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Examines the close relationship between art and science in British and American visual culture.
Elwick explores how the concept of "compound individuality" brought together life scientists working in pre-Darwinian London. Scientists conducting research in comparative anatomy, physiology, cellular microscopy, embryology and the neurosciences repeatedly stated that plants and animals were compounds of smaller independent units.
The nineteenth century was an important period for both the proliferation of "popular" science and for the demarcation of a group of professionals that we now term scientists.
From the mid-nineteenth century onwards a number of previously unknown conditions were recorded in both animals and humans. Known by a variety of names, and found in diverse locations, by the end of the century these diseases were united under the banner of "anthrax."
In the nineteenth century, the British Government spent money measuring the distance between the earth and the sun using observations of the transit of Venus. This book presents a narrative of the two Victorian transit programmes. It draws out their cultural significance and explores the nature of "big science" in late-Victorian Britain.
Britain in the long nineteenth century developed an increasing interest in science of all kinds. The essays in this collection uncover this symbiotic relationship between literature and science, at the same time bridging the disciplinary gulf between the history of science and literary studies.
As Sarah Alexander argues, while Victorian physicists were theorizing ether, energy and entropy, and non-Euclidean space and atom theories, writers such as Charles Dickens, William Morris, and Joseph Conrad used concepts of the imponderable to explore key issues of capitalism, imperialism, and social unrest.
Offers a deeper understanding of the work and character of the great eighteenth-century engineer. Stripping away layers of legend, David Philip Miller finds behind the heroic engineer a conflicted man often diffident about his achievements but also ruthless in protecting his inventions and ideas, and determined in pursuit of money and fame.
In the Victorian era, James Watt became an iconic engineer, but in his own time he was also an influential chemist. David Philip Miller examines Watt's illustrious engineering career in light of his parallel interest in chemistry, arguing that Watt's conception of steam engineering relied upon chemical understandings.
The Crucial Role Urban Spaces Played in the Production of Scientific Knowledge in Dublin
The Development of a Distinctive Public Science in Nineteenth-Century Australia
Examines Debates Surrounding the First Articulations of a Science of Life and Experiments on the Processes of Organic Vitality
Explores a Transatlantic News Economy That Circulated Information and Actively Shaped New Claims about the Red Planet
Long before government cutbacks forced its closure in 1980, the observatory was run by both major bodies responsible for the management of science in Britain: first the British Association for the Advancement of Science, and then, from 1871, the Royal Society.
The nineteenth century witnessed a dramatic shift in the display and dissemination of natural knowledge across Britain and America, from private collections of miscellaneous artifacts and objects to public exhibitions and state-sponsored museums.
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