Bøker i Romanticism in Perspective:Texts, Cultures, Histories-serien

Don Juan , Byron's best poem, is a sensational radical satire. It uses the legend of Don Juan to expose the male fantasies behind Romanticism and nineteenth-century public culture. This book looks at how Europe's most famous literary celebrity shows his dark side in Don Juan , a canonical long poem and a pop culture masterpiece.

In recent years critics of Romantic poetry have divided into two groups that have little to say to one another. This book attempts to reconcile the two groups by arguing that a poet's most effective political action is the forging of a new language, and that the political import of a poem is a function of its style.

This book tackles the age-old interpretative problem of 'pleasure' in Keat's poetry by placing him in the context of the liberal, leisured and luxurious culture of Hunt's circle.

This text examines what De Quincey called "psychological criticism", a mode of studying how "literature of power" arouses ideas and images dormant in the subconscious.

By the late eighteenth century, universities in England and Germany had lost their sense of purpose. The romantics then presented them with a new one, a new Idea of a university. in England, Coleridge and Wordsworth attached to the German Idea a desire to keep the universities part of England's national church.

Cultural Politics in the 1790s examines the relationship between sentimental literature, political activism and the public sphere at the end of the eighteenth century.

In recent years critics of Romantic poetry have divided into two groups that have little to say to one another. This book attempts to reconcile the two groups by arguing that a poet's most effective political action is the forging of a new language, and that the political import of a poem is a function of its style.

Romantic Dynamics creatively collides English poetry with a wide range of exotic concepts associated with the 'new physics' of relativity and quantum to uncover their shared concerns for indeterminacy, uncertainty, relativity, and complexity in a chaotic universe.

Focusing on England, Hungary and on some other European countries, the book explores the latent religious patterns in the appropriation of Shakespeare from the 1769 Stratford Jubilee to the tercentenary of Shakespeare's birth in 1864.

Robinson's Reception and Poetics in Keats offers at once a history and readings of the many praise and commemorative poems to or about Keats (collected in an appendix) from the time of his early death up to the present day and a consequent rethinking of Keats's own poems and poetics.

Don Juan , Byron's best poem, is a sensational radical satire. It uses the legend of Don Juan to expose the male fantasies behind Romanticism and nineteenth-century public culture. This book looks at how Europe's most famous literary celebrity shows his dark side in Don Juan , a canonical long poem and a pop culture masterpiece.

There is a long-held view that Wordsworth's inspiration dried up before the age of forty. The argument is that, in order to appreciate this work, much of which was inspired by itineraries in Britain and in Europe, we have to read the poems as they were first published.

This book examines the male Romantics' versions of poetic authority in theory and practice in the context of their involvement in the political debates of Regency Britain and argues that their response to Burke's gendered discourse about power effected radical changes in the definitions of masculinity and femininity.

Published to commemorate the bicentenary of the second edition of Lyrical Ballads (1900), this collection gathers essays from ten leading British and American scholars to explore the distinctive originality of these famous volumes, and to analyse their lasting influence.

Cultural Politics in the 1790s examines the relationship between sentimental literature, political activism and the public sphere at the end of the eighteenth century.

Emerson's Sublime Science explores relationships among Emerson's poetics, theory of the sublime, and engagement with electromagnetism. The book illustrates how Davy's chemistry and Faraday's physics revealed to Emerson a sublime universe in which matter is boundless electrical force.

Bacchus in Romantic England describes real drunkenness among writers and ordinary people in the Romantic age. his companion Coleridge writes drinking songs, essays about drunkenness, and meditations about his own weakness of will that show both festive inebriety and consciousness of an inward abyss;

Romantic Dynamics creatively collides English poetry with a wide range of exotic concepts associated with the 'new physics' of relativity and quantum to uncover their shared concerns for indeterminacy, uncertainty, relativity, and complexity in a chaotic universe.

Romanticism on the Road challenges critical orthodoxy by arguing that Wordsworth rejected the political dogmas of his age. Refusing to ally with either radicals or conservatives after the French Revolution, the poet seizes on vagrants to attack the binary thinking dominating public affairs and to question the value of the Georgian domestic ideal.

Grounded in historical sources and informed by recent work in cultural, sociological, geographical and spatial studies, Romantic Geography illuminates the nexus between imaginative literature and geography in William Wordsworth's poetry and prose.

This book examines the male Romantics' versions of poetic authority in theory and practice in the context of their involvement in the political debates of Regency Britain and argues that their response to Burke's gendered discourse about power effected radical changes in the definitions of masculinity and femininity.

Robinson's Reception and Poetics in Keats offers at once a history and readings of the many praise and commemorative poems to or about Keats (collected in an appendix) from the time of his early death up to the present day and a consequent rethinking of Keats's own poems and poetics.

Published to commemorate the bicentenary of the second edition of Lyrical Ballads (1900), this collection gathers essays from ten leading British and American scholars to explore the distinctive originality of these famous volumes, and to analyse their lasting influence.

Focusing on England, Hungary and on some other European countries, the book explores the latent religious patterns in the appropriation of Shakespeare from the 1769 Stratford Jubilee to the tercentenary of Shakespeare's birth in 1864.

Jefferson and the Iconography of Romanticism is the first full-length study to examine how Jefferson, in the process of inventing the USA as the first new nation of the Romantic era, sought to find an appropriate imagery to represent the people, their homeland and the cultural ideal to which they should aspire.

In the winter of 1798-99, shut up in the freezing German town of Goslar, William Wordsworth began producing a series of lyrical fragments that appeared first in letters written to Coleridge and emerged eventually as source texts for The Prelude .