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  • av Sara Mesa
    207,-

  • av Susana Medina
    207,-

    Nina, a drifter from southern Spain comes to London in search of experience, only to find that the strangest of stories is hiding in her father's loft in America... A playfully concocted, fast-paced novel committed to the irresistible pleasure of reading, both a celebration and a critique of our relationship to objects (from fetishes, to curios, to commodities, to objectum sexuality, to our becoming cyborgs through our addiction to technology), Philosophical Toys travels through different times, countries and experiences as chance leads Nina to encounter time and again the enigmatic nature of things, which end up transforming her into that most rare of species: a female philosopher. Witty and elegiac, Philosophical Toys takes the reader on a tour of fetishism, late capitalist culture, Buñuel's films, psychoanalysis, Alzheimer's disease, as well as the avatars of belonging to two cultures, an experience increasingly shared by a myriad of expatriates.

  • av Luis Magrinya
    173,-

    Four pairs of stories-four "double rooms"-sit side by side in the latest work of fiction by one of Spain's most compelling writers. Double Room is a subtle meditation on the bonds between parents and children, the burdens of illness and grief, and the places we make our home.

  • av Manuel Perez Subirana
    148,-

    A young lawyer sets out on a mission to recapture the promise of his youth. His attempt leaves him stranded between a past he no longer recognizes and a life that's no longer his-and he soon begins to suspect that the surest path to happiness lies in simply giving up. A moving novel about defeat, memory, and the seductive prospect of losing it all.

  • av Julián Ríos
    135,-

    Just as Ezra Pound wrote a "Homage to Sextus Propertius" to pay tribute to an important influence, Julian Rios offers in his new novel a "Homage to Ezra Pound" (as the original Spanish edition is subtitled). On November 1, 1972, news of Pound's death in Venice reaches three Spanish bohemians in London, passionate admirers of "il miglior fabbro" ("the better craftsman", as Eliot called him), who decide to honor Pound's memory by visiting various sites in London associated with him. Filled with allusions to Pound's life and works and written in a style similar to Finnegans Wake, Rios's word-mad novel features the same characters from his first novel, Larva: the poet Milalias, his girlfriend Babelle, and their mentor X. Reis, each of whom writes part of the novel: Milalias writes the Joycean main text, Reis (as Herr Narrator) adds commentary on facing pages, and Babelle furnishes maps and photos. Together, they compile the "Parting Shots" at the end, dazzling short stories that expand upon incidents in the main text. Sound confusing? No more so than the Cantos, and Rios is much funnier.

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