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This book contextualizes a globalization process that has since ancient times involved the creation, use, and world-wide movement of song, instrumental music, musical drama, music with dance, concert, secular, popular and religious music. The Globalization of Music in History provides connectivity between the people and the activities and events in which music is used and the means by which it moves from one place to another.

This work elucidates the complexities of how Western governments, private citizens, and the Soviet Union used the issue of human rights violations as ideological weapon during the Cold War. It will pay particular attention to how private citizens both shaped and became an important part of the U.S. government¿s efforts to weaken the international prestige of the USSR.

The French withdrawal from Vietnam in 1954 was the product of global pressures and triggered significant global consequences. By treating the war as an international issue, this book places Indochina at the center of the Cold War in the mid-1950s. Arguing that the Indochina War cannot be understood as a topic of Franco-US relations, but ought to be treated as international history, this volume brings in Vietnamese and other global agents, including New Zealand, Australia, and especially Britain, as well as China and the Soviet Union. Importantly, the book also argues that the successful French withdrawal from Vietnam ¿ a political defeat for the Eisenhower administration ¿ helped to avert outright warfare between the major powers, although with very mixed results for the inhabitants of Vietnam who faced partition and further bloodshed.