Bøker i Routledge Studies in Renaissance Literature and Culture-serien

Visiting memory and erotics in the early modern period, this volume brings together two vibrant areas of Renaissance studies: the study of memory and the study of sexuality. Essays explore how memory re-shapes the concerns of queer studies, including the unhistorical, the experience of desire, and the limits of the body, and how the erotic revises the dominant trends of memory studies, from the rhetoric of the medieval memory arts to the formation of collective pasts. Showing that Shakespeare and contemporaries were deeply interested in the interoperability of memory and sexuality, the volume suggests that both undergird the fraught constructions of social identity in early modern England.

This collection of essays examines the idea of the future in early modern European literature, politics, religion, science, and social life. Investigating how both elite and popular writers represented their access to or control over the future, it proposes new insights into one of the defining characteristics of modernity.

Constitutes an original intervention into longstanding but insistently relevant debates around the significance of notions of 'performativity' to the critical analysis of early modern drama - particularly that of Jonson and Shakespeare.

Exploring the meanings early modern people found in dreams, this compelling collection of essays looks at a range of topics, including prophetic dreams, ghosts in political writing and the dreams of animals.

Luce Irigaray is one of the most influential and controversial feminist theorists of the 20th century. This text explores the pre-Enlightenment roots of Irigaray's thoughts, as well as the impact that her writing has had on our understanding of classical, medieval and Renaissance culture.

Using the literature of Shakespeare, Spenser and Jonson, this title investigates the social narratives of several social groups - an urban, middling group; an elite at the court of James; and an aristocratic faction from the countryside.

Broadening the conversation begun in Making Publics in Early Modern Europe (2009), this book examines how the spatial dynamics of public making changed the shape of early modern society. The publics visited in this volume are voluntary groupings of diverse individuals that could coalesce through the performative uptake of shared cultural forms and practices. The contributors argue that such forms of association were social productions of space as well as collective identities. Chapters explore a range of cultural activities such as theatre performances; travel and migration; practices of persuasion; the embodied experiences of lived space; and the central importance of media and material things in the creation of publics and the production of spaces. They assess a multiplicity of publics that produced and occupied a multiplicity of social spaces where collective identity and voice could be created, discovered, asserted, and exercised. Cultural producers and consumers thus challenged dominant ideas about just who could enter the public arena, greatly expanding both the real and imaginary spaces of public life to include hitherto excluded groups of private people. The consequences of this historical reconfiguration of public space remain relevant, especially for contemporary efforts to meaningfully include the views of ordinary people in public life.