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Late nineteenth-century Ireland saw the emergence of a thriving advertising industry and the Irish child played a vital role in establishing this nascent consumer state. Analysing advertisements, historical materials and literature, this book links the child-centred consumer culture of Victorian Ireland with the setting up of the independent state.

This new study investigates how Spain was represented in Irish fiction, plays, poems and travelogues written in a period covering the first five decades of Irish independence as well as the Spanish Civil War (1936-1939) and the Franco dictatorship (1939-1975).

Arguing that certain song types constitute forms of collective memory, this book explores Irish theatre from the 1950s and 1960s to show that songs provide valuable insights into changes in the popular consciousness. As well as illuminating the performances and reception of the plays, it also challenges orthodox narratives of de Valera's Ireland.

The historiography of Irish theatre has largely been dependent on in-depth studies of the play-text as the definitive primary source. This volume explores the processes of engaging with the documented and undocumented record of Irish theatre and broadens the concept of evidential study of performance through the use of increasingly diverse sources. The archive is regarded here as a broad repository of evidence including annotated scripts, photographs, correspondence, administrative documents, recordings and other remnants of the mechanics of producing theatre. It is an invaluable resource for scholars and artists in interrogating Ireland's performance history.This collection brings together key thinkers, scholars and practitioners who engage with the archive of Irish theatre and performance in terms of its creation, management and scholarly as well as artistic interpretation. New technological advances and mass digitization allow for new interventions in this field. The essays gathered here present new critical thought and detailed case studies from archivists, theatre scholars, historians and artists, each working in different ways to uncover and reconstruct the past practice of Irish performance through new means.

Ireland and the North is engaged with the relationship between Ireland and the Nordic countries. Chapters include a wide-range of areas including art history, literary history and theory, archaeology, antiquarianism, media studies and political analysis. The book moves beyond the predominant literary paradigm in Irish Studies, expanding the field.

Makes a case for the value of trauma and memory studies as a means of casting new light on the meaning of Irish identity in a number of contemporary Irish cultural practices, and of illuminating present-day attitudes to the past.

Proposes that a new literary genre emerged from the crucible of the Great Famine, that is, the Irish Famine travelogue. Judd invites us to consider Famine-era travel narratives as comprising a unique subgenre within the larger discursive field of travel literature.

This landmark collection marks the publication of the 100th book in the Reimagining Ireland series. It attempts to provide a 'forward look' at what Irish Studies might look like in the third millennium.

This multi-disciplinary volume owes much to the ongoing debate within Northern Ireland, as an integral part of the conflict transformation process, on how to build a shared and better future for all citizens out of a divided and traumatic past.

This is the untold story of Counteract, the trade union sponsored anti-sectarian unit tackling violent sectarianism in the workplace in the Northern Ireland conflict.

The Picture Postcard, a new window into Edwardian Ireland uses the material culture of the picture postcard as a lens through which to examine life on the island of Ireland during the Edwardian period (1902-10).

Irish Lesbian Writing Across Time is an attestation of a historical presence of lesbians in Irish literature, as it analyses the progression of Irish lesbian narrative over the past two centuries, whilst verifying key characteristics of time periods that correspond with the model of development.

The Salley Gardens presents reflections from seventy-three heterosexual young women on growing up, forming sexual relationships and some becoming mothers in the last years of the 'Celtic Tiger'.

Voices from the Margins explores how women writers of Troubles short fiction have rewritten the " official story " of the conflict and the peace process by placing thematic emphasis on gender and the everyday and by foregrounding the personal histories behind the public History of the Troubles.

Brings together academic and independent scholars from various disciplines and nationalities to take a critical look at the implementation of the Good Friday Agreement, from the collaboration between Dublin and London to the new political configurations in Northern Ireland, as well as interfaith, cultural, social and economic developments.

In spite of recession, austerity and pandemics, Ireland has demonstrated an extraordinary degree of resilience, becoming one of the most successful economies in Europe and developing into a society remarkably at ease with itself. This book argues that the seeds of this achievement were sown between the mid-1950s and 1960s, when a Second Irish Revival took place which was comparable to the earlier Celtic Revival of the late nineteenth and early twentieth century.At the heart of this revival were three men: T. K. Whitaker, the youthful Secretary of the Department of Finance, Seán Ó Riada, musician and composer, and Thomas Kinsella, poet, translator and academic. Ó Riada and Kinsella were close friends in Dublin¿s emerging artistic world of the 1950s but Kinsella was also Whitaker¿s private secretary in the Department of Finance.The three men, although very different in background and personality, shared a deep knowledge and love of Irish culture, heritage, history and language, but they were also determined to study and absorb the best of what the world could offer in their respective fields of endeavour and it is argued that this combination was a critical factor in their contribution to Irish society.The book will review the arguments of the sceptics who disagreed with Ireland¿s embrace of globalisation and will conclude with a speculative account of how the Mandarin, the Musician and the Mage might like to see Ireland develop in the 2020s.

