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Challenging the conception of empowerment associated with the Black Power Movement and its political and intellectual legacies, this title contends that power can be found not only in martial resistance, but, surprisingly, where the black body has been inflicted with harm or humiliation.

"A queer way to be in the world and with others"--

A study of queer Latino America. Drawing on diverse cultural examples such as bolero, salsa, film, literature and correspondence, it flips the stereotype around, showing how Latin/o American lesbians and gays have consistently eschewed notions of sexual identity for a politics of intervention.

The essays in Queer Globalizations bring together scholars of postcolonial and lesbian and gay studies in order to examine from multiple perspectives the narratives that have sought to define globalization.

The LGBT agenda has been dominated by pragmatic issues like same-sex marriage and gays in the military. This book contends that queerness is instead a futurity bound phenomenon, a 'not yet here' that critically engages pragmatic presentism.

Dwight A. McBride examines the quiet way discriminatory hiring practices and racist ad campaigns seep into and reflect malevolent undertones in American culture. McBride maintains that issues of race and sexuality are often subtle and always messy, and his compelling new book does not offer simple answers.

It is a truth universally acknowledged that a single must be in search of a partner

One of a series which promotes scholarship about the experiences of sexual minorities, this book explores the social and cultural significance of the private. The author proposes that, far from a universal right, privacy is limited by one's racial - and sexual - minority status.

The first book solely devoted to Puerto Rican visability and cultural impact. The author looks as such pop icons as JLo and Ricky Martin as well as West Side Story.

Winner, 2019 ATHE Outstanding Book Award, given by the Association for Theatre in Higher EducationWinner, 2018 Errol Hill Award in African American theater, drama, and/or performance studies, presented by the American Society for Theatre ResearchA new manifesto for performance studies on the art of queer of color worldmaking. After the Party tells the stories of minoritarian artists who mobilize performance to produce freedom and sustain life in the face of subordination, exploitation, and annihilation. Through the exemplary work of Nina Simone, Jorge Ignacio Cortiñas, Danh Vo, Felix Gonzalez-Torres, Eiko, and Tseng Kwong Chi, and with additional appearances by Nao Bustamante, Audre Lorde, Martin Wong, Assata Shakur, and Nona Faustine, After the Party considers performance as it is produced within and against overlapping histories of US colonialism, white supremacy, and heteropatriarchy. Building upon the thought of José Esteban Muñoz alongside prominent scholarship in queer of color critique, black studies, and Marxist aesthetic criticism, Joshua Chambers-Letson maps a portrait of performance's capacity to produce what he calls a communism of incommensurability, a practice of being together in difference. Describing performance as a rehearsal for new ways of living together, After the Party moves between slavery, the Civil Rights Movement, the first wave of the AIDS crisis, the Vietnam War, and the catastrophe-riddled horizon of the early twenty-first century to consider this worldmaking practice as it is born of the tension between freedom and its negation. With urgency and pathos, Chambers-Letson argues that it is through minoritarian performance that we keep our dead alive and with us as we struggle to survive an increasingly precarious present.

Contends that our notions of black American identity are not inevitable, nor have they simply been forced onto the black community. This work also argues that black American intellectuals have actively chosen the identity schemes that seem to us so natural.

Revised edition of the author's Cruising utopia, c2009.

Brings together theories of passing across a host of disciplines from critical race theory and lesbian and gay studies, to literary theory and religious studies

The author documents the ways in which identity formation and representation within the gay Latinidad population impacts gender and cultural studies today.

Combining psychoanalytic, literary and queer theory, Paul Morrison seeks to account for the explanatory power attributed to homosexuality and its relationship to compulsory heterosexuality. He presents a scathing indictment of psychoanalysis and its impact on the study of sexuality.

Examines the significance of the transgender body in a provocative collection of essays on queer time and space

"Keeling's "Queer Times, Black Futures" explores the issues of gender and race"--

""Becoming Human" explores matter and meaning in an antiblack world"--

Addresses this central question: if race has been settled as a legal or social construction and not as biological fact, why do Asian American artists, authors, and performers continue to scrutinize their body parts?

Takes the enslaved person's claims of human consumption seriously, focusing on both the literal starvation of the slave and the tropes of cannibalism on the part of the slaveholder, and further draws attention to the ways in which Blacks experienced their consumption as a fundamentally homoerotic occurrence.

Proposes a theory of sexual politics that works in the interstices between radical queer desires and the urgency of transforming public policy, between utopian longings and everyday failures.

Advances a rethinking of law as capacious rhetorics of citizenship, justice, equality, and freedom.