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  • - Volume I: The 1950s. Neo-Realism, Hollywood, New Wave.
     
    3 169,-

    The Cahiers du Cinema has played a major role in establishing film theory and criticism as an essential part of the late twentieth century culture. This is the only source where Cahiers is sytematically represented in English.

  • - Volume II: 1960-1968. New Wave, New Cinema, Re-evaluating Hollywood
     
    2 844,-

    The Cahiers du Cinema has played a major role in establishing film theory and criticism as an essential part of the late twentieth century culture. This is the only source where Cahiers is systematically represented in English.

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    14 790,-

    This set collects together for the first time rare and scattered material on the history of pre-cinema.

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    10 901,-

    'Early Film' is generally taken to cover the period of invention (early 1890s) to the First World War. During the past twenty years, it has become a sophisticated area of cinema studies, with its own methodology.

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    8 134,-

    This three volume collection is both an introduction to those with a new interest in the subject, and a resource for researchers requiring access to facsimiles of original texts.

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    23 111,-

    A 6-volume collection that features articles, documents and books that shed light on the key developments in radio in the USA - most of which took place in the 1920s and 1930s. It covers various aspects of radio broadcasting in its formative years. It includes selections such as professional journal articles, , government publications, and others.

  • - Volume III: 1969-1972:.The Politics of Representation
     
    2 122,-

    This volume brings together seminal articles from the years 1969-1972, when "Cahiers du Cinema" writers were elaborating a major materialist account of the history, theory and criticism of cinema.

  • - 1973-1978: History, Ideology, Cultural Struggle
     
    1 915,-

    The fourth volume in this series of anthologies on the cinema covers the vibrant and turbulent period from 1973-78, in which the editorial make-up and policy of the journal changed radically, and issues of theory, history and politics dominated critical debate.

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