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The eight essays in The Recovery of Old English consider major aspects of the progress of Anglo-Saxon studies from their Tudor beginnings until their coming of age in the second half of the seventeenth century.

Its over four hundred images make this manuscript (Cotton Claudius B. iv) one of the most extensively illustrated books to survive from the early Middle Ages and preserve evidence of the creativity of the Anglo-Saxon artist and his knowledge of other important early medieval picture cycles.

"The Third Gender" considers AElfric of Eynsham's treatment of gender as he translates Latin monastic saints' Lives for his Anglo-Saxon lay audience.

The eight essays in The Recovery of Old English consider major aspects of the progress of Anglo-Saxon studies from their Tudor beginnings until their coming of age in the second half of the seventeenth century.

Its over four hundred images make this manuscript (Cotton Claudius B. iv) one of the most extensively illustrated books to survive from the early Middle Ages and preserve evidence of the creativity of the Anglo-Saxon artist and his knowledge of other important early medieval picture cycles.

The thirteen articles collected in this volume were published between 1971 and 1997. Reprinting them is meant not only to make the articles more accessible but also to present a cohesive body of work (primarily on Anglo-Saxon art) that as a whole has yet to be surpassed or methodologically replaced in the scholarly literature.

This collection of essays addresses the concerns of Anglo-Saxon manuscript studies today, which have been given new energy by the publication of Helmut Gneuss's Handlist of Anglo-Saxon Manuscripts. .

The essays vary in subject, discipline, and methodological approach, they center on the interpretation of the material world, whether in literature, stone, or the artifacts removed from an archaeological dig. The essays deal mainly with the Germanic and Celtic worlds, but incorporate motifs from Eastern Christian and Roman cultures.