Bøker i Routledge Research in Museum Studies-serien

Museums, Societies and the Creation of Value focuses on the ways in which museums and the use of their collections have contributed to, and continue to be engaged with, value creation processes.

Museum Exhibitions and Suspense takes insights from screenwriting to revolutionise our understanding of exhibition curating.

Using the example of New Walk Museum, Leicester, and its' collections, the complexity, multi-causality, and reasons for change in museums are examined and explained. The 170 years history of New Walk provides an original basis and innovative approach to be adopted towards explaining museum change.

The Museum of Modern Art (MoMA) is widely recognized as the preeminent institution that defined twentieth-century art through its collection ¿ shaping our understandings of the history of art, with its hierarchies and exclusions, as they sediment over time. MoMA¿s lesser-known holdings of art from Latin America shed light on a key period which created stylistic categories that have since come to be accepted by many today as the Modernist canon. This study sheds light on an as yet unstudied aspect of MoMA¿s preeminent role in establishing the definition of the problematic term "Latin American art" in the United States. In examining shifting categorization of these works according to stylistic and geographic taxonomies, we gain a greater understanding of the organization of the Museum¿s collections as a whole during the 1940s and 1950s. This book is the first to document these institutional precedents, crucial for the understanding of the articulation of a Modernist canon and its contested legacy today.

Museums, Societies and the Creation of Value focuses on the ways in which museums and the use of their collections have contributed to, and continue to be engaged with, value creation processes.

Revisiting the Past in Museums and at Historic Sites demonstrates that museums and historic spaces are increasingly becoming "backdrops" for all sorts of appropriations and interventions that throw new light upon the objects they comprise and the pasts they reference.

Theorizing Equity in the Museum integrates the perspectives of learning researchers and museum practitioners to shed light on the deep-seated structures that must be accounted for if the field is to move past aspirations and rhetoric and towards more inclusive practices.

Curating Lively Objects explores the role of things as catalysts in imagining futures beyond disciplines for museums and exhibitions. Authors describe how their curatorial collaborations with diverse objects, from rocks to robots, generate new ways of organising and sharing knowledge.

This book examines the interactions and cultural clashes between Maori and non-Maori museum professionals in their day-to-day work at New Zealand's National Museum.

This is the first scholarly book to analyse contemporary African American museums from a multifaceted perspective. It examines the issues and challenges related to racial politics that black museums, and considers how they intersect with corporate culture, youth culture, and the broader art world.

The edited volume offers detailed analysis of how innovative curatorial relationships between museums and academia have sought to engage new, younger, audiences through the collaborative transformation of museums and exhibitions. Thematic topics explored include the forming and nature of interdisciplinary partnerships, the integration of museum learning into higher education, audience engagement, and digital technology. With a particular emphasis on practice in the US, the range of projects discussed includes those at both widely recognized and lesser known institutions, from The Met to the Tohono O¿odham Nation Cultural Center in the US, to Ewha University Museum in South Korea, and Palazzo Strozzi in Italy. The role of art and the work of the artist are firmly positioned at the core of many of the relationships explored.

Snapshots of Museum Experience uses a method of photo-elicitation with child visitors to the museum in order to investigate children¿s experience, rather than the usual focus on museum learning. By so doing, the book undermines many of our assumptions about the interests, needs and demands of child museum visitors.

"Simultaneously published in the UK"--Title page verso.

"Simultaneously published in the UK"--Title page verso.

"Simultaneously published in the UK"--T.p. verso.

Museum Thresholds is a progressively interdisciplinary volume, in which a range of international experts explore the importance and potential of entrance spaces for visitor experience. The chapters, in the three themed sections, explore a range of museum thresholds: first as a problem space; then through different media; and finally from the perspective of other subjects and professions (performance, gaming, retail and discourse studies) each of which have much to bring to future thinking and design.