Bøker i Queer Film Classics-serien

A film that transcends time, Sally Potter's Orlando (1992) follows its titular character through nearly four hundred years of British history. Orlando starts life as a young man in the 1600s and then, mid-film, becomes a woman in the 1800s. Russell Sheaffer meticulously charts the distinct shift from lesbian feminist text to queer film classic.

Ce livre s'impose tel un véritable devoir de mémoire envers les pionniers du cinéma de fiction LGBTQ+ québécois avec ce premier et courageux aveu queer de Claude Jutra dans À tout prendre ainsi que la mise en scène par le duo Brassard-Tremblay dans Il était une fois dans l'Est d'une faune colorée s'affirmant dans un quartier modeste de Montréal.

Released in 1919, Anders als die Andern is a remarkable artefact of the pre-Stonewall homosexual rights movement of early-twentieth-century Germany. Ervin Malakaj shows how the film's "mournful cinema" is key to its endurance, fostering connection through emotions and acting as a springboard to engage in an intergenerational queer struggle.

Maurice (1987), a British film based on the novel by E.M. Forster, follows an Edwardian man's journey to self-acceptance as someone who loves and desires men. Rebutting its critical reception, this volume champions the film as a sympathetic adaptation, making a case for its underappreciated positive depiction of gay love.