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Combines ethnographic and historic strategies to reveal how dance plays crucial cultural roles in various regions of the world, including Tonga, Java, Bosnia-Herzegovina, New Mexico, India, Korea, Macedonia, and England. This work finds a balance between past and present and examines how dance practices are core identity and cultural creators.
A collaboration between well-established and rising scholars, Futures of Dance Studies suggests multiple directions for new research in the field. Essays address dance in a wider range of contexts - onstage, on screen, in the studio, and on the street - and deploy methods from diverse disciplines.
This text explores the relationship between dancing bodies and sexual identity on the concert stage, in nightclubs, in film, in the courts and on the streets and tracks the intersections of dance and human sexuality in the twentieth century as the definition of each has shifted and expanded.
Examines the work of the dramaturg in contemporary dance and movement performance. Katherine Profeta, a working dramaturg for more than fifteen years, shifts the focus from asking "Who is the dramaturg?" to "What does the dramaturg think about?" Profeta explores five arenas for the dramaturg's attention-text and language, research, audience, movement, and interculturalism.
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