Bøker i Routledge Advances in Film Studies-serien

Hybrid Documentary and Beyond focusses on the theories, production techniques, ethical implications and impact of hybrid documentaries.

Breaking Down Joker offers a compelling, multi-disciplinary examination of a landmark film and media event that was simultaneously both celebrated and breaks down the movie to explore its aesthetic and ideological representations within the social and cultural context in which it was released.

This examination of film and television remakes focuses explicitly on why - since the dawn of cinema - studios have remade films over and over again. Each chapter provides insight into the business of Hollywood, the motivations of filmmakers and also the pleasures for audiences, and offers a separate explanation for the whys of remaking.

Hollywood Remembrance and American War addresses the synergy between Hollywood war films and American forms of war remembrance. This book develops a theoretical understanding of how Hollywood war films, as rhetorical sites of remembering and memory, reflect, replicate and resist American modes of remembrance.

This volume offers a unique exploration of how ageing masculinities are represented in contemporary international cinema. It will be of interest to scholars and students of film and screen studies, gender and masculinity studies, and cultural gerontology about a variety of national cinemas.

This volume offers a unique exploration of how ageing masculinities are represented in contemporary international cinema. It will be of interest to scholars and students of film and screen studies, gender and masculinity studies, and cultural gerontology about a variety of national cinemas.

This volume features a set of thought-provoking and long overdue approaches to situating Stanley Kubrick's films in contemporary debates around gender, race, and age - with a focus on women's representations.

This book investigates a group of exceptional films that single-mindedly consider one particular emotion - be it pity, lust, grief, or anxiety - to examine cinematic emotion in depth. It will have resonance for academics and practitioners in several fields of psychology, including social work, psychiatry, and therapy.

Digital Space and Embodiment in Contemporary Cinema examines how contemporary cinema has represented and engaged with the experience of simultaneously inhabiting digital and material spaces (i.e. "composite spaces") in the context of the growing ubiquitousness of digital media and culture.

Decline and Reimagination in Cinematic New York examines the cinematic representation of New York from the mid-1960s through the mid-1980s, placing the dominant discourse of urban decline in dialogue with marginal perspectives that reimagine the city along alternative paths as a resilient, adaptive, and endlessly inspiring place.

Breaking Down Joker offers a compelling, multi-disciplinary examination of a landmark film and media event that was simultaneously both celebrated and breaks down the movie to explore its aesthetic and ideological representations within the social and cultural context in which it was released.

This book explores horror film franchising from a broad range of interdisciplinary perspectives and considers the horror film¿s role in the history of franchising and serial fiction.

Australian Genre Film interrogates key genres at the core of Australia's so-called new golden age of genre cinema, establishing the foundation on which more sustained research on film genre in Australian cinema can develop.

"This book explores the ways in which Hollywood film cycles from the 1930s to the 1960s were shaped by their surrounding industrial contexts and market environments, to build an inclusive conception of the form, operation, and function of film cycles"--

"This book combines insights from the humanities and modern neuroscience to explore the contribution of affect and embodiment on meaning-making in case studies from animation, video games, and virtual worlds."--

"This work outlines a new methodology for film analysis based on the radical materialist thought of Baruch Spinoza, re-evaluating contemporary cognitive media theory and philosophical theories on the emotional and intellectual aspects of film experience"--

Hollywood Remembrance and American War addresses the synergy between Hollywood war films and American forms of war remembrance. This book develops a theoretical understanding of how Hollywood war films, as rhetorical sites of remembering and memory, reflect, replicate and resist American modes of remembrance.