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After the Last Ship illustrates the author's own history, as well as its connection to the history of other women and children who left India and made the journey across the Kala Pani, the Indian Ocean, and lived as migrants in other countries. In this book the author brings greater understanding of how subjectivities are shaped through embodied experiences of 'mixed race'. She bears witness to the oppressive policies of the fascist government in Portugal in the 1960's and 1970's and the effects of displacement and exile, by reconstructing her own passage from India to Mozambique and finally to Australia. Further, the author shows the devastation that labels such as 'half-caste', 'canecos' and 'monhe' can cause, when they eat at your flesh, your being, and your body. She sheds light on how identity and culture can serve as vehicles of empowerment, how experiences of belonging can germinate and take root post-diaspora.

By the mid-twentieth century the various Australian states began changing their approaches to Aboriginal peoples from one of exclusion to assimilation. These policy changes meant that Aboriginal people, particularly those identified as being of mixed heritage, were to be encouraged to become part of the dominant non-Aboriginal community ¿ the Australian nation. This book explores this significant policy change from a cultural perspective, considering the ways in which assimilation was imagined in literary fiction of the 1950s and 1960s. Drawing on novels from a range of genres ¿ the Gothic, historical romance, the western and family melodrama ¿ it analyses how these texts tell their assimilation stories. Taking insights from critical whiteness studies the author highlights both the pleasures and anxieties that the idea of Aboriginal assimilation raised in the non-Aboriginal community. There are elements of these assimilation stories ¿ maternal love, stolen children, violence and land ownership ¿ that still have an impact in the unsettled present of many post-colonial nations. By exploring the history of assimilation the author suggests ideas for a different future.

What does an Australian look like? Many Australians assume that there is such a thing as an ¿ethnic¿ face, and that it indicates recent arrival or refugee status. This volume contains nine life narratives by Australians who reflect on the experience of being categorised on the basis of their facial appearance. The problem of who is ¿us¿ and who is ¿them¿ is at the heart of some of the most important challenges facing the contemporary world. Assuming that facial appearance and identity are inextricably linked makes this challenge even harder. The introduction by the editor provides the theoretical framework to these narratives. It discusses the relevance to notions of belonging and identity of the term ¿mixed race¿, and concludes that we are all mixed race, whether we look white, black or ¿ethnic¿.

Anglo-Indians are the human legacy of European colonialism. These descendants of European men and Indian women regularly appear as disconsolate and degenerate figures in colonial and postcolonial literature, much to the chagrin of contemporary Anglo-Indians. Many significant writers, such as Rudyard Kipling, Maud Diver, John Masters, Salman Rushdie and Hari Kunzru, have created Anglo-Indian characters to represent the complex racial, social and political currents of India's colonial past and postcolonial present. This book is the first detailed study of Anglo-Indians in literature. Rather than simply dismissing the representation of Anglo-Indians in literary texts as offensive stereotypes, the book identifies the conditions for the emergence of these stereotypes through close readings of key novels, such as Bhowani Junction, Midnight's Children and The Impressionist. It also examines the work of contemporary Anglo-Indian writers such as Allan Sealy and Christopher Cyrill. Presenting a persuasive argument against 'image criticism', the book underscores the importance of contextualizing literary texts, and makes a timely contribution to debates about 'mixed race' identities, minoritarian literature and interculturalism.