia to Thea's brother, Tom, who runs the family farm. When Kezia and Tom wed just a month before war is declared between Britain and Germany, Thea's gift to Kezia is a book on household management?a veiled criticism of the bride's prosaic life to come. Yet when Tom enlists to fight for his country and Thea is drawn reluctantly onto the battlefield herself, the farm becomes Kezia's responsibility. Each must find a way to endure the ensuing cataclysm and turmoil.As Tom marches to the front lines and Kezia battles to keep her ordered life from unraveling, they hide their despair in letters and cards filled with stories woven to bring comfort. But will well-intended lies and self-deception be of use when they come face-to-face with the enemy?

An indelible story of one woman's life, revealed in a series of beautifully sculpted episodes that illuminate an era, moving from the 1960s to today, from one of Britain's leading literary lights--Tessa Hadley."Clever Girl is...what could be called a 'sensibility' novel--a story that doesn't overreach, about a character who feels real, told in prose that isn't ornate yet is startlingly exact. The effect is a fine and well-chosen pileup of experiences that gather meaning and power."--Meg Wolitzer, New York Times Book ReviewClever Girl is a powerful exploration of family relationships and class in modern life, witnessed through the experiences of an Englishwoman named Stella. Unfolding in a series of snapshots, Tessa Hadley's involving and moving novel follows Stella from childhood, growing up with her single mother in a Bristol bedsit, into the murky waters of middle age. It is a story vivid in its immediacy and rich in drama--violent deaths, failed affairs, broken dreams, missed chances. Yet it is Hadley's observations of everyday life, her keen skill at capturing the ways men and women think and feel and relate to one another that elevate this tale into "a beautiful and precisely drawn portrait of an everywoman, both extraordinary and ordinary" (Minneapolis Star Tribune).

When Nicholas Shakespeare stumbled across a box of documents belonging to his glamorous, mysterious late aunt, Priscilla, he was completely unaware of where this discovery would take him and what he would learn about her hidden past. Piecing together fragments of one woman's remarkable and tragic life, Priscilla is at once a stunning story of detection, a loving portrait of a flawed woman trying to survive in terrible times, and a spellbinding slice of history.

Acclaimed novelist, playwright, and poet Fred D'Aguiar has been short-listed for the T.S. Eliot Prize in poetry for Bill of Rights, his narrative poem about the Jonestown massacre, and won the Whitbread First Novel Award for The Longest Memory. In this beautifully imagined work of literary fiction, he returns to the territory of Jim Jones's utopian commune, interweaving magical realism and shocking history into a resonant story of love, faith, oppression, and sacrifice in which a mother and daughter attempt to break free with the help of an extraordinary gorilla.Joyce and her young daughter, Trina, are members of a utopian community ruled by a magnetic preacher. When Trina, plays too near to the cage holding the commune's gorilla, Adam, the ape attacks and kills the child. Or so everyone believes. That night, the preacher dramatically "revives" her--an act that transforms Trina into a symbol of its charismatic leader's God-like power. Desperate to save her daughter from the preacher's control, the outspoken Joyce attempts a daring escape, a run for freedom aided by another prisoner--the remarkable Adam.Told with a sweeping perspective in lush prose, shimmering with magic, and devastating in its clarity, Children of Paradise is a brilliant and evocative exploration of oppression--of both mind and body--and of the liberating power of storytelling.