In the eighteenth century, Ireland¿s elite could choose from a wide range of wines, but their favourite was claret ¿ the red wine of Bordeaux. Whereas Britain¿s wine drinkers turned to port in this period, and Americäs elite filled their glasses with Madeira, in Ireland, claret flowed in the social world of the privileged classes. This book looks back to earliest times to trace the story of how and why a French wine became what Jonathan Swift fondly called «Irish wine». Exploring the social life of claret in Georgian Ireland through a range of period sources reveals the social meanings attached to this wine and expands our knowledge of Ireland¿s fascinating food history.

«An important contribution to understanding our culinary journey in Ireland from a time when food was regarded merely as sustenance. As a nation, we have grown in confidence. Up to relatively recently in Ireland, we had a serious inferiority complex and not just about our food and food culture. Brian documents through various prisms the growing pride in our tradition, the quality of our produce and the growing skills of our chefs. At last, we appreciate what we have here in Ireland and serve our Irish food proudly.»(Darina Allen, Ballymaloe Cookery School)Through concepts such as place and story, this work considers the cultural importance of the foods we eat and the drinks we imbibe in Irish society. While providing us with the necessary sustenance to survive, they also have something to say in terms of how we relate to each other and the world around us. The book examines the products we associate with gastronomy in Ireland and the uniquely Irish places in which they are consumed. Places considered include the Irish pub, the traditional Irish butcher shop and the Irish whiskey distillery. Both products and places are explored through the lens of terroir, experience and the impact of Third Place and Fourth Space paradigms. Though much of what is discussed here is anchored in the past, the book also examines how that past has impacted on more contemporary phenomena such as Irish café culture and social gastronomy. While the work is primarily focused on Ireland, it draws insights from lessons learned in countries like France that possess a widely renowned gastronomic legacy. In addition to the obvious food connections, the chapters in this work are all linked by a common thread of personal engagement that stems from a lifetime spent working in and around the food and drink sector.

Evelyn Conlon is one of Ireland¿s most important writers. She has published four collections of short stories, My Head is Opening (1987), Taking Scarlet as a Real Colour (1993), Telling: New and Selected Short Stories (2000) and Moving about the Place (2021) and four novels, Stars in the Daytime (1989), A Glassful of Letters (1998) Skin of Dreams (2003) and Not the Same Sky (2013). She has also edited Later On: The Monaghan Bombing Memorial Anthology (2004).Telling Truths: Evelyn Conlon and the Task of Writing is the first book to provide a critical assessment of her work. Drawing on a variety of perspectives such as feminism, ethics, famine studies, mobility studies, translation studies, short fiction, narratology and historiographic metafiction, the essays gathered in this volume reveal that Conlon¿s writing, characterised by sharp observation, insistently questions the predetermined course of female existence, explores alternative forms of freedom and ultimately reflects her commitment to seek and tell truths. The intersectional approach of the book is part of a current endeavour in Irish Studies to keep interrogating well established topics, to examine the elusiveness of others and to explore new boundaries through renewed epistemological and ethical positions.

«The Irish missionary momentum in the 19th century attests to the vitality of a Christian community whose richness and great diversity this book illustrates, with particular emphasis placed on the considerable effort made in the field of education, a privileged way for human promotion and the proclamation of the Gospel.»(Bernard Ardura, President, Pontifical Committee for Historical Sciences)«This book is a wonderful read: well researched, fascinating, clear, insightful and learned. It is an exceptional testimony of the achievements of the Irish Religious Diaspora. It is fundamental reading during a period in which our country has become a destination country, hosting so many from all parts of the globe. Although a small country on the periphery of Europe, Ireland was capable of projecting its values and culture globally through its diaspora. The Irish religious diaspora, as illustrated so deftly in this book, is a notable example of this throughout the ages. This book informs us and reminds us so well of the extraordinary efforts and tireless endeavours of the Hiberno-Roman missionaries in exporting Irish Catholic values globally over past centuries. The book is a pleasure to read.»(Patricia O¿Brien, Ambassador of Ireland in Rome)Sourcing the circulation, settlement and influence of the Irish religious groups in continental Europe, the Americas, Australia and South Africa, the volume starts in Lisbon in the sixteenth century. How did Lisbon become the hub of Irish trade and the seat of the Irish Catholic Church in exile after the Reformation? Where did it move on from there in modern and contemporary times? At a time when Irish missionaries have largely returned home to a country that has often been described as «post-Catholic», this collection brings together historians and literary critics who trace the trajectories, destinies, acculturation and shifting senses of identity of Irish Catholic clerics and missionaries across the globe from the sixteenth to the twenty-first centuries. Studies of postwar Europe, Latin America and South Africa show the modern expression of the Irish Catholic missionary movement, as well as some of the same spiritual and ethical preoccupations that are captured in the literary works of some of the most famous French, Irish and Irish-American authors.

