Bøker i Rethinking Theory-serien

Exploring Shakespeare's treatment of different forms of love, this book offers an approach which gives a perspective on Shakespearean love and on the interaction between our common humanity and our historical contingency as they are reflected, recast, transformed, or even suppressed in literary works.

Bradley's century-old Shakespearean Tragedy.

Taking issue with history's harsh treatment of a woman who ruled under difficult circumstances, Adams convincingly recasts Isabeau as a respected and competent queen.

Such diverse perspectives can only stimulate debate in the academy and beyond about the history of the Gesamtkunstwerk and open up paths that may be followed in its future.

As both Americans and expatriates, these writers gained a unique perspective on American culture, particularly in terms of gender roles, national identity, artistic self-conception, mobility, and global culture.

It will interest English-language medievalists of several other disciplines: intellectual historians and specialists of English, as well as scholars of Italian and Iberian literature.

With a foreword by well-known neuroscientist Alain Berthoz, The Style of Gestures convincingly makes the case that embodied cognition is essential to the reception, understanding, and enjoyment of art and literature.

Medievalisms in the Postcolonial World will both redirect scholarship in medievalism and inform approaches to temporality in postcolonial studies.

Its unprecedented multidisciplinary and cross-cultural approach points the way to a complete reevaluation of the place of the crusades in medieval and modern societies.

Her book is a history of the literary act, a history of words, a history of ideas and works-monuments rather than documents-that calls into question modern concepts of literature.