Gjør som tusenvis av andre bokelskere
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First full-length examination of bastardy in Scotland during the period, exploring its many ramifications throughout society.
The experience of immigration to Australia from Scotland is outlined here, from daily life and occupation, to interactions with the indigenous inhabitants.Despite their significant presence, Scots have often been invisible in histories of Australian migration. This book illuminates the many experiences of the Scots in Australia, from the first colonists in the late-eighteenth century until the hopeful arrivals of the interwar years. It explores how and why they migrated to Australia, and their lives as convicts, colonists, farmers, families, workers, and weavers of culture and identity. It also investigatestheir encounters with the Australian continent, whether in its cities or on the land, and their relationship with its first peoples; and their connections to one another and with their own collective identities, looking at diversity and tension within the Scottish diaspora in Australia. It is also a book about the challenges of finding a place for oneself in a new land, and the difficulties of creating a sense of belonging in a settler colonial society. Dr Benjamin Wilkie is a Lecturer in Australian Studies and Early Career Development Fellow at Deakin University, Australia.
An examination of how and why Scotland gained its reputation for the supernatural, and how belief continued to flourish in a supposed Age of Enlightenment.SHORTLISTED for the Katharine Briggs Award 2019 Scotland is famed for being a haunted nation, "e;whare ghaists and houlets nightly cry"e;. Medieval Scots told stories of restless souls and walking corpses, but after the 1560Reformation, witches and demons became the focal point for explorations of the supernatural. Ghosts re-emerged in scholarly discussion in the late seventeenth century, often in the guise of religious propagandists. As time went on, physicians increasingly reframed ghosts as the conjurations of disturbed minds, but gothic and romantic literature revelled in the emotive power of the returning dead; they were placed against a backdrop of ancient monasteries,castles and mouldering ruins, and authors such as Robert Burns, James Hogg and Walter Scott drew on the macabre to colour their depictions of Scottish life. Meanwhile, folk culture used apparitions to talk about morality and mortality. Focusing on the period from 1685 to 1830, this book provides the first academic study of the history of Scottish ghosts. Drawing on a wide range of sources, and examining beliefs across the social spectrum, it shows howghost stories achieved a new prominence in a period that is more usually associated with the rise of rationalism. In exploring perceptions of ghosts, it also reflects on understandings of death and the afterlife; the constructionof national identity; and the impact of the Enlightenment. MARTHA MCGILL completed her PhD at the University of Edinburgh.
A fresh perspective on the role of the court in late medieval Scotland, highlighting its centrality to the effective government for which James IV is renowned.
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