Neil Jordan is immediately associated with the successful films he has directed (The Crying Game, Interview with the Vampire, Michael Collins...). And yet, he is also a man of letters. His literary work, composed of eight novels and a collection of short stories, is rich, dense and complex. It shows an interest in Irish history and politics, but also in the supernatural and the irrational. It creates a universe where time and space can abolish themselves, the material and the spiritual merge, the visible and invisible interpenetrate. Jordan¿s fiction also transgresses the borders in more than one way. Both realistic and fantastic, it establishes numerous connections with psychoanalysis, Christian religion, mythology or cultural tradition, and revisits them in an original way. The present study approaches Neil Jordan¿s literary work in all its diversity. It focuses primarily on the novelist, but also on the short story writer and the screenwriter, as his film making cannot be ignored. This book, devoted to the writer, aims to do justice to a major figure in contemporary Irish cultural life, whose artistic creation remains largely unexplored.

«This dazzling collection of essays draws out the complexity of Ireland¿s connections with British imperialism.¿The volume takes an admirably wide-ranging and generous approach to Irish visual culture, showing how features such as Irish fashion, architecture, and museum display have been affected by empire.¿Those interested in Irish art, in Irish culture, and in the legacies of imperialism more generally will find this book insightful, illuminating, and provocative.»(James Moran, Professor of English, University of Nottingham)¿«Ranging across a broad chronological span, this stimulating collection¿s focus on the role of the British empire within Irish art and visuality is much-needed. This book will be invaluable not just for scholars of Irish culture, but for the study of the crucial significance of the visual in the historical formation of empire more generally.»(Fionna Barber, Reader in Art History, Manchester Metropolitan University)This collection of essays discusses how the British empire resonates in a huge array of visual culture in Ireland from the late eighteenth century to the middle of the twentieth. The book is about the way empire has pervaded and continues to pervade Irish art and visual culture. The collection of essays expands the analysis of things visual in terms of Ireland and the British empire to include a broad range of cultural matter: art exhibitions, museums and their displays, architecture, photography, illustrated books, fashion, public and private performances and entertainments, as well as paintings, sculpture, prints and book illustration. The essays only touch on some of the issues that need to be discussed in relation to Ireland and the visual culture of imperialism, but it is hoped that this volume will spark others to investigate the topic and thus greatly expand Irish visual historiography.

«Paul Butler¿s monograph is a wonderful illustration of how a visual reading of McGahern can reveal previously undiscovered aspects of the writer¿s aesthetic approach. ¿The Deep Well of Want¿ of the title is an expression that captures the pain and hurt at the core of the life journey of both writer and photographer. Paul¿s exquisite photos allow us a special entry into ¿McGahern Land¿, whose landscape and people nurtured the writer¿s creative inspiration. This indispensable study will deepen McGahern readers¿ understanding of what lies at the core of his artistic quest.»(Eamon Maher, TU Dublin)This book represents a unique visualisation of the world of Irish writer John McGahern through his words and the imagery of artist Paul Butler. Traumatic events in the lives of both McGahern and Butler shaped their paths, creating a want to write in McGahern and a want to create imagery in Butler. Butler explores the difficult and complex childhood that the two shared, and through a series of beautiful images that he himself has created in McGahern¿s own part of Ireland, he draws parallels between them and, as Eamonn Wall says in his Preface, produces a rich and life-affirming appreciation of literature, art and imagery.

«This collection marks the coming of age of Irish Jewish Studies. Beautifully curated by Zuleika Rodgers and Natalie Wynn, it brings together the best of recent scholarship, covering history, politics, literature and everyday life. Taken together these essays show the complexity of both the Irish Jewish experience and responses to them.»(Tony Kushner, James Parkes Professor of Jewish/non-Jewish relations, University of Southampton)«A refreshingly nuanced exploration of perceptions and self-perceptions of Irish Jews. The authors interrogate political, religious, economic, social and cultural discourses from the eighteenth century to contemporary times to unravel less-familiar expressions of antisemitism, alongside occasional philosemitism, and offer critical insights on the many reimaginations of Christian Ireland¿s long-standing migrant Other minority.»(Guy Beiner, Sullivan Chair of Irish Studies, Boston College)Discourse, both scholarly and popular, around the Jews of Ireland has increased in recent years and this volume of essays takes up the challenge of placing it within the framework of Jewish historiography and the study of Jewish history and culture. The focus of the volume is to provide a critical re-evaluation of the study of Irish Jews looking at key areas such as Irish Jewish historiography, communal traditions, antisemitism, nationalism (Jewish and Irish) and representations in popular media. Underlying the contributions is the desire to reassess the ways in which traditional scholarship and representation of Irish Jews have been shaped by uninterrogated narratives and a lack of understanding and sensitivity to the context of Jewish history and the Jewish experience.