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In John Willett's translation, this edition contains expert notes on the author's life and work, historical and political background to the play, photographs from stage productions and a glossary of difficult words and phrases

An expertly annotated edition of the classic American text A Raisin in the Sun: exploring the politics, context and themes of this important dramatic work.

A Student Edition of Shelagh Stephenson's award-winning play, complete with full introduction, commentary and questions for study.

"Methuen Drama student editions"--Cover.

This is a adaptation of Carlo Goldini's 18th century comedy about a wily servant who gets the best of his masters by hook and crook.

First issued by Methuen in 1959, this play was the first title in the "Modern plays" series aimed at the burgeoning readership of young theatregoer This title and five others are reissued, representing the range and vitality of the list of titles in print .

A revised edition of this satirical study of the effects of the Big Bang, which caused the inhabitants of London City to applaud and decry its presentation of their lives. Since then it has provoked city financiers the world over to heated debate.

John Galsworthy (1867-1933), novelist and dramatist, is most widely known as the author of The Forsyte Saga, but recent productions testify to the power that his plays still exert over modern audiences and the strength and relevance of the issues he raise

"This is spell-binding, mind-challenging drama that touches greatness: and what is more, it is written in that wonderful Arden language that seems to be hewn out of granite." Michael Billington (The Guardian)

Two years after its disastrous opening in 1896, "The Seagull" was successfully revived at the Moscow Art Theatre. Checkhov's self-mocking description of the play was: "A comedy - 3F, 6M, four acts, rural scenery (a view over a lake); much talk of literature, little action, five bushels of love".

The original version of Wesker's imaginiative reworking of Shakespeare's The Merchant of Venice. With notes and commentary by Glenda Leeming.

Chekhov's widely performed classic study of provincial life explores the irony of hope and the inadequacy of consolation.

Described by Brecht as "a gangster play that would recall certain events familiar to us all", Arturo Ui is a witty and savage satire of the rise of Hitler - recast by Brecht into a small-time Chicago gangster's takeover of the city's greengrocery trade.

Six people arrive in a theatre during rehearsals for a play. But they are not ordinary people, they are characters from an unwritten play. Trapped inside a traumatic event from which they long to escape, the director invites them to act out the key events of their lives.

My Mother Said I Never Should premiered in 1987 at the Contact theatre in Manchester and was subsequently presented in 1989 at the Royal Court Theatre in London.

Innovative in form, flexible in performance and political in import, Pornography is the perfect addition to the Student Edition series.

"Mr McDonagh is destined to be one of the theatrical luminaries of the 21st century" (The New Republic)

Antigone, defying her uncle Creon's decree that her brother should remain unburied, challenges the morality of man's law overruling the laws of the gods. The clash between her and Creon with its tragic consequences have inspired continual reinterpretation. This translation was made for a BBC TV production of the "Theban Plays" in 1986.

This play, widely considered Strindberg's masterpiece, presents the conflict between sexual passion and social position. Helen Cooper's new translation, premiered at the Greenwich Theatre in 1990, is from a literal by Peter Hogg

First staged in Britain in 1983, 'Glengarry Glen Ross' is the tale of four real-estate salesmen in a cut-throat sales competition. It won the Pulitzer Prize in 1984 and was made into a film, starring Al Pacino, Jack Lemmon, Kevin Spacey and Alec Baldwin, in 1992. This Student Edition contains a full introduction, commentary and questions for study.

This play was published to coincide with its British premiere, directed by Harold Pinter, at the Royal Court Theatre, London.